"Janie Taylor" tag
Stephanie Amuro in Helix.© Rose Eichenbaum. (Click image for larger version)

L.A. Dance Project – Harbor Me, 3 Marth Graham duets, Helix, On the Other Side – New York

L.A. Dance Project Harbor Me, Marth Graham duets (White, Star, Moon), Helix, On the Other Side ★★★✰✰ New York, Joyce Theater 27 July 2016 www.ladanceproject.com www.joyce.org LA Story Since his quick exit from…

NYCB in Christopher Wheeldon's American Rhapsody.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with American Rhapsody (Wheeldon premiere) – New York

★★★✰✰   It wouldn’t be spring without ballet galas. This week it was New York City Ballet’s turn. On the program were two new works, by Christopher Wheeldon and the relatively unknown Nicolas Blanc, the latter a veteran of the New York Choreographic Institute.

Andrew Veyette, Sterling Hyltin and Company in Justin Peck's Everywhere We Go.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala and Justin Peck premiere, Everywhere We Go – New York

Justin Peck has gone from unknown corps-member to choreographer-of-the-moment in a blink of an eye. (He created his first piece for the company in 2012; this is his sixth.)

Amar Ramasar and Maria Kowroski in the first aria of Stravinsky Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Four Temperaments, Stravinsky Violin Concerto – New York

Watching these three ballets, made over a span of thirty-two years, one can see how Balanchine’s style evolved toward the hyper-stylization of Violin Concerto…

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Ashley Bouder as Choleric with Robert Fairchild and Adrian Danchig-Waring in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Black & White Balanchine bill – New York

What most struck me on this particular evening was the transparency, and clarity of intention, that marked each work.

Sterling Hyltin and Amar Ramasar in Justin Peck’s Paz de la Jolla.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Paz de la Jolla premiere and bill – New York

It’s a good thing indeed when a visit to the ballet turns out to be a night full of surprises, all of them good.

Megan Fairchild and Chase Finlay in George Balanchine's Duo Concertant.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Black and White program – New York

I’ve noticed two troubling trends this season at New York City Ballet. Perhaps they are connected. The first is the creeping tendency toward stolid tempi from the pit…

Justin Peck.© Paul Kolnik. (Click image for larger version)

Interview: Justin Peck – New York City Ballet – Dancer and Choreographer

“It’s very lonely out there… I mean, it would be nice to have some sort of mentorship with regard to what it takes to be a choreographer.”

Chase Finlay in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

What is there to say about Orpheus, except that it seems to slip deeper into the recesses of time? I’ve read that at the première, the critic and poet Edwin Denby was so moved by it that he sat dumbfounded during intermission, unable to stand. It is difficult to imagine such a reaction today.

Teresa Reichlen as Titania, with Bottom (Henry Seth) in Balanchine's A Midsummer Night’s Dream. © Paul Kolnik.

New York City Ballet – A Midsummer Night’s Dream – New York

In the second act, storytelling gives way to pure dance, the highpoint of which is one of the most delicate, poetic pas de deux ever made – an allegory of love, danced by an unidentified couple. It is a Balanchinean vision of absolute trust and partnership…

Ask la Cour, Rebecca Krohn, Janie Taylor and Ashley Bouder in Serenade. © Paul Kolnik. (Click image for larger version)

New York City Ballet – Opening Night of Spring Season – New York

It’s becoming something of a New York City Ballet tradition to start off the season with, if not a whimper, then let’s say a less-than-stellar performance. Perhaps it’s a kind of exorcism, a ritual cleansing. Maybe that’s why the gala usually takes place a few days later…

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