"Jerome Robbins" tag
Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

Lorena Feijoo in Possokhov's Optimistic Tragedy.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Seven Sonatas, Optimistic Tragedy (premiere), Pas/Parts 2016 – San Francisco

★★✰✰✰   The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work ‘Optimistic Tragedy’.

Tiler Peck in Justin Peck's The Times are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Times are Racing, The Shimmering Asphalt, Fearful Symmetries – New York

★★★✰✰   More than anything, Peck’s “The Times are Racing” reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?

Koto Ishihara, Francisco Mungamba and Wei Wang in Bubeníček's Fragile Vessels.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco

★★★★✰   The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

American Ballet Theatre in Jessica Lang's Her Notes.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Jessica Lang’s Her Notes prmeiere + others – New York

★★★★✰   Jessica Lang’s Her Notes is a lovely and poetic work, though one with a slightly subdued effect. It is almost too tasteful.

Arianna Maldini and pianist Jonathan Higgins in Mistake Waltz.© Johan Persson. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2016 – London

★★★★✰   The Royal Ballet School in particular includes something very special in their show – the closing Grand Defile, which always brings a lump to the throat and a feeling of pride.

American Ballet Theatre in Ratmansky's Serenade after Plato’s Symposium.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

★★★★✰   It isn’t often that a gala program proves satisfying, but this one was the exception.

NYCB in Christopher Wheeldon's American Rhapsody.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with American Rhapsody (Wheeldon premiere) – New York

★★★✰✰   It wouldn’t be spring without ballet galas. This week it was New York City Ballet’s turn. On the program were two new works, by Christopher Wheeldon and the relatively unknown Nicolas Blanc, the latter a veteran of the New York Choreographic Institute.

Abi Stafford in Flower Festival in Genzano.© Paul Kolnik. (Click image for larger version)

New York City Ballet – 21st Century Choreographers & Classic NYCB I bills – New York

★★★★✰   New York is a good place to be in springtime.

Frances Chung, Jennifer Stahl, Dores André and Joseph Walsh in Justin Peck's In The Countenance Of Kings.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Continuum, In the Countenance of Kings (premiere), Theme and Variations – San Francisco

★★★★✰   San Francisco Ballet (SFB) saved the best for its last mixed bill of the 2016 season.

Juilliard Dance in Jiri Kylian's Symphony of Psalms.© Rosalie O'Connor. (Click image for larger version)

Juilliard Dance – Roses, Moves, Symphony of Psalms – New York

★★★✰✰   The dancers are young, but already skilled. They’re well trained, well-rounded. But they don’t yet have strong artistic personalities. That can be a good thing…

Pacific Northwest Ballet in David Dawson's A Million Kisses to my Skin.© Angela Sterling. (Click image for larger version)

Pacific Northwest Ballet – A Million Kisses to my Skin, The Vertiginous Thrill of Exactitude, Emergence – New York

★★★✰✰ Overall, the impression was of a company in top form, at ease in a variety of styles. The dancers have an easy-going, open demeanor that makes even the knottiest works look more appealing.

Kim Brandstrup.© Johan Persson. (Click image for larger version)

Kim Brandstrup – Choreographer

It’s a busy time for Kim Brandstrup with premieres at Rambert, New York City Ballet and, later in spring, a full-evening work for Royal Danish Ballet. Jann Parry interviews one of the most thoughtful and reflective of choreographers…

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York

★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin…

Sara Mearns and Adrian Danchig-Waring in Glass Pieces.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Masters at Work and All Balanchine I bills – New York

★★★★✰ (20), ★★★✰✰ (21) The temperature in Glass Pieces was uncharacteristically low. Under the baton of Clotilde Otranto, the orchestra sounded muffled…

Sara Mearns and Tyler Angle in Peter Martins' Barber Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Music Director’s Choice: Barber Violin Concerto, Fancy Free, Who Cares?, Candide (Overture) – New York

★★★✰✰ Lauren Gallagher at New York City Ballet’s Winter Season Opening where they introduced their new music director, Andrew Litton, in some style by naming the bill “Music Director’s Choice”…

Rika Okamoto and Matthew Dibble in Yowzie publicity image.© Ruven Afanador. (Click image for larger version)

Twyla Tharp – 50th Anniversary Tour: First Fanfare, Preludes and Fugues, Second Fanfare, Yowzie – New York

…one can’t help but admire the torrent of ideas bouncing around Tharp’s brain…

Marianela Nunez and Carlos Acosta in his Carmen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Carmen, Viscera, Afternoon of a Faun, Tchaikovsky pas de deux – London

Acosta’s Carmen is far from a disaster, propelled by committed performances and Tim Hatley’s dramatic designs…

Vadim Muntagirov and Sarah Lamb in Afternoon of a Faun.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Carmen, Viscera, Afternoon of a Faun and Tchaikovsky pas de deux

Gallery by Dave Morgan…

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