The Royal Ballet – Infra, Divertissements, The Age of Anxiety, The Dream, Song of the Earth – New York
These are dancers worth following in a wide repertory of works; it’s a shame to see them go while feeling we’ve barely gotten to know them better.
New York Theatre Ballet – Capriol Suite, Two Timing, Cat’s Cradle, Such Longing, Dark Elegies – New York
The program presented at St. Mark’s this past week reflects all of these positive developments; even more, it seemed infused with a new sense of assurance and identity.
Of the three Choreographics evenings to date I thought this was the best, with all the pieces feeling buffed-up, thought about and nobody making a huge wrong turn.
The most impressive (if not, incredible) thing is that his scratch company exudes the professionalism that one would expect from a tight-knit group that has lived, trained, rehearsed and performed together for seasons.
The final triple bill of the Royal Ballet’s season reverts to its founder’s faith in classical ballet as an expressive language.
Gallery by Dave Morgan…
After a week of modernist works by Balanchine set mostly to Stravinsky, Hindemith, Webern, there’s no denying that a night of French music falls sweetly on the ear.
American Ballet Theatre – Les Sylphides, Pillar of Fire, Fancy Free, Theme and Variations – New York
There are times when a dance lover just can’t believe her good fortune and one of those times comes around once a year in New York…
After its premiere in Paris last autumn, Christopher Wheeldon’s An American in Paris is about to open in New York. Marina Harss talks to Wheeldon and the 2 stars of the show – Leanne Cope and Robert Fairchild…
San Francisco Ballet’s Program 4 is a double bill coupling a welcome return of Robbins’ Dances at a Gathering with a Liam Scarlett’s Hummingbird.
The most obvious, and pleasurable aspect of New York City Ballet’s mixed bill Hear the Dance: America is its juxtaposition of two very different works by Jerome Robbins.
More from the NYCB Winter Season with Marina Harss reviewing 2 bills made up of 6 works: Concerto Barocco, The Goldberg Variations, Symphonic Dances, The Cage, Andantino and Cortege Hongrois…
Too much Chopin? Perhaps.
McBride joined the New York City Ballet in 1959, and two years later, at the age of 18, she was promoted to the rank of principal, becoming the youngest principal dancer in the troupe’s history.
Juilliard Dance – New Dances, Edition 2014: works by Austin McCormick, Loni Landon, Kate Weare, Larry Keigwin – New York
While the program slumped, mood wise, in the middle, it went out with a bang thanks to Larry Keigwin’s Exit Like an Animal.
Suzanne Farrell Ballet – Swan Lake, Monumentum Pro Gesualdo, Movements for Piano and Orchestra, Allegro Brillante, The Concert – Washington
It’s hard to imagine a better program to showcase the power of ballet as an expressive art than Suzanne Farrell Ballet’s impressive offering for its annual season at the Kennedy Center.
The programme was so underwhelming that I went twice in succession, to see whether alternative casts could make a difference.
Troy Schumacher’s BalletCollective company is a work in progress and unusually has a resident writer, Cynthia Zarin. Marina Harss, at New York’s Skirball Center, sees where they are all at…