"Mozart" tag
Twyla Tharp.© Robert Whitman. (Click image for larger/full version)

Twyla Tharp Dance – The Raggedy Dances, The Fugue, Entr’acte, Dylan Love Songs – New York

★★✰✰✰   It all sounds terribly promising, and yet the evening falls as flat as a soufflé left in the oven for too long.

San Francisco Ballet School students in Balanchine’s Serenade.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet and School – Student Showcase, Promotions and Company Joiners

San Francisco exists in its own world, out here on the distant West Coast. The San Francisco Ballet, though, just became more global than ever, with new 2017-18 members joining from around the world. The company school, which presented its annual Student Showcase 31 May through 2 June at YBCA Theater, draws international students as well…

Stella Abrera and David Hallberg in Whipped Cream.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Whipped Cream – New York

★★★★✰   Alexei Ratmansky’s new ballet for ABT, Whipped Cream, is like a Viennese confection: so layered and airy that it takes a moment to fully take in the flavor of its many ingredients.

Washington Ballet in Forsythe's In the Middle, Somewhat Elevated.© Theo Kossenas Media 4 Artists. (Click image for larger version)

Washington Ballet – Kylián, Peck, Forsythe – Washington

★★★✰✰   Forsythe’s emblematic In the Middle, Somewhat Elevated was created 30 years ago. Still, the ballet retains its explosive spirit and irresistible urgency, as well as its ability to thrill.

Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

Koto Ishihara, Francisco Mungamba and Wei Wang in Bubeníček's Fragile Vessels.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco

★★★★✰   The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.

Gandini Juggling in Smashed: Special Edition.© Kristy Meijers. (Click image for larger version)

Gandini Juggling – Smashed: Special Edition – London

★★★★✰   Bausch with added balls.

Lauren King, Abi Stafford, Megan Fairchild, Ana Sophia Scheller and Sterling Hyltin in Divertimento No. 15.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Divertimento No. 15, Episodes, Vienna Waltzes – New York

★★★★✰   Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.

Zachary Kapeluck and Richard Villaverde in Big Ones by Trey McIntyre.© Alexander Iziliaev. (Click image for larger version)

BalletX – Show Me, Gran Partita, Big Ones – New York

★★★✰✰   The 10 dancers who graced the Joyce stage represented a powerhouse of talent and technique, on par with some of the best dancers at much larger companies – BalletX is worth checking out.

Ryan Smith and Wendy Rein in duet by Ann Carlson for Double Exposure.© Andrew Weeks. (Click image for larger version)

RAWdance – Double Exposure – San Francisco

★★★★✰   Sixteen choreographers, 13 new works, 2 dancers, 70 minutes, 4 years in the making. That’s the equation for Double Exposure, premiered by the San Francisco contemporary-dance duo RAWdance on Thursday, July 28. It’s an epic production that is greater than the sum of its parts.

Garrett Anderson and Anne Zivolich-Adams in Joe & Ida by Penny Saunders.© Andrew Weeks. (Click image for larger version)

SFDanceworks – Concerto Six Twenty-Two, Lickety Split, Joe & Ida, Portrait, Z – San Francisco

★★★✰✰   With this first season, Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers.

Philharmonia Orchestra & Armitage Gone! Dance performing Agon.© Camilla Greenwell Photography. (Click image for larger version)

Philharmonia Orchestra & Armitage Gone! Dance – Agon, Rite of Spring, Symphonies of Wind Instruments – London

★★★✰✰   Esa-Pekka Salonen is conducting London’s Philharmonia Orchestra in a Stravinsky festival, the first concert of which included a collaboration with Karole Armitage’s company on “Agon” – famously originally choreographed by Balanchine…

Christopher Tandy in The Odyssey.© Nicole Guarino. (Click image for larger version)

Mark Bruce Company – The Odyssey – London

★★★★✰ This is a bold project, crammed with incident and detail, and highly atmospheric.

Christopher Tandy in The Odyssey.© Nicole Guarino. (Click image for larger version)

Mark Bruce Company – The Odyssey – Frome

Award winning Mark Bruce has just unveiled his latest work – The Odyssey – based on Homer’s epic poem. But circumstances around the premiere have put the company through their own testing odyssey, if we were tantalised and enthralled by what we saw…

ABT in The Green Table.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Le Spectre de la Rose, Valse Fantaisie, The Green Table, Valse Fantaisie, Company B – New York

A highlight of the season is the return of Kurt Jooss’s The Green Table, made in 1932. This meditation on the folly of war in eight scenes has lost none of its punch…

Royal Ballet School in Jiri Kylian's Sechs Tanze.© Johan Persson. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2015 – London

I thought this year’s Royal Ballet School (RBS) performance on the main Royal Opera House stage was pretty damn’ good.

Bianca Fota and Dawid Trzensimiech in Ashton's Marguerite and Armand.© Cristian Lazarescu. (Click image for larger version)

Romanian National Ballet – Classical Symphony, Petite Mort, Marguerite and Armand, Tango, Radio and Juliet – Bucharest

Johan Kobborg took over as Director of Bucharest National Ballet just over a year ago. Time for Graham Watts to go and see how they are looking – in two very different bills…

Lublin Dance Theatre in All stories, which we have not told before with Beata Mysiak and Ryszard Kalinowski.© Jakub Wittchen. (Click image for larger version)

Polish Dance Platform – Lublin 2014

A first for DanceTabs in covering the Polish Dance Platform event – 3 days of contemporary dance and big thinking in Lublin. Lucy Ribchester, who has covered much dance at the Edinburgh festivals, reports on a wide ranging event…

Maki Onuki and Corey Landolt in Christopher Wheeldon's in Polyphonia.© Theo Kossenas. (Click image for larger version)

Washington Ballet – Petite Mort, 5 Tangos, Polyphonia – Washington

The Washington Ballet hit all the right marks with its 70th anniversary season opening program at the Sidney Harman Hall in October.

Detail from the book cover of Constant Lambert - Beyond The Rio Grande.© Boydell & Brewer. (Click image for full version of cover)

Book – Constant Lambert, Beyond The Rio Grande – by Stephen Lloyd

Lloyd has written widely on English composers and is meticulous in combing together many fragmentary impressions of Lambert. The book weighs over 1.5 kilos, 419 pages of small print, most heavily annotated in smaller print still, with a further 150 pages of appendices.

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