"Mendelssohn" tag
Alessandra Ferri and Federico Bonelli in Marguerite and Armand.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – 3 casts in The Dream, Symphonic Variations, Marguerite and Armand – London

★★★★✰   In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.

Gabriella Domini, supported by Maxwell Read and Jackson Fort, in Scotch Symphony. Choreography by George Balanchine © The George Balanchine Trust.© Paul Kolnik. (Click image for larger version)

School of American Ballet – Workshop Performance: Scènes de Ballet, Hallelujah Junction, Scotch Symphony – New York

★★★★✰   New York City Ballet’s seemingly endless stream of new talent has a source, and that source is the School of American Ballet…

Sarah Steele in Ethan Stiefel's Frontier.© Theo Kossenas Media 4 Artists. (Click image for larger version)

Washington Ballet – Lilac Garden, The Dream, Frontier (premiere) – Washington

★★★✰✰   Ethan Stiefel’s Frontier, his first significant commission, had all the right ingredients… Yet the ballet, with its space travel theme, didn’t leave much of an impression…

Students of ABT’s Jacqueline Kennedy Onassis School in Garden of Dreams.© Teresa Wood. (Click image for larger version)

Ballet Across America – Opening Night Celebration 2017 – Washington

★★★★✰   Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month…

Kerala Kalamandalam in Dussasana Vadhom.© Kevin Yatarola. (Click image for larger version)

Memorable Performances of 2016 – New York

Marina Harss with her personal selection of New York dance memories this last year…

American Ballet Theatre in Jessica Lang's Her Notes.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Jessica Lang’s Her Notes prmeiere + others – New York

★★★★✰   Jessica Lang’s Her Notes is a lovely and poetic work, though one with a slightly subdued effect. It is almost too tasteful.

Jeremy McQueen.© and courtesy Jeremy McQueen (Click image for larger version)

Jeremy McQueen on his new company, Black Iris Project, and their debut programme of works in NY

Jeremy McQueen’s dance company, Black Iris Project, have their debut season at New York Live Arts this week – 27 & 28 July.  Shanti Crawford spoke with the emerging choreographer about his new company, what drives them and the NY Live Arts bill.

Miriam Miller and Anthony Huxley in Midsummer Night’s Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Midsummer Night’s Dream – New York

★★★★✰   But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.

Dreda Blow (Jane) in Cathy Marston's Jane Eyre.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – Jane Eyre – Doncaster

★★★★✰   It’s actually the best new narrative work I’ve seen Northern Ballet do in many years.

Violeta Angelova and Kirk Henning in the Scene d’amour from Romeo and Juliet, choreography by Maurice Bejart.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Walpurgisnacht Ballet, Midsummer Night’s Dream, Romeo and Juliet, Emeralds – Washington

Suzanne Farrell Ballet’s new program, “Balanchine, Béjart, and the Bard,” presented at the Kennedy Center Opera House at the end of October, was dedicated to the 400th anniversary of Shakespeare’s death. It offered an appealing mix of four ballets

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct – 1 Nov 2015.

Teresa Reichlen in A Midsummer Night's Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – A Midsummer Night’s Dream – New York

George Balanchine’s Midsummer Night’s Dream is really two ballets, layered one upon the other.

Mark Morris Dance Group in Spring, Spring, Spring.© Ken Friedman. (Click image for larger version)

Mark Morris Dance Group – Pacific, Words, Whelm, Grand Duo, Crosswalk, Jenn and Spencer, and Spring, Spring, Spring – New York

Morris seems particularly interested in deploying turning and spinning movements these days; turns appear again and again in different forms in many of the new works, especially fast chaînés or dizzying rotations in one spot.

Tanztheater Wuppertal Pina Bausch in Auf dem Gebirge hat man ein Geschrei gehört.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Auf dem Gebirge hat man ein Geschrei gehört – London

Auf dem Gebirge comes from her gloomy period, when she was more concerned with the imagery her performers could dig out of themselves than with their abilities as dancers.

Hubbard Street Dance Chicago in Nacho Duato's Gnawa.© Todd Rosenberg. (Click image for larger version)

Fall for Dance at the Delacorte Theatre – New York

For the second year in a row, the Fall for Dance Festival began with a pair of performances at the outdoor Delacorte Theatre in Central Park, one of the most enchanting spots in the city.

Vicktoria Tereshkina in A Midsummer Night's Dream.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – Apollo, A Midsummer Night’s Dream – London

Viktoria Tereshkina has a warm personality and this enhances her dancing. She has long thin limbs and offers expansive port de bras, while her legs whip up effortlessly but with control.

Gillian Murphy in The Dream.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – The Dream, The Tempest – New York

Who but Frederick Ashton could turn a marital spat into one of the most delightful, touching works in the ballet repertoire? His 1964 The Dream is precisely that…

Laetitia Lo Sardo with Artists of Birmingham Royal Ballet in Faster.© Bill Cooper

Birmingham Royal Ballet – The Grand Tour, Faster, The Dream – London

The programme included works both old and new but it was not an altogether successful mixture. The dancers looked most at home, and at their most sleek and impressive, in Faster, a work made on them this year by their Artistic Director, David Bintley, evoking the striving of competitors in the Olympics.

Teresa Reichlen as Titania, with Bottom (Henry Seth) in Balanchine's A Midsummer Night’s Dream. © Paul Kolnik.

New York City Ballet – A Midsummer Night’s Dream – New York

In the second act, storytelling gives way to pure dance, the highpoint of which is one of the most delicate, poetic pas de deux ever made – an allegory of love, danced by an unidentified couple. It is a Balanchinean vision of absolute trust and partnership…

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