"Manon" tag
The 2018 ENB Emerging Dancer finalists: Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles.© Karolina Kuras. (Click image for larger version)

English National Ballet’s Emerging Dancer 2018 Competition – 5 Questions to 6 Finalists

English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 11 June and ahead of the that we talk to the finalists – Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles…

Melissa Hamilton.© Andrej Uspenski. (Click image for larger version)

Interview: Melissa Hamilton, First Soloist, The Royal Ballet

“I knew that I had to seize my only chance to have a ballet career. Masha Mukhamedov agreed to teach me privately six days a week for ten months…”

Sayaka Ichikawa and artists of Scottish Ballet and Ballet Black in House of Birds.© Dave Morgan. (Click image for larger version)

Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London

★★★★✰   All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.

Calvin Richardson and Matthew Ball in Obsidian Tear. © Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear, Marguerite and Armand, Elite Syncopations – London

★★★★✰   The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet’s resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers’ work…

Viviana Durante.© David Scheinmann. (Click image for larger version)

Viviana Durante on her company and its showcasing of early Kenneth MacMillan works at the Barbican

Viviana Durante on her company and its showcasing of early Kenneth MacMillan works at London’s Barbican on 18 — 21 Apr 2018. Bruce Marriott talks to one of the foremost MacMillan interpreters about her MacMillan celebration showcasing 3 very rarely seen works.

Kevin Emerton and Mayara Magri in Piggy in the Middle.© Alice Pennefather, ROH, 2018. (Click image for larger version)

Royal Ballet / Charlotte Edmonds – Piggy in the Middle, Sink or Swim – London

★★★✰✰   Piggy in the Middle is, in part, Edmonds’ tribute to Kenneth MacMillan, the 25th anniversary of whose death has been marked during the Royal Ballet’s 2017/2018 season.

Francesca Hayward, Christopher Saunders and Elizabeth McGorian in Manon.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

★★★★✰   It’s a myth that Kenneth MacMillan’s Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals…

Christopher Saunders, Francesca Hayward and Alexander Campbell in Manon.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Manon

Gallery by Foteini Christofilopoulou…

Breanna O'Mara in Viktor.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Viktor – London

★★★★✰   It’s impossible to make coherent sense of a Bausch piece, whatever the source of her inspiration.

Le Rossignol masterclass: Anna Rose O’Sullivan and William Bracewell with Anthony Dowell.© Rachel Thomas. (Click image for larger version)

Feature – Frederick Ashton’s choreography for Le Rossignol – a masterclass with Sir Anthony Dowell

The Metropolitan Opera in New York staged “Le Rossignol” in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth… the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit…

Cesar Morales.© Andres Cabezas. (Click image for larger version)

Cesar Morales – Principal Dancer, Birmingham Royal Ballet

So how did a good Chilean boy end up dancing ballet in Europe…

Constance Devernay and Sophie Martin in Le Baiser de la fee (The Fairy's Kiss).© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

MacMillan Celebrations – Le Baiser de la fee (SB), Concerto (BRB), Jeux (RB) – London

  In the first of the mixed bills celebrating Kenneth MacMillan’s ballets, 25 years after his death, “Le Baiser de la fée” intrigued me because the questions it posed about his development as a choreographer…

Constance Devernay and Andrew Peasgood in Kenneth MacMillan's The Fairy's Kiss.© Andy Ross. (Click image for larger version)

Scottish Ballet – The Fairy’s Kiss, The Rite of Spring – Glasgow

★★★★✰   Absolutely fascinating… Scottish Ballet should feel very proud of celebrating MacMillan in such a thoughtful way…

Zenaida Yanowsky in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Symphonic Dances (premiere), The Vertiginous Thrill of Exactitude, Tarantella, Strapless – London

★★★★✰   Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.

Javier Torres in Casanova.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – Casanova – London

★★★★✰   In his new ballet, Kenneth Tindall takes Casanova on an epic adventure in absorbing dance theatre that aligns his inventive choreography and mime with a strong and exciting narrative…

Mara Galeazzi.© and courtesy the Royal Opera House.

Interview – Mara Galeazzi on Woolf Works, her wider career and dancing on…

She found that she came back to perform with the company she left five years ago with a different approach. ‘I know more about why I love to perform…’

Gary Harris.© Royal Opera House. (Click image for larger version)

Interview – Gary Harris on life and setting Kenneth MacMillan’s Anastasia for the Royal Ballet

Gary Harris has had one of the most varied ballet careers you can get… dancer, teacher, ballet master, artistic director, designer and notator. Now he’s working with the Royal Ballet to bring back Kenneth MacMillan’s Anastasia – Jann Parry went for a chat.

Edd Mitton, Amy Thake and Ben Warbis in Kenneth MacMillan's Sea of Troubles.© Dave Morgan. (Click image for larger version)

Yorke Dance Project – Rewind Forward: Sea of Troubles, Self, Twilight, Lacrymosa, Untethered – London

★★★✰✰   Yorke Dance Project is unusual, among small modern dance companies, in its respect for musicality and for the demands it makes for skilled partnering.

Carlos Acosta and Marianela Nuñez in Apollo.© Johan Persson. (Click image for larger version)

Carlos Acosta – The Classical Farewell – London

★★★★✰   “Thank you, Carlos,” boomed one audience member as Acosta ended his performance by changing out of his dance gear, sitting meditatively on stage…

Francesco Ventriglia.© Stephen A’Court. (Click image for larger version)

Francesco Ventriglia – Artistic Director of the Royal New Zealand Ballet

Nearly 2 years into his directorship at RNZB, Michelle Potter talks to Francesco Ventriglia about his life before joining the company and broad hopes for the company.

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