"Mikhail Baryshnikov" tag
Gelsey Kirkland Ballet in Harlequinade.© Anna Kuzmina. (Click image for larger version)

Gelsey Kirkland Ballet – Harlequinade, The Wedding Procession, Walpurgis Night – New York

★★★✰✰   This is no second-rate student group. The Gelsey Kirkland Academy is doing something right.

Rocio Molina in Danzaora & Vinatica.© Luiz C Ribeiro. (Click image for larger version)

Compania Rocio Molina – Danzaora & Vinática – New York

★★★★★ Molina and her musicians capture flamenco’s traditional spirit and show its future…

Francesca Hayward and James Hay in Rhapsody.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Rhapsody, The Two Pigeons – London

★★★★★ “What a joy to have Rhapsody back in its original setting…”

Brooklyn Mack.© Washington Ballet. (Click image for larger version)

A chat with Brooklyn Mack, Washington Ballet & English National Ballet Guest Artist

Brooklyn Mack dances with Washington Ballet but has recently been wowing British audiences with English National Ballet in their wonderful “Le Corsaire”. Margaret Willis, much impressed, caught up with him for a chat…

Michael Flatley in Lord of the Dance.© Brian Doherty for Rapa Investments. (Click image for larger version)

Michael Flatley – Lord of the Dance: Dangerous Games – New York

Somewhere between Liberace and James Brown, there exists an entity otherwise known as Michael Flatley. His flamboyance – the blousy, satin shirts, the glittering jackets – knows no bounds, nor does his insistent, swaggering virility.

Sylvie Guillem in Akram Khan’s technê.© Bill Cooper. (Click image for larger version)

Sylvie Guillem – Life in Progress – New York

More than one dancer has been dubbed a “punk ballerina” but no one deserves it more than Sylvie Guillem, who has ruffled feathers at the world’s best companies, and at 50 years old is still on top.

Joseph Gorak in Études.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – 75th Anniversary Gala – New York

American Ballet Theatre know how to do a Gala and this was their 75th Anniversary as well – Everybody seemed to have a good time says Marina Harss…

María Pages Utopia.© David Ruano. (Click image for larger version)

Iberian Suite Festival – Compañía María Pagés in Utopía – Washington

…María Pagés infuses the essence and spirit of flamenco with modern sentiment.

Patricia McBride on the red carpet.© Margot Schulman. (Click image for larger version)

Patricia McBride Honoured at The 37th Annual Kennedy Center Honours

McBride joined the New York City Ballet in 1959, and two years later, at the age of 18, she was promoted to the rank of principal, becoming the youngest principal dancer in the troupe’s history.

Rocio Molina in Bosque Ardora.© Foteini Christofilopoulou. (Click image for larger version

Rocio Molina – Bosque Ardora – London

What a strange world flamenco dancer Rocío Molina conjures up for us in her latest show…

Willem Dafoe and Mikhail Baryshnikov in Robert Wilson's The Old Woman.© Lucie Jansch. (Click image for larger version)

Robert Wilson – The Old Woman, staring Mikhail Baryshnikov – New York

In the end, the real pleasure of the evening is watching two extraordinary showmen…

Roman Zhurbin and Craig Salstein in Cinderella.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

To fully enjoy Ashton, one has to be willing to acquiesce to one’s own softer impulses, a sense of wonder and perhaps a little nostalgia, and to surrender the loveliness of small things.

Jenn Weddel and Spencer Ramirez in Jenn and Spencer.© Stephanie Berger. (Click image for larger version)

Mark Morris Dance Group – Italian Concerto, A Wooden Tree, Jenn and Spencer, Crosswalk – Washington

The evening offered a sampler of Morris’s newly-minted works (A Wooden Tree, Jenn and Spencer and Crosswalk, all made in 2012-13) and his splendid Italian Concerto from 2007.

Eric Underwood, Marianela Nunez and Thiago Soares in Tetractys - The Art of Fugue.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Tetractys -The Art of Fugue, Rhapsody, Gloria – London

The Royal Ballet’s latest triple bill has a happy beginning and a sad ending and in the middle there’s Wayne McGregor’s new piece, Tetractys, an emotionally-neutral blank sheet on which you can write your own feelings – or more likely, your own thoughts.

Marjin Rademaker and Edward Watson in Javier de Frutos' 3 with D.© Dave Morgan. (Click image for larger version)

Ivan Putrov – Men in Motion (2014) – London

…the men Ivan Putrov has chosen for his latest Men in Motion programme are exceptional dance-interpreters, not self-glorifiers…

Linda Celeste Sims and Jamar Roberts in Aszure Barton's LIFT.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theatre – Chroma, D-Man in the Waters (Part I), LIFT – New York

I have yet to see a less than full-throttle performance, even when a choreographer’s style does not quite fit the company’s technique…

The Snowflakes in George Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

The Nutcracker – from New York City Ballet, American Ballet Theatre and Gelsey Kirkland Ballet – New York

So far this season I’ve seen three “traditional” Nutcrackers: Ratmansky’s version for American Ballet Theatre, Gelsey Kirkland’s, and the familiar and much-loved 1954 staging by George Balanchine for New York City Ballet. All three have their charms…

Mikhail Baryshnikov in Man in a Case.© T. Charles Erickson. (Click image for larger version)

Mikhail Baryshnikov / Big Dance Theater – Anton Chekhov’s Man in a Case – Washington

Baryshnikov has plenty of speaking lines, which he delivers with persuasion and notable dramatic skill… Yet his main strength here is his body language.

Susan Jones.© Sarah Sterner. (Click image for larger version)

Susan Jones – Ballet Mistress, American Ballet Theatre

My father asked my original teacher in Rockville, Ms. Hood, whether it was viable for me to become a dancer, and she said she thought I could, even though I wasn’t blessed with beautiful legs and feet. But I had a lot of other assets…

Marianela Nunez and Carlos Acosta in Don Quixote.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Don Quixote (Acosta production) – London

It’s especially challenging for the Royal Ballet, whose repertoire and style are built on the subtle understatement of Frederick Ashton and the deep psychological explorations of Kenneth MacMillan: hot-blooded Latin exuberance is not really their thing…

DanceTabs © 2016 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.