Last spring, live dance began its gradual return to New York City. The wait had been long, and the longing intense. I remember the first performance I saw in New York as if it were yesterday.
Tag - Mark Morris
★★★★✰ If you find the combination of contemporary dance and musical form entrancing, this program is for you.
Both the Royal Ballet and Birmingham Royal Ballet are opening their 2021/22 seasons with the same ballet - Kenneth MacMillan's Romeo and Juliet. Jann Parry takes a look at how one of the most admired narrative ballets of the 20th century came to be and details of the many dancing debuts we can look forward to...
★★★✰✰ Mark Morris Dance Group performs at Brooklyn Bridge Park. It's a triple bill including a premiere - Water
★★★★✰ After months apart, Morris and his dancers have finally been reunited in the company’s studios. The result is Live From Brooklyn, a 45-minute program that includes a new work, Tempus Perfectum, set to Brahms...
The Jacob’s Pillow website contains an important and incredibly diverse dance archive under the banner "Dance Interactive" - Susanna Sloat introduces an important resource and calls out many video gems...
★★★★★ Mark Morris Dance Group dancers in Words - a Works & Process Pop Up Performance at the Guggenheim Museum. ★★★✰✰ Christine Jones, Steven Hoggett and David Byrne's SOCIAL! the social distance dance club - at the Park Avenue Armory.
★★★★★ Program 02, with works by Dwight Rhoden, Myles Thatcher and Mark Morris, more than lived up to my expectations. There was drama, joy, whimsy. A great night at the ballet, viewed from home of course.
★★★★✰ 8th March at Sadler's Wells was the last time we were able to see Richard Alston's work performed by his own company of dancers. Jann Parry with a full and perceptive review of Alston's latest work and last company show.
★★★★✰ San Francisco Ballet’s Program 2 was dubbed Classical Re(Vision) – a remembering of and reconnection with choreography in SFB’s existing repertory catalogue.
I don’t really believe in lists, but it’s admittedly fun to look back over the year and reflect on moments that have stayed with me. So here they are, in no particular order…
★★★✰✰ Much of the exuberance and vibrancy in Pepperland is supplied by Morris’s ingenious and utterly entertaining choreography...
★★★★★ Houston Ballet is a prime example of what a 21st century ballet company should look like: diverse, dynamic and accomplished.
Pam Tanowitz, well known in New York, just created her first work outside the States - for the Royal Ballet. It's been a critical success and Jann Parry (who gave the work 5 stars) finds out what makes her tick and why so many directors are seeking Tanowitz out...
★★★★★ Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.
★★★★✰ Mozart Dances goes far beyond a basic choreographic rendering of the score, instead inviting an active dialogue between disciplines.
★★★★✰ Mark Morris Dance Group are currently at the Lincoln Center's Mostly Mozart Festival performing a triple bill coupling a new work, "Sport", to the much admired "Empire Garden" and "V".
★★★★✰ Putov brought together remarkable performers whom we long to see again, and left us wanting more...
★★★✰✰ Morris has added two performers to the line-up since the Liverpool premiere, which now stands at seventeen dancers, spreading the load for his continual torrent of flowing, elegant, musical choreography.
With Pepperland about to tour the UK for 6 weeks we talk to designer Elizabeth Kurtzman about her striking costumes and what it's like working with Mark Morris...