"Lucy Carter" tag
James Pett, Fukiko Takase, Travis Clausen-Knight, Jordan James Bridge and Jessica Wright in Autobiography.© Dave Morgan. (Click image for larger version)

Company Wayne McGregor – Autobiography – London

★★★✰✰   Each performance of Wayne McGregor’s Autobiography will be different, since its composition is to be determined by an algorithm based on his genetic code. …whatever a reviewer describes will never be the same again.

Alessandra Ferri and Federico Bonelli in the Tuesday section of Woolf Works.© Darren Thomas. (Click image for larger version)

Royal Ballet – Woolf Works – Brisbane

★★★★✰   For the Royal Ballet, there could not have been a better start to their Australian tour than Ferri’s performance as Clarissa Dalloway in the first act of Wayne McGregor’s Woolf Works.

Alessandra Ferri and Francesca Hayward in the I Now, I Then section of Woolf Works.© Tristam Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

★★★✰✰   The ballet’s narrative interest depends on the dancer, and both performers are magnificent – different in tone and physicality, though not markedly so.

Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Memorable Performances of 2016 – London

Lynette Halewood with her personal selection of London dance memories from the past year…

Stephanie Amuro in Helix.© Rose Eichenbaum. (Click image for larger version)

L.A. Dance Project – Harbor Me, 3 Marth Graham duets, Helix, On the Other Side – New York

L.A. Dance Project Harbor Me, Marth Graham duets (White, Star, Moon), Helix, On the Other Side ★★★✰✰ New York, Joyce Theater 27 July 2016 www.ladanceproject.com www.joyce.org LA Story Since his quick exit from…

Michael Hulls LightSpace.© Heathcliff O'Malley. (Click image for larger version)

No Body – Installations by Lucy Carter, Michael Hulls, Nitin Sawhney, Siobhan Davies and Russell Maliphant – London

★★★✰✰   No Body was an interesting diversion, that confirms the artistic chops of the technical talent that makes so many shows pop and zing. As an exercise I hope it might be repeated every few years.

Lucy Carter.© Tristram Kenton. (Click image for larger version)

5 Questions to lighting designer Lucy Carter on ‘No Body’ – Sadler’s Wells dance installation sans the dancers

‘No Body’, by Lucy Carter, Michael Hulls and Nitin Sawhney, runs from 7-12 June 2016 at Sadler’s Wells Theatre in London.

Gary Avis and Francesca Hayward in The Invitation.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear (premiere), The Invitation, Within the Golden Hour – London

★★★★✰   The range of roles shows the Royal Ballet dancers, up-and-coming soloist, established principals and character artists, at their very best.

Adam Park in Lucy Guerin's Tomorrow.© Johan Persson. (Click image for larger version)

Rambert – Tomorrow (Guerin premiere), Terra Incognita, A Linha Curva – London

★★★★✰   The centrepiece of this richly diverse programme was a dance puzzle, perhaps broadly equivalent to a game of three-dimensional chess.

Alice Renavand in Le Sacre du Printemps.© Julien Benhamou / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Polyphonia, Alea Sands, Le Sacre du printemps – Paris

Benjamin Millepied, the new director of the Paris Opera Ballet, made a daring choice of programme for the Christmas season at the opulent Palais Garnier opera house: a triple bill of contemporary works…

Natalia Osipova and Edward Watson in the Becomings section of Woolf Works.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

Woolf Works is a chimera, an illusory creation made up of disparate elements…

Vanessa Kang in Christopher Bruce's Rooster.© Stephen Wright. (Click image for larger version)

Stephen Wright – View from the wings and catching the perfection of dancing flow

Rambert dancer Stephen Wright is also a photographer – here he blogs about what’s like to perform on stage, as seen from the wings. Enjoy…

Hannah Rudd, Adam Blyde & Kym Sojourna in Mark Baldwin's The Strange Charm of Mother Nature. © Hugo Glendinning. (Click image for larger version)

Rambert – Subterrain, The Strange Charm of Mother Nature, Terra Incognita – London

By the end, I felt our journey of discovery had involved driving down one of those long, straight, interminable cross-American highways, with nothing but the same prairieland in view.

Emily Wagner amd Ruka Hatua-Saar in Karole Armitage's Life Story.© Foteini Christofilopoulou. (Click image for larger version)

Thomas Adès, See the Music, Hear the Dance – Work by Karole Armitage, Wayne McGregor, Crystal Pite, Alexander Whitley – London

It’s not often we get such high quality performances of live music for contemporary dance. Here their playing was wonderfully focused and alive…

San Francisco Ballet in Wheeldon's Ghosts.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Trio, Ghosts and Borderlands – New York

San Francisco Ballet is in town for two weeks, and on the evidence of opening night, this should be an invigorating visit. The company looks to be in top form.

James Pett and Daniela Neugebauer in Atomos.© Dave Morgan. (Click image for larger version)

Wayne McGregor | Random Dance – Atomos – London

Sans 3D and distilled down there is a compelling 40-minute work in here (part of a double bill), but at 70 minutes Atomos felt too long.

The Raven Girl and the Raven Prince (Sarah Lamb, Eric Underwood) in Wayne McGregor's Raven Girl.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Raven Girl, Symphony in C – London

At this stage, Raven Girl seems a work in transition. Its longueurs need tightening, an inexplicable ‘19th century couple’excised, solos for important characters expanded, and more light thrown on the goings-on.

Marianela Nuñez in Liam Scarlett, Will Tuckett and Jonathan Watkins' Diana & Actaeon.© Dave Morgan. (Click image for larger version)

Royal Ballet – Titian 2012: Machina, Trespass, Diana & Actaeon – London

Seeing the programme twice confirmed my initial impression that Trespass is the best-wrought work. The other two ballets are interesting as concepts rather than as polished productions. But the programme’s emphasis on creativity and collaboration means that Monica Mason’s farewell contribution to the art form in which she has invested her considerable energy will carry on germinating ideas long after she leaves.

Kevin Jackson and Lana Jones in Dyad 1929 (Infinity mixed bill). © Lisa Tomasetti. (Click image for larger version)

Australian Ballet – Infinity Mixed Bill & Swan Lake – New York

How can a company make good impression with just a few performances of one or two programs? The pieces have to be representative, interesting, and show the company in a the best possible light. It’s not easy, as the recent Lincoln Center performances of Australian Ballet have shown.

Wayne McGregor | Random Dance Performances in London

Sadler’s Wells Associate Artist Wayne McGregor returns with his dynamic and ambitious FAR on 19 and 20 March 2012.

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