★★★✰✰ The Washington Ballet new program titled Balanchine + Ashton showcased four works by the two great choreographers, who “forever shaped our art form,” as the company’s artistic director, Julie Kent, put it in her opening remarks.
Tag - Marcelo Gomes
★★★★✰ Putov brought together remarkable performers whom we long to see again, and left us wanting more...
Ivan Putrov's latest project, Against the Stream, gets its premiere on Sunday 7 April 2019 at the London Coliseum. Jann Parry finds out all about it...
Some dance in London – thoughts on Saburo Teshigawara, Diana Vishneva’s CONTEXT Festival & Introdans
Saburo Teshigawara & Rihoko Sato in 'The Idiot' at The Print Room (★★★✰✰), Diana Vishneva's CONTEXT Festival of Russian contemporary choreography at Sadler's Wells (★★★✰✰), Introdansm 'Dutch Masters' bill at ROH (★★★★✰)
★★★★✰ As if an Ashton rarity weren’t reason enough to catch this program, there was also the presence of Marcelo Gomes, former much-admired principal dancer from American Ballet Theatre, to recommend it.
★★★★✰ It’s always exciting to discover a new side of an artist. For this, and for an immensely entertaining show, we have to thank Matthew Bourne.
★★★✰✰ Ratmansky’s Souvenir d’un Lieu Cher turned out to be a mysterious little ballet, a double pas de deux that captures, ...the complex history of a quartet of characters.
★★★★✰ 2 casts reviewed Isabella Boylston / Alban Lendorf and Devon Teuscher / Aléxandre Hammoudi.
★★★★✰ Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month...
★★★★✰ Making her debut in the role of Odette/Odile 28-year-old soloist Devon Teuscher emerged as a shining star in American Ballet Theatre’s Swan Lake at the Kennedy Center Opera House last week.
★★★★✰ Jessica Lang's Her Notes is a lovely and poetic work, though one with a slightly subdued effect. It is almost too tasteful.
★★★★✰ A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.
★★★✰✰ I was eager to see American Ballet Theatre’s Sleeping Beauty, mounted by Alexei Ratmansky last year, because of the enthusiastic reviews it has received in the United States. The Paris premiere, however, met with muted acclaim...
★★✰✰✰ So bravo for Danilian. All the dancing at the gala was very fine – who could expect any less from these dancers? One can (and should) question his taste but it’s clear that he’s willing to go out on a limb...
★★★★✰ This is a production that lives and breathes, and which rewards multiple viewings, changing subtly with each cast.
★★★★★ La Fille Mal Gardée is a ballet that glows from within, lighthearted, tender and bursting with happy ideas.
★★★★✰ It isn’t often that a gala program proves satisfying, but this one was the exception.
★★★★✰ Part of the secret to Sylvia is of course Léo Delibes’s score; like the story, it has its silly moments, but when it soars, it is utterly seductive...
★★★★✰ "Ratmansky’s new staging is a Beauty like you have never seen before: it uncovers the original ballet’s genuine beauty, which faded over the years under the clutter of modern revisions."
...mostly the ballet (AfterEffect) is an enthusiastic love letter from Gomes to his company, and was received as such by the enthusiastic audience at the Koch...