Boston Ballet closed its season with a generous offering of four ballets spanning almost 70 years... and including a world premiere and two company premieres...
Tag - Lasha Khozashvili
The evening was full of surprises, not least that two of the three choreographers were women and that Jorma Elo broke radically new ground in his Bach Cello Suites...
All three performances brought home the fact that this is a very strong company with the skills to perform any choreography that comes its way...
Frederick Ashton’s Cinderella is one of the great ballets of the 20th century and a triumph of his career.
20 pictures by Sunkyung Jang
It’s a celebration of American ballet from coast to coast and a vivid snapshot of its diversity of style and repertory.
Boston audiences were very lucky in their first two Swanildas. Opening night, Misa Kuranaga was a vision of loveliness...
Chroma: Perhaps it’s meant as a kind of sherbet to clear the palate between the Balanchine pieces... In short, I found the ballet dazzling but soulless.
The opening night Aurora and Désiré were danced by Misa Kuranaga and Jeffrey Cirio, a superbly matched couple who have become a standard in the company.
And together, Kuranaga and Cirio make a superb couple, performing with such sensitive musicality and balanced unison that it sometimes seems you’re watching a single composite creature.
And I’ll close with more praise of Maina Gielgud. I’ve never seen a ballet she’s set that hasn’t been absolutely first-rate. Boston Ballet has performed her Giselle for many years now and it’s easily my favorite Giselle, just as this production is now my favorite Don Quixote.