"London" tag
English National Ballet in Pina Bausch's The Rite of Spring.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Pina Bausch, William Forsythe, Hans van Manen bill – London

★★★★★   One cannot help but observe that while the programmes of other companies both hit and miss, in terms of their critical appreciation and popular appeal, ENB is continually raising the bar…

Tamara Rojo and Isaac Hernandez in Hans van Manen's Adagio Hammerklavier.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet in Adagio Hammerklavier & In the Middle, Somewhat Elevated

Gallery by Dave Morgan…

Haydn Oakley in An American in Paris.© Dave Morgan. (Click image for larger version)

Christopher Wheeldon – An American in Paris – London

★★★★★   The ballet is a triumph, of course. It really is… Wheeldon and his collaborators have reclaimed the Gershwins’ music and songs for a five-star production…

The Royal Ballet in Crystal Pite's Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Flight Pattern (premiere), After the Rain, The Human Seasons – London

Flight Pattern: ★★★★★, After the Rain: ★★★✰✰, Human Seasons: ★★✰✰✰.   Like Gorecki, Crystal Pite has created a memorable and moving work full of meaning…

Chihiro Kawasaki and Heejung Kim in Rosalind.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – James Cousins Company in Rosalind

Gallery by Foteini Christofilopoulou…

Ivan Vassiliev and Kristina Kretova in Sceherazade.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala – In the steps of the Ballets Russes – London

★★★★✰   The long gala (three and a half hours with one interval) was well organised, with no speeches and no protracted curtain calls.

Kristen McNally and company dancers in Crystal Pite's Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Human Seasons, After the Rain, Flight Pattern

The Royal Ballet in perhaps the most eagerly anticipated premiere of the season – Crystal Pite’s “Flight Pattern”. Also on the bill are Christopher Wheeldon’s “After the Rain” and David Dawson’s “Human Seasons”. Dave Morgan was at the photocall for us…

Chihiro Kawaski in Rosalind publicity image.© David Foulkes. (Click image for larger version)

James Cousins Company – Rosalind – London

★★★★✰   Cousins has made a bold, complex, intelligent and invigorating piece…

Leanne Cope and Robert Fairchild in An American in Paris.© Dave Morgan. (Click image for larger version)

Gallery – Christopher Wheeldon’s An American in Paris

Gallery by Dave Morgan…

Sergei Polunin and Natalia Osipova in Narcissus and Echo.© Alastair Muir. (Click image for larger version)

Project Polunin – Icarus, The night before the Flight; Tea or Coffee; Narcissus and Echo – London

★★✰✰✰   I begin this notice with a codicil. Let this preamble show my unbounded admiration for the spirit and rationale of Project Polunin.

Company Wayne McGregor / Paris Opera Ballet in Tree of Codes.© Foteini Christofilopoulou. (Click image for larger version)

Company Wayne McGregor / Paris Opera Ballet – Tree of Codes – London

★★★★✰   Tree of Codes …shows McGregor as an out-and-out showman who dazzles us senseless with design, music, dancers and dance. I’m not sure if he really planned it that way, but I’ll take it every time.

Yamato Drummers of Japan in Chousensha.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Yamato Drummers of Japan: Chousensha – The Challengers

Gallery by Foteini Christofilopoulou…

Yulia Makhalina and Xander Parish in Le Spectre de la Rose (Mikhail Fokine).© Dave Morgan. (Click image for larger version)

Gallery – Russian Ballet Icons Gala – rehearsals

Gallery by Dave Morgan…

Julie Cunningham and Hannah Burfield in Returning.© Foteini Christofilopoulou. (Click image for larger version)

Julie Cunningham and Company – Returning, To Be Me – London

★★★✰✰   A final poem, ‘Man Down’, calls for compassion and acceptance that we are all combinations of male and female. The message is in the words rather than in the bodies of the dancers.

Aakash Odedra in Echoes.© Foteini Christofilopoulou. (Click image for larger version)

Aakash Odedra – Echoes, I Imagine – London

★★★★✰   At first sight the two works in Aakash Odedra’s solo show at Sadler’s Wells Lilian Baylis Studio could hardly be more unalike.

Cira Robinson in Red Riding Hood by Annabelle Lopez Ochoa.© Foteini Christofilopoulou. (Click image for larger version)

Ballet Black – House of Dreams, Captured, Red Riding Hood – London

★★★✰✰   It’s rather a scandal that Ballet Black get no regular Arts Council support and yet proportionally they do far more to put new work out there and also before a public that is not your usual ballet crowd.

Aakash Odedra in Echoes.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Aakash Odedra Company in Echoes

Gallery by Foteini Christofilopoulou…

Alexander Williams, Hannah Burfield, Harry Alexander and Julie Cunningham in To Be Me.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Julie Cunningham and Company in Returning & To Be Me

Gallery by Foteini Christofilopoulou…

Julie Cunningham.© Amy Sinead Photography. (Click image for larger version)

5 Questions to Julie Cunningham, about choreographing, her link to Rambert and starting her own company…

Julie Cunningham on Twitter www.rambert.org.uk Julie Cunningham and Company make their debut at the Barbican Theatre on the 8-11 March 2017. Full Details A busy time for Julie Cunningham – this last year…

Tommy Franzen and Dickson Mbi in The Wall.© Foteini Christofilopoulou. (Click image for larger version)

Russell Maliphant Company – maliphantworks: Wall, One part II, Two, Afterlight (Part One) – London

★★★★★   The hour-long evening is a magical experience, a testament to the decades-long collaboration between Maliphant and Hulls…

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