"Monotones" tag
The 2018 ENB Emerging Dancer finalists: Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles.© Karolina Kuras. (Click image for larger version)

English National Ballet’s Emerging Dancer 2018 Competition – 5 Questions to 6 Finalists

English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 11 June and ahead of the that we talk to the finalists – Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles…

Michael Clark Company in to a simple rock 'n' roll... song.© Hugo Glendinning. (Click image for larger version)

Michael Clark Company – to a simple rock ‘n’ roll… song – London

★★★★★   …the dancing is life enhancing and the audience leaves on a high of pleasure.

Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Stephanie Amuro in Helix.© Rose Eichenbaum. (Click image for larger version)

L.A. Dance Project – Harbor Me, 3 Marth Graham duets, Helix, On the Other Side – New York

L.A. Dance Project Harbor Me, Marth Graham duets (White, Star, Moon), Helix, On the Other Side ★★★✰✰ New York, Joyce Theater 27 July 2016 www.ladanceproject.com www.joyce.org LA Story Since his quick exit from…

Valeri Hristov, Marianela Nunez and Edward Watson in Monotones II.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version

Royal Ballet – Monotones I & II, The Two Pigeons – London

Monotones II: Audiences are now accustomed to the manic acrobatic contortions of modern choreography, so it is rewarding to see the rigour with which the three performers (Marianela Nunez, Valeri Hristov and Edward Watson) control their elasticity.

Vadim Muntagirov and Lauren Cuthbertson in The Two Pigeons.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Monotones, The Two Pigeons

Gallery by Dave Morgan…

James Hay.© Andrej Uspenski. (Click image for larger version)

James Hay – Royal Ballet First Soloist

The Royal Ballet’s 2015/2016 season is providing big opportunities for James Hay, promoted to First Soloist in June…

Mark Morris Dance Group in Spring, Spring, Spring.© Ken Friedman. (Click image for larger version)

Mark Morris Dance Group – Pacific, Words, Whelm, Grand Duo, Crosswalk, Jenn and Spencer, and Spring, Spring, Spring – New York

Morris seems particularly interested in deploying turning and spinning movements these days; turns appear again and again in different forms in many of the new works, especially fast chaînés or dizzying rotations in one spot.

Danielle Brown and Ricardo Rhodes in Frederick Ashton's Birthday Offering.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Sir Frederick Ashton Festival, Programmes 1-4 – Sarasota

Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.

Dusty Button in William Forsythe’s The Second Detail.© Dave Morgan. (Click image for larger version)

2013 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Agnès Letestu and Hervé Moreau in Woundwork 1.© Anne Deniau / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – William Forsythe / Trisha Brown bill, Don Quixote – Paris

The middle piece, O Zlozony/O Compsite, is a beautiful work by Trisha Brown, made for the company in 2004. Bizarely it always reminds me of Ashton’s Monotones…

Desmond Kelly at the launch of Ballet Hoo!.Courtesy of Birmingham Royal Ballet ©. (Click image for larger version)

Desmond Kelly – Artistic Director Elmhurst and Governor of the Royal Ballet Companies

My nickname in BRB used to be Bastard – and something happened with Ballet Hoo! – I don’t know whether it’s my age, or the kids we worked with, but it made me realise that you can get the best out of dancers and students by coming in on a certain level and talking to them on a certain level – not always shouting. I do shout still, I do get very angry…

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