Sutton was originally asked to write a brief account of Markova’s career for the Gotlieb Centre but soon realised that her subject’s life, personal and public, was so fascinating that she undertook a substantial biography
What one does not see much of, at least at first glance, is nostalgia for the motherland. “I never had nostalgia about anything,” Baryshnikov says.
All up ‘Labyrinth of Love’ is a wonderful creative endeavour, a great looker, but an extra dash of audience accessibility is needed. We go “Wow”, rather than “Wow, I really loved what that had to say”