"Merce Cunningham" tag
Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

Raffaele Morra.© Zoran Jelenic. (Click image for larger version)

Raffaele Morra – Ballet Master and Rehearsal Director, Les Ballets Trockadero de Monte Carlo

Next month – September – The Trocks open their 2018 UK tour which runs through to November and covers many towns and cities across the land. A good primer on all things Trockadero as Diane Parkes speaks to Raffaele Morra, whose been with the company these last 17 years…

Choreographer Lauren Lovette working with Ashley Bouder on Red Spotted Purple.© Gibney/Ashley Bouder - from Instagram original.

Ashley Bouder Project – Red Spotted Purple, Duet, Alas, Symbiotic Twin, In Pursuit Of – New York

★★★✰✰   Bouder’s pick-up ensemble of eight, which she refers to as an arts collaborative, reflects her ideals. It is racially diverse; the choreographers include both men and women. Not all the choreographers are white. This should be par for the course, but it’s not.

Nicholas Bodych and Elly Braund in Carnaval.© Chris Nash. (Click image for larger version)

Richard Alston Dance Company – Mid Century Modern, Carnaval, Cut and Run – London

★★★★★   It must be tempting to get carried away by sentiment when it comes to celebrating both a 70th birthday and fifty years as a choreographer in a programme that also marks the departure of a special muse.

Christopher Williams Il Giardino d’Amore.© Ian Douglas. (Click image for larger version)

Memorable Performances of 2017 – New York

Six Performances That Stayed with Me in 2017 – Marina Harss with her personal selection of New York dance memories this last year.

Carmen de Lavallade immediately after receiving her Honors medallion.© John P. Filo/CBS. (Click image for larger version)

Carmen de Lavallade Honoured at The 40th Annual Kennedy Center Honours

Dancer, choreographer, actress, teacher, director, writer, and mentor, Carmen de Lavallade is a true artist in every sense of the word – and a true legend.

Liz Lerman.© Lise Metzger. (Click image for larger version)

Dance Umbrella Lecture 2017 – Liz Lerman: “Finding the Thread, Losing the Plot”

Liz Lerman is an enlightened performer, writer, educator and speaker. A tiny woman with a quietly formidable presence, her lecture was an inspirational manifesto for dance and life.

James Pett, Fukiko Takase, Travis Clausen-Knight, Jordan James Bridge and Jessica Wright in Autobiography.© Dave Morgan. (Click image for larger version)

Company Wayne McGregor – Autobiography – London

★★★✰✰   Each performance of Wayne McGregor’s Autobiography will be different, since its composition is to be determined by an algorithm based on his genetic code. …whatever a reviewer describes will never be the same again.

Catherine Turocy, director New York Baroque Dance Company.© Courtesy New York Baroque Dance Company. (Click image for larger version)

Interview – Catherine Turocy, artistic director of New York Baroque Dance Company

Meticulous reconstructions of Petipa, Cunningham, Graham, Taylor works are performance staples these days. Much rarer is a reconstruction like “Le Temple de la Gloire” (The Temple of Glory) a 1745 political opera-ballet with music by Jean-Philippe Rameau and a libretto by the philosopher Voltaire….

Nicholas Sciscione and Joshua Tuason in Untitled Touch.© Julie Lemberger. (Click image for larger version)

Stephen Petronio Company – Bloodlines: works by Rainer, Paxton, Halprin, Petronio – New York

★★★✰✰   Two interesting impulses have been evident in the modern and post-modern dance scene in New York of late….
(Works danced: Diagonal, Trio A With Flags, Chair-Pillow, Excerpt from Goldberg Variations, The Courtesan and the Crone, Untitled Touch)

Sean Mahoney, Parisa Khobdeh and Heather McGinley in Martha Graham's Diversion of Angels.© Paul B. Goode. (Click image for larger version)

Paul Taylor American Modern Dance & Lyon Opera Ballet – Icons: Graham, Cunningham, Taylor – New York

★★★★✰   Sunday night, the New York dance scene flocked to see three of America’s dance pioneers side by side in “Icons: Graham, Cunningham, Taylor.

Eran Bugge and Robert Kleinendorst in Esplanade.© Paul B. Goode. (Click image for larger version)

Paul Taylor’s American Modern Dance – Book of Beasts, The Word, Esplanade – New York

★★★★✰   What is it about Esplanade that makes us so elated, so satisfied, so moved?

Julie Cunningham and Hannah Burfield in Returning.© Foteini Christofilopoulou. (Click image for larger version)

Julie Cunningham and Company – Returning, To Be Me – London

★★★✰✰   A final poem, ‘Man Down’, calls for compassion and acceptance that we are all combinations of male and female. The message is in the words rather than in the bodies of the dancers.

Julie Cunningham.© Amy Sinead Photography. (Click image for larger version)

5 Questions to Julie Cunningham, about choreographing, her link to Rambert and starting her own company…

Julie Cunningham on Twitter www.rambert.org.uk Julie Cunningham and Company make their debut at the Barbican Theatre on the 8-11 March 2017. Full Details A busy time for Julie Cunningham – this last year…

Ballet de Lorraine in Merce Cunningham's Sounddance.© Laurent Philuppe. (Click image for larger version)

Ballet de Lorraine – Devoted, HOK Solo Pour Ensemble, Sounddance – New York

★★★✰✰   This winter, New York is getting to see more Merce Cunningham than it has in years, thanks to visits from various European companies. It is a sad fact that Europe has always been more supportive of Cunningham than the choreographer’s own country.

Lucinda Childs Dance Company in Available Light.© JJ Tiziou. (Click image for larger version)

Lucinda Childs Dance Company – Available Light – San Francisco

★★★✰✰   Available Light is merciless, and in the best way…

Robert Rauschenberg and Susan Weil: Untitled (ca. 1950).Monoprint: exposed blueprint paper.209.6 x 92.1 cm, Private collection.© Robert Rauschenberg. (Click image for larger version)

Exhibition – Robert Rauschenberg, Tate Modern – London

Though Rauschenberg’s designs have no apparent connection with the dances they accompany, and even compete for the audience’s attention, they have become inescapably part of the experience of each work.

Katherine Helen Fisher in Pastime.© John Sisley. (Click image for larger version)

Lucinda Childs Dance – Lucinda Childs: A Portrait – New York

★★★✰✰   The post-modernist Lucinda Childs is experiencing a bit of a comeback here in the US, after years of working abroad.

Adam Park, Daniel Davidson, Hannah Rudd and Joshua Barwick in Merce Cunningham choreography at the Phillips’ gallery Rambert Event.© Stephen Wright. (Click image for larger version)

Gallery – Rambert (Merce Cunningham) Event at Phillips’ gallery

Gallery by Stephen Wright…

DanceTabs © 2018 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.