★★★✰✰ The Fall Fashion Gala has become a staple at New York City Ballet, a siren song to the well-heeled, who show up in their fineries year after year. It’s also a big money-maker...
Tag - Harrison Ball
★★★★✰ "Boy is it good to be in the presence of dancers and musicians again." concludes Marina Harss review of New York City Ballet’s fall season opening performance.
★★★★✰ New York City Ballet is off to a fine start when it opens the winter season with a very well-danced all Balanchine, all Stravinsky program.
★★★★✰ For Balanchine, Shakespeare’s characters are two-dimensional types, exemplary but wholly unreal. They are shadows in a shadow-play, representing this or that quality...
★★★★✰ There’s a reason why New York City Ballet doesn’t do George Balanchine’s Scotch Symphony very often. It’s a strangely disjointed ballet...
★★★✰✰ Come hell or high water, George Balanchine’s The Nutcracker will return to New York City Ballet, filling the theatre night after night. Balanchine made a ballet built to last, and it has not disappointed.
★★★★★ Alexei Ratmansky’s Odessa left me breathless. The dancing (I saw both casts) was phenomenal on all levels: assured, expressive, and thoroughly dramatic.
★★★✰✰ With his latest, The Decalogue, which opened on May 12, Justin Peck seems to have turned a new page...
★★★✰✰ With only four works, no intermissions and a run time of less than two hours, New York City Ballet’s Spring Gala was short and to the point.
★★★✰✰ It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue...
★★★✰✰ More than anything, Peck's "The Times are Racing" reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?
★★★★✰ But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.
★★★✰✰ What do you do with a problem like Jewels? This 1967 blockbuster by George Balanchine is a hard one to pull off...
Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold...
More from the NYCB Winter Season with Marina Harss reviewing 2 bills made up of 6 works: Concerto Barocco, The Goldberg Variations, Symphonic Dances, The Cage, Andantino and Cortege Hongrois...
"...it’s hard not to get the impression that New York City Ballet is on a roll."