"Maria Kochetkova" tag
Maria Kochetkova in Pita's Björk Ballet.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Unbound Festival Program D: works by Edwaard Liang, Dwight Rhoden, Arthur Pita – San Francisco

★★★★★   A hundred monkeys might eventually type out Hamlet, but only a herd of unicorns on Ecstasy could come anywhere near Arthur Pita’s Björk Ballet.

Sarah Van Patten, Mathilde Froustey and Ulrik Birkkjaer in Marston's Snowblind.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Unbound Festival Program B: works by Myles Thatcher, Cathy Marston, David Dawson – San Francisco

★★★✰✰   Snowblind is a great narrative ballet – the source material is striking and Marston’s interpretation of it, equally so.

San Francisco Ballet in Robbins' The Cage.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Robbins: Ballet & Broadway quad bill – San Francisco

★★★★✰   There’s nothing like watching a woman crush a man’s neck with her thighs to make you go hmm, maybe that whole #MeToo thing has legs.

San Francisco Ballet in Thatcher's Ghost in the Machine.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – On a Theme of Paganini, Ibsen’s House, Ghost in the Machine – San Francisco

★★★✰✰   This mixed triple bill is made up of work created on the company by artists in the SFB family: On a Theme of Paganini by Artistic Director Helgi Tomasson, Ibsen’s House by Principal Character dancer Val Caniparoli and Ghost in the Machine by Myles Thatcher, part of the corps de ballet since 2010.

San Francisco Ballet in Tomasson's The Sleeping Beauty.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – The Sleeping Beauty – San Francisco

★★✰✰✰   The efforts of San Francisco Ballet’s artists are sadly misplaced in this largely joyless and wholly unsatisfying rendition of The Sleeping Beauty.

Sarah Lane and Alban Lendorf in Souvenir d’un lieu cher.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Tchaikovsky Spectacular bills – New York

★★★✰✰   Ratmansky’s Souvenir d’un Lieu Cher turned out to be a mysterious little ballet, a double pas de deux that captures, …the complex history of a quartet of characters.

San Francisco Ballet in Thatcher's Ghost In The Machine.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Trio, Ghost in the Machine (premiere), Within the Golden Hour – San Francisco

★★★✰✰   Myles Thatcher is an inventive young talent…

Ivan Vassiliev and Kristina Kretova in Sceherazade.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala – In the steps of the Ballets Russes – London

★★★★✰   The long gala (three and a half hours with one interval) was well organised, with no speeches and no protracted curtain calls.

Koto Ishihara, Francisco Mungamba and Wei Wang in Bubeníček's Fragile Vessels.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco

★★★★✰   The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.

Maria Kochetkova and Joseph Walsh in Cinderella.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Cinderella – Washington

★★★✰✰   Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.

Madeline Skelly and Connor Walsh of Houston Ballet in Forsythe's Artifact Suite.© Amitava Sarkar. (Click image for larger version)

Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles

★★★★✰   San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…

Jeffrey Cirio in Le Corsaire.© MIRA. (Click image for larger version)

American Ballet Theatre – Le Corsaire – New York

★★★✰✰   Le Corsaire, a ballet loosely based on Lord Byron’s poem about a chivalrous pirate, has more action than the latest Bond film. There are pirates! Abductions! Beautiful women in distress! The list goes on and on…

Maria Kochetkova in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia (Kochetkova, Cornejo) – New York

More from ABT’s run of Ashton’s “Sylvia” – the time Marina Harss reviews Maria Kochetkova and Herman Cornejo…

Maria Kochetkova and Vitor Luiz in Cranko's Onegin.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Onegin – San Francisco

★★★★✰   Created in 2010 for the National Ballet of Canada, this production of the late John Cranko’s 1965 ballet was a smash here in 2012; it was reprised in 2013 and it’s wonderful to have it back again so soon.

Frances Chung, Jennifer Stahl, Dores André and Joseph Walsh in Justin Peck's In The Countenance Of Kings.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Continuum, In the Countenance of Kings (premiere), Theme and Variations – San Francisco

★★★★✰   San Francisco Ballet (SFB) saved the best for its last mixed bill of the 2016 season.

Maya Plisetskaya.© Ensemble Productions. (Click image for larger version)

Ave Maya Gala in Memory of Maya Plisetskaya – London

★★★✰✰ Every gala needs a revelation, and this one was provided by Sergio Bernal, a Spanish dancer who dominated the stage in an imperious farruca solo from Antonio’s flamenco version of The Three Cornered Hat…

Sofiane Sylve in Scarlett's Fearful Symmetries.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco

★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”

Maria Kochetkova and Francisco Mungamba in Forsythe's Pas/Parts.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 7 for Eight, Magrittomania, Pas/Parts – San Francisco

★★★★✰ “….that is what is marvelous about Forsythe’s Pas/Parts. Would that more choreographers would offer that kind of brisk and bracing slap in the face.”

San Francisco Ballet School students in the Waltz of the Hours from Balanchine's Coppélia.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Opening Night Gala – San Francisco

★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia …Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.

Gillian Murphy and Sterling Baca in After You by Mark Morris.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Monotones I & II, Brahms-Haydn Variations – New York

ABT galas are more laid-back than City Ballet’s; they’re less “produced,” with fewer speeches or slick video presentations. For the most part, the company just gets on with the show, with minimum fuss.

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