★★★✰✰ The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.
★★★✰✰ It was a dark and stormy night – San Francisco Ballet couldn’t have designed a more apt and ominous atmosphere for the opening of Liam Scarlett’s Frankenstein.
★★✰✰✰ The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work ‘Optimistic Tragedy’.
★★★✰✰ Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.
Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles
★★★★✰ San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…
San Francisco Ballet – Continuum, In the Countenance of Kings (premiere), Theme and Variations – San Francisco
★★★★✰ San Francisco Ballet (SFB) saved the best for its last mixed bill of the 2016 season.
San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco
★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”
Choreographed by artistic director Helgi Tomasson in 1994, the ballet is popular with audiences here and makes a satisfying coda to his thirtieth-anniversary season…
San Francisco Ballet’s Program 4 is a double bill coupling a welcome return of Robbins’ Dances at a Gathering with a Liam Scarlett’s Hummingbird.
America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson…