"London Contemporary Dance Theatre" tag
"An Evening with Namron" stage backdrop.© Graham Watts. (Click image for larger version)

An Evening with Namron – From Asphalt to Maple Wood

For around 80 minutes, Namron entertained his audience, largely comprising past and present luminaries of London contemporary dance, with stories and reminiscences, often breaking into movement, before finishing with a brief question & answer session…

Ana Laguna and Yvan Auzely in Mats Ek's Axe.© Foteini Christofilopoulou. (Click image for larger version)

Sadler’s Wells Elixir Festival – KnowBody II – London

★★★✰✰   Mats Ek’s “Axe” could be the beginning to a new Scandi Noir TV series. There is a man, an axe, a huge pile of wood that he starts to chop with repressed intensity and a visibly distressed wife. It doesn’t look like it will end well.

Edd Mitton, Amy Thake and Ben Warbis in Kenneth MacMillan's Sea of Troubles.© Dave Morgan. (Click image for larger version)

Yorke Dance Project – Rewind Forward: Sea of Troubles, Self, Twilight, Lacrymosa, Untethered – London

★★★✰✰   Yorke Dance Project is unusual, among small modern dance companies, in its respect for musicality and for the demands it makes for skilled partnering.

Liam Riddick (Richard Alston Dance Company) in Robert Cohan's Sigh.© Camilla Greenwell. (Click image for larger version)

Robert Cohan at 90 – Gala evening at The Place – London

The opening and closing pieces showed how skilfully Cohan responds to dancers whose training and experience are very different from the Graham-based technique on which he drew for many decades.

Yorke Dance Project 'Figure Ground' bill generic publicity image.© Pari Naderi. (Click image for larger version)

Yorke Dance Project – Figure Ground bill – London

Heralding the celebrations of Robert Cohan’s 90th anniversary year Yolande Yorke-Edgell’s enterprising company, founded in 2009, is touring a programme, Figure Ground, containing two of his works.

Sharon Watson.© Richard Moran. (Click image for larger version)

Sharon Watson – Artistic director, Phoenix Dance Theatre

Funding is my biggest frustration. Compared to others, we receive peanuts. We have to strip everything back. That can be healthy – forcing me to scrutinise why I want something and concentrating on production values.

Bob Lockyer at 70. © Elliott Franks at www.elliottfranks.com. (Click image for larger version)

Interview: Bob Lockyer at 70, Mr Dance when the BBC did dance

In a life at the BBC the director, Bob Lockyer, was an outstanding champion of dance for the camera. Now 70, he is still indefatigable in his enthusiasms

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