★★★✰✰ The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.
Tag - Jewels
L.A. Dance Project Harbor Me, Marth Graham duets (White, Star, Moon), Helix, On the Other Side ★★★✰✰ New York, Joyce Theater 27 July 2016 www.ladanceproject.com www.joyce.org LA Story Since his quick exit from the Paris Opera Ballet, the choreographer and former director Benjamin Millepied has recommitted himself to the small Los-Angeles-based company he founded in 2012, L.A. Dance Project. The...
★★★✰✰ What do you do with a problem like Jewels? This 1967 blockbuster by George Balanchine is a hard one to pull off...
Dance on film is a tricky thing. On the one hand it provides a unique opportunity to see dance up close and to see foreign repertoires and artists; on the other, it lacks the intangible live chemistry that can electrify an opera house.
Suzanne Farrell Ballet’s new program, “Balanchine, Béjart, and the Bard,” presented at the Kennedy Center Opera House at the end of October, was dedicated to the 400th anniversary of Shakespeare’s death. It offered an appealing mix of four ballets
We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct - 1 Nov 2015.
All three performances brought home the fact that this is a very strong company with the skills to perform any choreography that comes its way...
To close its 50th anniversary season Boston Ballet mounted a splendid production of Balanchine’s 1967 masterpiece Jewels.
Steven McRae: Dancer in the Fast Lane is a revealing insight into the world of Royal Ballet Principal Steven McRae. Photographed over the last 12 months by Andrej Uspenski...
In many ways, Jewels is Balanchine’s choreographic résumé – a retrospective and a vivid showcase of his aesthetics and creative genius...
Fascinating to see the Royal Ballet’s production of Balanchine’s Jewels not long after the Bolshoi’s account at the Royal Opera House in summer. Unlike the Russians, the Royal Ballet dancers understand the different period conventions of the three ‘acts’...
Gallery by Dave Morgan...
So Reflections could have a lot resting on it, if the eventual tryptich is to be a 21st century equivalent of Balanchine’s Jewels...
The Bolshoi’s glorious rising star, Olga Smirnova, was imperious...
20 pictures by Foteini Christofilopoulou
his diverse selection of 17 works (including musical interludes) is a gala in all but name and this one could have been sub-titled “Gems of The Royal Ballet” for all nine dancers hail from that company...
Grigorovich’s production is not concerned with dramatic plausibility or characterisation, which may account for Zakharova’s Odette remaining a remote vision and her Odile a cool doppelganger rather than a temptress.
After twenty-six years in Miami, Edward Villella is back in New York, just across the East River from his old stomping grounds in Bayside Queens. He was an unlikely danseur, a scrappy kid...
Though this year it was Nijinsky’s turn to be reclaimed as a Russian icon, the contents of the gala had little to do with him. Very probably the choice of items – mainly pas de deux - depended on which dancers were available to perform whatever was in their repertoire.
Sara Mearns has been New York City Ballet’s reigning Swan Queen since her breakout performance in 2006, when she was only nineteen years old and a member the corps de ballet. It was a performance of surprising intensity, edged with danger.