"Metropolitan Opera House" tag
American Ballet Theatre in Chamber Symphony part of Shostakovich Trilogy. © Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Shostakovich Trilogy – New York

★★★✰✰   Shostakovich Trilogy is a rich work, containing too much to take in at a single sitting. It reveals some of its secrets, but not all.

American Ballet Theatre in Ratmansky's Serenade after Plato’s Symposium.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

★★★★✰   It isn’t often that a gala program proves satisfying, but this one was the exception.

Maria Kochetkova in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia (Kochetkova, Cornejo) – New York

More from ABT’s run of Ashton’s “Sylvia” – the time Marina Harss reviews Maria Kochetkova and Herman Cornejo…

American Ballet Theatre in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia – New York

★★★★✰   Part of the secret to Sylvia is of course Léo Delibes’s score; like the story, it has its silly moments, but when it soars, it is utterly seductive…

Isabella Boylston in The Sleeping Beauty.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – Washington

★★★★✰ “Ratmansky’s new staging is a Beauty like you have never seen before: it uncovers the original ballet’s genuine beauty, which faded over the years under the clutter of modern revisions.”

Julio Bocca.© Leo Barizzoni. (Click image for larger version)

Julio Bocca – Director Ballet Nacional SODRE in Montevideo

Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company – fast…

Marianela Nuñez and James Whiteside in Cinderella.© MIRA. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

Two 2 casts reeviewed – led out by Stella Abrera and a guesting Marianela Nunez. But the star of Cinderella is the ballet itself – Ashton’s tribute to Petipa, to silliness, and to the power of childlike wonder…

Misty Copeland in Swan Lake.© Darren Thomas, Queensland Performing Arts Centre. (Click image for larger version)

American Ballet Theatre – Swan Lake (Copeland/Whiteside) – New York

Copeland has earned her place center-stage, and it seems more likely than ever that she will be promoted to principal.

Evgenia Obraztsova and Herman Cornejo in Romeo and Juliet.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet (Obraztsova/Cornejo) – New York

One could imagine a fine partnership developing between Cornejo and Obraztsova. Both are generous and open-hearted performers.

Misty Copeland and Alexandre Hammoudi in Romeo and Juliet.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet (Copeland/Hammoudi) – New York

The million-dollar question for any dancer on the cusp is this: can they carry an evening-length story ballet? The answer, on the evidence of Copeland’s début in Romeo and Juliet, is yes.

Hee Seo and Kimin Kim in La Bayadère.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – La Bayadère – New York

But no end of fine, or even inspired, performances can breathe life into this tired production

American Ballet Theatre in Alexei Ratmansky’s The Sleeping Beauty.© Doug Gifford. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – New York

Perhaps the most striking element in Alexei Ratmansky’s new Sleeping Beauty for American Ballet Theatre is its musicality, the way the steps, peppered with accents and breaths, unspool within the music.

American Ballet Theatre in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle (Abrera debut) – New York

The American Ballet Theatre season continues with Giselle where Marina Harss saw Stella Abrera’s company debut. The response to the performance was understandably enthusiastic.

Joseph Gorak in Études.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – 75th Anniversary Gala – New York

American Ballet Theatre know how to do a Gala and this was their 75th Anniversary as well – Everybody seemed to have a good time says Marina Harss…

Devon Teuscher in Pillar of Fire.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Les Sylphides, Pillar of Fire, Fancy Free, Theme and Variations – New York

There are times when a dance lover just can’t believe her good fortune and one of those times comes around once a year in New York…

Xiomara Reyes and Sascha Radetsky in Coppélia.© MIRA. (Click image for larger version)

American Ballet Theatre – Coppélia – New York

The three dancers who took their leave this week – Sascha Radetsky, Yuriko Kajiya and Jared Matthews – are all soloists. Each led a different cast of the company’s 1997 production of Coppélia.

Gillian Murphy in The Dream.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – The Dream, The Tempest – New York

Who but Frederick Ashton could turn a marital spat into one of the most delightful, touching works in the ballet repertoire? His 1964 The Dream is precisely that…

Hee Seo and Roman Zhurbin in Swan Lake.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

American Ballet Theatre’s Swan Lake is looking tired …bogged down by reams of flavorless dancing.

Polina Semionova and David Hallberg in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle – New York

Few nineteenth-century story ballets are as satisfying as Giselle, with its simple and poetic plot, compact structure and starkly contrasting moods. This week I watched four Giselles, with four distinctly different casts…

Roman Zhurbin and Craig Salstein in Cinderella.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

To fully enjoy Ashton, one has to be willing to acquiesce to one’s own softer impulses, a sense of wonder and perhaps a little nostalgia, and to surrender the loveliness of small things.

DanceTabs © 2016 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.