"Mozart" tag
ABT in Jessica Lang's Garden Blue.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York

★★★✰✰   The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.

Chris Hampson.© Helen Maybanks. (Click image for larger version)

Christopher Hampson, Scottish Ballet’s Director, on celebrating the companies 50th anniversary in 2019 & future plans

Scottish Ballet have just announced plans for their Fiftieth Anniversary in 2019, including three world premieres – we have the full press release and touch-base with CEO/Artistic Director Christopher Hampson about the celebrations and what happens beyond…

Sara Mearns in Dances of Isadora Duncan.© Stephanie Berger. (Click image for larger version)

Fall for Dance 2018, Program 1 – Boston Ballet, Sara Mearns, Caleb Teicher & Co, Cie Hervé Koubi – New York

★★★★✰   On the second night the program was offered, Mearns was stunning, but the remaining three pieces, by three different companies were, to varying degrees, engaging, although hers was a tough act to follow.

Antoinette Brooks-Daw and Javier Torres in Morgann Runacre-Temple's The Kingdom of Back.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – The Kingdom of Back, Mamela…, The Shape of Sound – Leeds

★★★★✰   A good night of new work for Leeds coupling a rising star from outside with local and much-loved company talent.

Mark Morris Dance Group in The Trout.© Stephanie Berger. (Click image for larger version)

Mark Morris Dance Group – Love Song Waltzes, I Don’t Want to Love, The Trout – New York

★★★✰✰   How striking Morris’ dancers are, how diversified in form and unique in expression and cohesive as a troupe — ever present and responsive to each other.

Alain Platel & Fabrizio Cassol's Requiem pour L.© Chris Van der Burght. (Click image for larger version)

Alain Platel & Fabrizio Cassol – Requiem pour L. – London

✰✰✰✰✰   I have to ask how one associates a star rating with a performance in which the largest, continuing visual image is a close-up, slow motion film of an actual death.

New York Theatre Ballet in Septet.© Julie Lemberger. (Click image for larger version)

New York Theatre Ballet – Septet, Rondo, Concertino, Wings/A Petroushka Collage – New York

★★★✰✰   New York Theatre Ballet’s director, Diana Byer, is known for dusting off the dance history books, and giving a dose of challenging revivals. This time NYTB joins may companies around the country and indeed, the world, in celebrating Jerome Robbins’ centennial…

Adrian Danchig-Waring, Tiler Peck and Ashly Isaacs in George Balanchine’s Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine No. 1 & 2, 21st Century Choreographers bills – New York

★★★★✰   After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.

Svetlana Zakharova and Bolshoi friends in Strokes Through the Tail.© Jack Davant. (Click image for larger version)

Svetlana Zakharova – Amore: Francesca da Rimini, Rain before it Falls, Strokes Through the Tail – London

★★★✰✰   Happy for Zakharova who ultimately curated an interesting night, very happy to see her retinue of Bolshoi dancers and happy to see Donlon provide such final good cheer.

Twyla Tharp.© Robert Whitman. (Click image for larger/full version)

Twyla Tharp Dance – The Raggedy Dances, The Fugue, Entr’acte, Dylan Love Songs – New York

★★✰✰✰   It all sounds terribly promising, and yet the evening falls as flat as a soufflé left in the oven for too long.

San Francisco Ballet School students in Balanchine’s Serenade.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet and School – Student Showcase, Promotions and Company Joiners

San Francisco exists in its own world, out here on the distant West Coast. The San Francisco Ballet, though, just became more global than ever, with new 2017-18 members joining from around the world. The company school, which presented its annual Student Showcase 31 May through 2 June at YBCA Theater, draws international students as well…

Stella Abrera and David Hallberg in Whipped Cream.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Whipped Cream – New York

★★★★✰   Alexei Ratmansky’s new ballet for ABT, Whipped Cream, is like a Viennese confection: so layered and airy that it takes a moment to fully take in the flavor of its many ingredients.

Washington Ballet in Forsythe's In the Middle, Somewhat Elevated.© Theo Kossenas Media 4 Artists. (Click image for larger version)

Washington Ballet – Kylián, Peck, Forsythe – Washington

★★★✰✰   Forsythe’s emblematic In the Middle, Somewhat Elevated was created 30 years ago. Still, the ballet retains its explosive spirit and irresistible urgency, as well as its ability to thrill.

Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

Koto Ishihara, Francisco Mungamba and Wei Wang in Bubeníček's Fragile Vessels.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco

★★★★✰   The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.

Gandini Juggling in Smashed: Special Edition.© Kristy Meijers. (Click image for larger version)

Gandini Juggling – Smashed: Special Edition – London

★★★★✰   Bausch with added balls.

Lauren King, Abi Stafford, Megan Fairchild, Ana Sophia Scheller and Sterling Hyltin in Divertimento No. 15.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Divertimento No. 15, Episodes, Vienna Waltzes – New York

★★★★✰   Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.

Zachary Kapeluck and Richard Villaverde in Big Ones by Trey McIntyre.© Alexander Iziliaev. (Click image for larger version)

BalletX – Show Me, Gran Partita, Big Ones – New York

★★★✰✰   The 10 dancers who graced the Joyce stage represented a powerhouse of talent and technique, on par with some of the best dancers at much larger companies – BalletX is worth checking out.

Ryan Smith and Wendy Rein in duet by Ann Carlson for Double Exposure.© Andrew Weeks. (Click image for larger version)

RAWdance – Double Exposure – San Francisco

★★★★✰   Sixteen choreographers, 13 new works, 2 dancers, 70 minutes, 4 years in the making. That’s the equation for Double Exposure, premiered by the San Francisco contemporary-dance duo RAWdance on Thursday, July 28. It’s an epic production that is greater than the sum of its parts.

Garrett Anderson and Anne Zivolich-Adams in Joe & Ida by Penny Saunders.© Andrew Weeks. (Click image for larger version)

SFDanceworks – Concerto Six Twenty-Two, Lickety Split, Joe & Ida, Portrait, Z – San Francisco

★★★✰✰   With this first season, Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers.

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