"Mariinsky Ballet" tag
Sergei Polunin.© Bryan Adams. (Click image for larger version)

The 13th International Ballet Festival DANCE OPEN – 23-28 April 2014, St. Petersburg

The Festival is held from April 23 to April 28, 2014 on stage of the Alexandrinsky Theater, St. Petersburg. The main focus of the 13th International Ballet Festival DANCE OPEN, which performances will be held on stage of the Alexandrinsky Theater, is on original contemporary choreography.

Anastasia Soboleva and Victor Lebedev in La Fille mal gardée.© Stas Levshin. (Click image for larger version)

Mikhailovsky Ballet – La Fille mal gardee – St. Petersburg

…the audience was in thrall to the bucolic genius of Ashton’s production with as many curtain calls at the premiere as I can recall witnessing for a very long time.

Boris Eifman.© Eifman Ballet. (Click image for larger version)

Boris Eifman – Artistic Director, Eifman Ballet

Graham Watts met up with the choreographer on a recent visit to St Petersburg to discuss his career and to ask what London audiences might expect from Rodin…

Lusymay Di Stefano and Claudio Coviello in [I]Giselle[/I].© Marco Brescia and Rudy Amisano, Teatro alla Scala. (Click image for larger version)

Ballet at the Hong Kong Arts Festival 2014: La Scala Ballet in Giselle & Scottish Ballet in Highland Fling

The Festival kicked off with two classical ballet companies presenting very different versions of the oldest and most celebrated Romantic ballets in the repertoire: a classic rendering of Giselle and a radically different take on La Sylphide…

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Mariinsky Ballet – London season including Casting

Casting Released for Romeo and Juliet, Swan Lake, Apollo, A Midsummer Night’s Dream, The Firebird, Marguerite and Armand, DSCH, Cinderella (and remember all casting can change…)

Alina Somova and Vladimir Shklyarov in Swan Lake.© V Baranovsky. (Click image for larger version)

Mariinsky Ballet – Swan Lake – Washington

The formula for the success of the Mariinsky’s Swan Lake is simple. The love story between a beautiful young woman turned into a swan and a prince is told in a direct, traditional manner. There is no symbolism or hidden meaning here, no exaggeration or melodrama.

Junor Souza as Ali in Le Corsaire.© Dave Morgan. (Click image for larger version)

English National Ballet – Le Corsaire – London

Anna-Marie Holmes’s latest staging of Le Corsaire has proved to be a triumph for English National Ballet…

Christopher Bordenave in Idan Sharabi's Spider on a Mirror.© Sandy Lee. (Click image for larger version)

Zhukov Dance Theatre – Enlight, Spider on a Mirror – San Francisco

At times the choreography doesn’t seem to fit this space… Nonetheless, the dancers do a remarkable job with what they are given.

Rudolf Nureyev, La Bayadère, Kingdom of the Shades Act, Palais Garnier, 1974.© André Chino. (Click image for larger version)

The Nureyev Collection – Centre national du costume de scène et de la scénographie – Moulins

The triumph of the Nureyev collection at CNCS Moulins is to make the many facets of his profligately talented, maddening personality so vividly alive still.

Ormsby Wilkins.© John Lauener/National Ballet of Canada. (Click image for larger version)

Ormsby Wilkins – Britten’s Sylphs and other Musical Questions for ABT’s Music Director

ABT’s run of Les Sylphides this season are different – after research, the company, under their musical director Ormsby Wilkins, have rediscovered a 1941 orchestration by Benjamin Britten. Marina Harss reveals all in conversation with Wilkins…

Leanne Stojmenov in Cinderella.© Jeff Busby. (Click image for larger version)

Australian Ballet – Alexei Ratmansky Cinderella premiere – Melbourne

This Cinderella, the hotly anticipated centerpiece of the Australian Ballet’s 2013 season, is sensationally, luxuriantly, and extravagantly beautiful…

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Two Guest Artists – lana Salenko & Evgenia Obraztsova – Announced For The Royal Ballet’s Autumn Season

Kevin O’Hare, Director of The Royal Ballet, is delighted to announce that two Guest Artists will be performing with the Company this Autumn – Evgenia Obraztsova and lana Selenko

Olga Smirnova in Diamonds, from Jewels.© Marc Haegeman.

Bolshoi Ballet – Jewels: Emeralds, Rubies, Diamonds – London

The Bolshoi’s glorious rising star, Olga Smirnova, was imperious…

Oksana Bondareva, Ivan Vasiliev together with Angelina Vorontsova and the company in The Flames of Paris.© Stas Levshin, courtesy the Mikhailovsky Ballet. (Click image for larger version)

Mikhailovsky Ballet – The Flames of Paris – St. Petersburg

There is a lack of egotism to Messerer’s work that is immensely appealing, too: unlike Nureyev or Grigorovitch, he never appears to be coercing the music or the steps into fitting his idiosyncratic vision.

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Balletic Musings, a Continuing Conversation

Do you perceive a difference between the musicality of American dancers and that of Russian dancers? AR: There is a huge difference in the musicality. I often found Russian dancers unmusical… But they have other qualities…

Bolshoi Ballet - Kingdom of the Shades in La Bayadere.© Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – La Bayadère – London

Grigorovich’s staging of Act III is masterly. He has the fakirs lull Solor into an opium-induced sleep in a setting that lifts away to reveal a rocky arch. Within it Solor sees a vision of Nikiya enticing him into a ballet blanc nirvana

Noureev & Friends Gala poster.© Noureev & Friends. (Click image for larger version)

Noureev & Friends Gala – Paris

Graham Watts was at the Palais Des Congres for us to celebrate the 75th anniversary of Rudolf Nureyev’s birth…

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Les Saisons Russes of XXI Century – Firebird, Scheherazade – London

An apologetic Liepa promised to return for a week next time and bring the new Cleopatra with him, but this was an unsatisfying evening in its current form.

Valentine Gross pastel of the original trio in “the fountain” grouping, 1913. First published in Comoedia Illustré, the souvenir programme of Diaghilev’s Ballets Russes. From Millicent Hodson, Nijinsky's Bloomsbury Ballet, Jeux (Pendragon, New York, 2008), p. 8. (Click image for larger version)

Games People Play: ‘Jeux’ Young at 100

Nijinsky’s ‘Jeux’, like ‘Rite’, is in its centenary year – lesser known it may be but Archer & Hodson give fascinating detail on its creation and the thought that went into putting on, at UNCSA, their reconstructed version earlier this year.

Alina Cojocaru and Johan Kobborg in Romeo and Juliet (from a 2010 gallery by John Ross on Balletco).© John Ross, courtesy the Royal Opera House.

Alina Cojocaru and Johan Kobborg to leave The Royal Ballet at the end of 2012/13 season

Alina Cojocaru and Johan Kobborg have announced they will leave The Royal Ballet at the end of the 2012/13 season to pursue other artistic challenges.

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