"Joseph Walsh" tag
Sarah Van Patten and Luke Ingham in Balanchine's Stravinsky Violin Concerto.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Stravinsky Violin Concerto, Prodigal Son, Diamonds – San Francisco

★★★✰✰   The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.

Vitor Luiz in Scarlett's Frankenstein.© Erik Tomasson.

San Francisco Ballet – Frankenstein – San Francisco

★★★✰✰   It was a dark and stormy night – San Francisco Ballet couldn’t have designed a more apt and ominous atmosphere for the opening of Liam Scarlett’s Frankenstein.

Lorena Feijoo in Possokhov's Optimistic Tragedy.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Seven Sonatas, Optimistic Tragedy (premiere), Pas/Parts 2016 – San Francisco

★★✰✰✰   The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work ‘Optimistic Tragedy’.

Koto Ishihara, Francisco Mungamba and Wei Wang in Bubeníček's Fragile Vessels.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco

★★★★✰   The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.

Maria Kochetkova and Joseph Walsh in Cinderella.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Cinderella – Washington

★★★✰✰   Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.

Madeline Skelly and Connor Walsh of Houston Ballet in Forsythe's Artifact Suite.© Amitava Sarkar. (Click image for larger version)

Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles

★★★★✰   San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…

Frances Chung, Jennifer Stahl, Dores André and Joseph Walsh in Justin Peck's In The Countenance Of Kings.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Continuum, In the Countenance of Kings (premiere), Theme and Variations – San Francisco

★★★★✰   San Francisco Ballet (SFB) saved the best for its last mixed bill of the 2016 season.

Sofiane Sylve in Scarlett's Fearful Symmetries.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco

★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”

Maria Kochetkova and Francisco Mungamba in Forsythe's Pas/Parts.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 7 for Eight, Magrittomania, Pas/Parts – San Francisco

★★★★✰ “….that is what is marvelous about Forsythe’s Pas/Parts. Would that more choreographers would offer that kind of brisk and bracing slap in the face.”

San Francisco Ballet School students in the Waltz of the Hours from Balanchine's Coppélia.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Opening Night Gala – San Francisco

★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia …Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.

Stephen Petronio Company in Locomotor.© Julieta Cervantes. (Click image for larger version)

Fall For Dance Festival at City Center – Programs 3 and 4 – New York

Fall For Dance is a genuine feast, a display of unparalleled variety and plenty. When well-balanced, nothing is sweeter… but occasionally the flavors clash, and the abundance overwhelms.

San Francisco Ballet in Tomasson's Romeo & Juliet.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Romeo & Juliet – San Francisco

Choreographed by artistic director Helgi Tomasson in 1994, the ballet is popular with audiences here and makes a satisfying coda to his thirtieth-anniversary season…

Mathilde Froustey In Robbins' Dances at a Gathering.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Dances at a Gathering, Hummingbird – San Francisco

San Francisco Ballet’s Program 4 is a double bill coupling a welcome return of Robbins’ Dances at a Gathering with a Liam Scarlett’s Hummingbird.

Yuan Yuan Tan and Pascal Molat in Possokhov's RAkU.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Prog 1: Serenade, RAkU, Lambarena – San Francisco

America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson…

Maria Kochetkova and Davit Karapetyan in Possokhov's Bells.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Infinite Romance: 2015 Season Opening Night Gala – San Francisco

The SF Ballet premiere of choreographer-in-residence Yuri Possokhov’s pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan…

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