"Jerome Kaplan" tag
Polina Semionova in La Bayadère.© Yan Revazov. (Click image for larger version)

Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin

★★★★✰   In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…

Zurich Ballet in Swan Lake.© Carlos Quezada. (Click image for larger version)

Zurich Ballet – Swan Lake – Zurich

★★★✰✰   But, at least to my eye, the production’s triumph is its final lakeside act. There, the formations of swans, as originally choreographed by Lev Ivanov, become intricate, delicate, lyrical, and intensely moving.

Kimin Kim and Sofia Matyushenskaya in Don Quixote.© M Logvinov. (Click image for larger version)

Yacobson Ballet – Don Quixote – St. Petersburg

★★★★✰   Kobborg has deconstructed the work; mixing up the narrative’s building blocks before reassembling them in a masterpiece of balance that remains recognisably traditional but is also refreshingly new.

Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Olga Smirnova and Semyon Chudin in La Belle.© Alice Blangero. (Click image for larger version)

Les Ballets de Monte Carlo – La Belle – Monte-Carlo

★★★★✰   Maillot has succeeded in giving perhaps the most authentic retelling of Perrault’s story in dance with his tale of love overcoming the darkest evil…

Leanne Stojmenov in Alexei Ratmansky's Cinderella.© Jeff Busby. (Click image for larger version)

Australian Ballet – Cinderella – London

★★★✰✰   …the production lurches between down-to-earth Aussie niceness and the designer’s European conceits…

American Ballet Theatre in Ratmansky's Serenade after Plato’s Symposium.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

★★★★✰   It isn’t often that a gala program proves satisfying, but this one was the exception.

Tobias Batley as Gatsby, Martha Leebolt as Daisy and Guiliano Contadini as Nick in The Great Gatsby.© E. Kauldhar. (Click image for larger version)

Northern Ballet – The Great Gatsby – London

David Nixon must be able to lay claim to being the most prolific creator of full-length narrative ballets at work today…

Martha Leebolt and Giuliano Contadini in Jean-Christophe Maillot's Romeo and Juliet.© Andy Ross. (Click image for larger version)

Northern Ballet – Romeo and Juliet – Edinburgh

The Jean-Christophe Maillot Romeo and Juliet, last week given its UK premiere by Northern Ballet, is a strange thing.

Leanne Stojmenov in Cinderella.© Jeff Busby. (Click image for larger version)

Australian Ballet – Alexei Ratmansky Cinderella premiere – Melbourne

This Cinderella, the hotly anticipated centerpiece of the Australian Ballet’s 2013 season, is sensationally, luxuriantly, and extravagantly beautiful…

Poster image for Jane Eyre.© Shanghai Ballet Company. (Click image for larger version)

Shanghai Ballet Company – Jane Eyre – London

“It is performed with great commitment…” says Lynette Halewood of a Jayne Eyre ruthlessly pruned for dance…

Ida Praetorius as Eleonore in Kermessen in Bruges, with Louise Ostergaard, Josee Bowman and Fernando Mora.© Costin Radu. (Click image for larger version) cr Kermessen

Royal Danish Ballet – La Ventana, Kermesse in Bruges – Copenhagen

In fact delight was the keynote of the whole evening …I was very happy to see the whole company reclaiming their ‘joy in dancing’, the Bournonville essence which is fundamentally what keeps these old ballets alive.

Carla Körbes and Seth Orza in Jean-Christophe Maillot’s Roméo et Juliette.© Angela Sterling & courtesy of Pacific Northwest Ballet. (Click image for larger version)

Pacific Northwest Ballet – Romeo et Juliette – New York

Without Körbes’s natural, radiant dancing, Jean-Christophe Maillot’s Roméo et Juliette, which dominated the company’s four-day run, would have been hard to bear.

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