"Kyle Abraham" tag
Wendy Whelan, Brian Brooks and Brooklyn Rider in Some of a Thousand Words.© Nir Arieli. (Click image for larger version)

Wendy Whelan, Brian Brooks and Brooklyn Rider – Some of a Thousand Words – San Francisco

★★★✰✰   I very much like Brooks’ work, particularly his approach to rebound, points of contact in partnering and his nuanced use of accumulation…

Rena Butler in Pavement.© Steven Schreiber. (Click image for larger version)

Kyle Abraham / Abraham.In.Motion – Pavement – London

★★★✰✰   Pavement, from 2012, takes as its touchstone the 1991 film Boyz n the Hood, John Singleton’s hard-hitting coming-of-age drama…

David Hallberg in Mark Morris’s Twelve of ‘em.© Stephanie Berger. (Click image for larger version)

Fall for Dance – New works by Michelle Dorrance, Kyle Abraham, Sara Mearns and Honji Wang, Mark Morris – New York

★★★✰✰   I caught all four new works: an expanded version of Michelle Dorrance’s Myelination, Kyle Abraham’s Drive, the Sara Mearns and Honji Want collaboration No. 1, and Mark Morris’s solo Twelve of ‘em for David Hallberg.

Students of ABT’s Jacqueline Kennedy Onassis School in Garden of Dreams.© Teresa Wood. (Click image for larger version)

Ballet Across America – Opening Night Celebration 2017 – Washington

★★★★✰   Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month…

Tiler Peck in Justin Peck's The Times are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Times are Racing, The Shimmering Asphalt, Fearful Symmetries – New York

★★★✰✰   More than anything, Peck’s “The Times are Racing” reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?

Alvin Ailey American Dance Theater in Hope Boykin's r-Evolution, Dream.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Four Corners, Untitled America, r-Evolution, Dream, Revelations – New York

★★★★✰   There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.

Alvin Ailey American Dance Theater in Abraham's Untitled America: Second Movement.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Open Door, Untitled America: Second Movement, No Longer Silent, Exodus, Deep, Vespers, The Hunt, Revelations – New York

★★★✰✰   It’s a truism that any afternoon that includes Alvin Ailey’s Revelations is apt to leave you happy.

Jacqueline Green in Kyle Abraham's Untitled America: First Movement.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Memoria, Piazzolla Caldera, Grace, Polish Pieces, Untitled America: First Movement, Awakening, Revelations – New York

Warmth, exuberance, power, finesse – all these qualities infuse everything they do.

Linda Celeste Sims and Glenn Allen Sims in Alvin Ailey's Revelations.© Andrew Eccles. (Click image for larger version)

Alvin Ailey American Dance Theater – Toccata, After the Rain pdd, Awakening, Revelations – New York

Every fall, just after Thanksgiving, Alvin Ailey American Dance Theater sets up shop at City Center, as sure a sign of the season as Christmas carols at the grocery store.

Tamisha Guy, Penda N'Diaye and Jeremy Jae Neal in Absent Matter.© Sharon Bradford. (Click image for larger version)

Kyle Abraham / Abraham.In.Motion – The Quiet Dance, Absent Matter, The Gettin’ – New York

If there was an award for the most likely New York dance troupe to be compared to a sportscar, I’d give it to Abraham.In.Motion. The choreography is, like the best supercars, all torque and velocity…

Wendy Whelan and Brian Brooks in the studio.© Erin Baiano. (Click image for larger version)

Wendy Whelan – Restless Creature bill – New York

The whole evening has the feeling of an extended experiment. We see Whelan ridding herself of ballerina habits and trying on new clothes.

Wendy Whelan and Brian Brooks in First Fall by Brian Brooks.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Wendy Whelan – Restless Creature bill – San Francisco

Ultimately, it mattered less what Whelan and her collaborators were doing, and more that they were doing.

Kyle Abraham in The Watershed.© Ian Douglas. (Click image for larger version)

Kyle Abraham / Abraham.In.Motion – The Watershed – New York

The evening is divided into two parts, with images of love and coupling more dominant in the first and greater abstraction seeping into the second.

BODYTRAFFIC in Kollide.© Christo Brock. (Click image for larger version)

BODYTRAFFIC – Barak Marshall, Kyle Abraham, Richard Siegal bill – San Francisco

This company is the definition of esprit de corps, period.

Studio picture of Kirven James Boyd and Rachael McLaren.© Andrew Eccles. (Click image for larger version)

Alvin Ailey American Dance Theater – Minus 16 quad bill – Boston

The whole thing (Minus 16) wasn’t a piece of choreography so much as a choreographed event, and hands down one of the most delightful things I’ve ever seen.

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