"Heather Ogden" tag
Natalia Magnicaballi in Tzigane.© Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet’s Final Performances in Washington

This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems…

Yasmine Naghdi and Ryoichi Hirano in The Dreamers Ever Leave You.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

National Ballet of Canada and The Royal Ballet – The Dreamers Ever Leave You – London

★★★✰✰   Binet’s aspiration is that audiences should see beautifully trained dancers in a spiritual light, embodying Lawren Harris’s quest for the divine in nature.

Heather Ogden in The Dreamers Ever Leave You.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet and National Ballet of Canada in The Dreamers Ever Leave You

Photographed at Printworks. Gallery by Foteini Christofilopoulou…

Svetlana Lunkina in Giselle.© Aleksandar Antonijevic. (Click image for larger version)

National Ballet of Canada – Giselle – Toronto

★★★★✰   On opening night, Svetlana Lunkina in the title role gave one of those unique performances in which the ballerina completely disappears into her heroine, putting her entire living self into the role.

Violeta Angelova and Kirk Henning in the Scene d’amour from Romeo and Juliet, choreography by Maurice Bejart.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Walpurgisnacht Ballet, Midsummer Night’s Dream, Romeo and Juliet, Emeralds – Washington

Suzanne Farrell Ballet’s new program, “Balanchine, Béjart, and the Bard,” presented at the Kennedy Center Opera House at the end of October, was dedicated to the 400th anniversary of Shakespeare’s death. It offered an appealing mix of four ballets

Michael Cook and Natalia Magnicaballi in Duo Concertant.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Pas de Dix, Duo Concertant, Tempo di Valse, Agon – Washington

…offered a perfect Balanchine sampler, bringing together an assortment of ballets, full of unexpected juxtapositions, from very different periods of the choreographer’s long career.

Heather Ogden and Michael Cook in Mozartiana.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Mozartiana, Episodes – Washington

The much admired Suzanne Farrell Ballet have just been performing at their Kennedy Center home in Washington – Oksana Khadarina reviews the Balanchine works (Mozartiana and Episodes) on Programme A…

Greta Hodgkinson and Guillaume Cote in Giselle.© Aleksandar Antonijevic. (Click image for larger version)

National Ballet of Canada – Giselle – Saratoga

Quibbling and Côté aside, these were both terrific performances, bursting with energy …I wouldn’t mind seeing the Canadians become regular visitors to Saratoga

Guillaume Cote and Heather Ogden in Romeo and Juliet.© Dave Morgan. (Click image for larger version)

National Ballet of Canada – Romeo and Juliet – London

The result is oddly old-fashioned – even more so than John Cranko’s version, which the Canadians had performed since 1964.

Juliet and her nurse (Lorna Gedes, Heather Ogden) in Ratmansky's Romeo & Juliet.© Dave Morgan. (Click image for larger version)

Gallery – National Ballet of Canada in Romeo and Juliet

20 pictures by Dave Morgan…

Elisabeth Holowchuk, Michael Cook and company in Slaughter On Tenth Avenue.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program B – Washington

The company premiere of The Prodigal Son was the centerpiece and highlight of the Suzanne Farrell Ballet’s second all-Balanchine program at the Kennedy Center Eisenhower Theater – a program that also included Divertimento No. 15 and Slaughter on Tenth Avenue.

Suzanne Farrell Ballet in Danses Concertantes.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program A – Washington

When watching them perform one understands what dance critic Joan Acocella meant when she said: “Every single time Suzanne Farrell sets a Balanchine ballet – it rises from the dead.”

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