"Mats Ek" tag
English National Ballet School publicity image for the 2017 Summer Performance.© ENB School. (Click image for larger version)

English National Ballet School – Summer Performance 2017 – London

★★★★✰   The highlight of the second half of the programme was Mats Ek’s Pas de Danse, staged by his assistant, Pompea Santoro.

Ana Laguna and Yvan Auzely in Mats Ek's Axe.© Foteini Christofilopoulou. (Click image for larger version)

Sadler’s Wells Elixir Festival – KnowBody II – London

★★★✰✰   Mats Ek’s “Axe” could be the beginning to a new Scandi Noir TV series. There is a man, an axe, a huge pile of wood that he starts to chop with repressed intensity and a visibly distressed wife. It doesn’t look like it will end well.

Mara Galeazzi.© and courtesy the Royal Opera House.

Interview – Mara Galeazzi on Woolf Works, her wider career and dancing on…

She found that she came back to perform with the company she left five years ago with a different approach. ‘I know more about why I love to perform…’

Tamara Rojo and James Streeter in Akram Khan's Giselle.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Akram Khan’s Giselle – London

★★★✰✰   Jann Parry with an alternative view and detailed account of the Akram Khan Giselle for English National Ballet…

Didy Veldman.© Mia-Bo Powney. (Click image for larger version)

5 Questions to Didy Veldman – on forming and touring her new company, Umanoove

Choreographer Didy Veldman has just formed her own company – Umanoove – and is off touring her latest work, called “The Happiness Project”. Time for a brief 5 questions interview we thought…

Mariko Kida and Anthony Lomuljo in Mats Ek's Juliet and Romeo.© Gert Weigelt. (Click image for larger version)

Royal Swedish Ballet – Juliet and Romeo – Washington

★★★✰✰   The production nevertheless intrigues the eye and is fueled by the exceptional dancing of the company’s talented and dedicated dancers.

BalletBoyz in Javier De Frutos' Fiction.© Foteini Christofilopoulou. (Click image for larger version)

BalletBoyz – Life: Rabbit, Fiction – London

★★★★✰   Having missed the opening night of the BalletBoyz tour, at Sadler’s Wells, a few weeks ago, I caught up with it, just three bus stops away from my home…

Sophie Martin and Christopher Harrison in David Dawson's Swan Lake.© Andy Ross. (Click image for larger version)

Scottish Ballet – Swan Lake (Dawson premiere) – Glasgow

★★★✰✰   Sophie Martin’s Odette/Odille, despite the costume, steals the show with layers of dramatic nuance on top of the pushed lines of Dawson’s steps.

Brooklyn Mack and Venus Villa in Hamlet.© Theo Kossenas. (Click image for larger version)

Washington Ballet – Hamlet – Washington

★★✰✰✰   There is, however, one undeniably compelling personage in this somewhat flat production of Hamlet – the quiet and fragile Ophelia, as portrayed by Venus Villa…

Alexander Ekman.© Peter Greig. (Click image for larger version)

Interview: Alexander Ekman, Director / Choreographer, on Cacti and other things

One of the go-to international choreographers, particularly if you want something arresting and unusual, is Alexander Ekman. His “Cacti”, appropriately featuring a stage full of Cacti, is about to be presented by Royal New Zealand Ballet and Sydney Dance Company – Valerie Lawson catches up with a dance maverick…

Sylvie Guillem. © Gilles Tapie. (Click image for larger version)

2015 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Sylvie Guillem in Akram Khan’s technê.© Bill Cooper. (Click image for larger version)

Sylvie Guillem – Life in Progress – New York

More than one dancer has been dubbed a “punk ballerina” but no one deserves it more than Sylvie Guillem, who has ruffled feathers at the world’s best companies, and at 50 years old is still on top.

Marianela Nunez and Carlos Acosta in his Carmen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Carmen, Viscera, Afternoon of a Faun, Tchaikovsky pas de deux – London

Acosta’s Carmen is far from a disaster, propelled by committed performances and Tim Hatley’s dramatic designs…

Kathleen Breen Combes.© Liza Voll. (Click image for larger version)

Kathleen Breen Combes – Principal, Boston Ballet

I was told my body type wasn’t really ideal, and during high school I had ballet teachers who said that maybe I should consider pursuing college because my body wasn’t suitable for classical ballet…

Sylvie Guillem in Mats Ek's Bye. © Lesley Leslie-Spinks. (Click image for larger version)

Sylvie Guillem – A Life in Progress – London

Sylvie Guillem’s farewell programme at the Coliseum (following its modest Sadler’s Wells presentation in May) is a glorious spectacle in the largest theatre in London.

Zizi Strallen and Chris Trenfield in The Car Man.© Foteini Christofilopoulou. (Click image for larger version)

Matthew Bourne / New Adventures – The Car Man – London

It is almost eight years to the day since The Car Man was last revived at Sadler’s Wells (having premiered in 2000) and it seems even better than I recall…

Tamara Rojo.© Johan Persson. (Click image for larger version)

Tamara Rojo – Director and Principal Dancer, English National Ballet – in her own words

It was only when I worked with Mats Ek that I understood who I was as a dancer.

Natasha Kusch rehearsing Giselle.© Lynette Wills. (Click image for larger version)

Australian Ballet – Giselle – Melbourne

Maina Gielgud first staged her production of Giselle for the Australian Ballet in 1986…

Sylvie Guillem and Russell Maliphant in Push, taken in 2005. From a John Ross Gallery of 6 images.© John Ross.

2014 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Oleg Gabyshev as Rodin in Eifman’s Rodin.© Souheil Michael Khoury. (Click image for larger version)

Eifman Ballet – Rodin – Cannes

Despite many critics’ reservations, Eifman’s work does remain popular internationally, and in France it can be explained by the lack of good quality touring dance in the country.

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