"Nacho Duato" tag
Students of the Upper School in Aurora’s Wedding.© Tristram Kenton / Royal Ballet School. (Click image for larger version)

Royal Ballet School – Summer Performance, ROH Main Stage – London

★★★✰✰   A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.

Garrett Anderson, right, with full ensemble in James Sofranko's Homing.© Alexander Reneff-Olson. (Click image for larger version)

SFDanceworks – Season Three: Snap, Homing, The Old Child, Jardí Tancat – San Francisco

★★★★✰   SFDanceworks is going places. Formed in 2014 by longtime San Francisco Ballet soloist James Sofranko, the relatively new company already finds itself in a season of expansion.

Maria Alexandrova and Vladislav Lantratov in Nureyev.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala 2018 – London

★★★✰✰   This year’s Russian Ballet gala was ostensibly in honour of the 200th anniversary of Marius Petipa’s birth. Any choreography attributed to him was mostly a long way ‘after Petipa’, but it’s always fun to see excellent Russian dancers deliver pas de deux from Don Quixote, Swan Lake and Le Corsaire.

Zaloa Fabbrini and Alessio Passaquindici in Roland Petit's L'Arlésienne.© Dominique Jaussein. (Click image for larger version)

Ballet Nice Mediterranee – Grand Pas Classique from Raymonda, Gnawa, L’Arlesienne – Nice

★★★✰✰   The most interesting item of the programme was definitely the revival of Roland Petit’s L’Arlésienne, created in 1974 when he was director of the National Ballet of Marseille.

Xin Ying in Martha Graham’s Chronicle.© Brigid Pierce. (Click image for larger version)

Martha Graham Dance Company – Gala + Cave of the Heart, Inner Resources, Rust and Chronicle bills – New York

★★★✰✰   The gala was a well-put-together, briskly-paced affair, a sampler of Graham excerpts dating back to her very first recital, in 1926.

Ashley Murphy and Dylan Santos in Nacho Duato's Coming Together.© Rachel Neville. (Click image for larger version)

Dance Theatre of Harlem – Divertimento, When Love, Change, Coming Together – New York

★★✰✰✰   It included several new works, two of them by women, part of a worthy new initiative, “Women Who Move Us.”

Maya Plisetskaya.© Ensemble Productions. (Click image for larger version)

Ave Maya Gala in Memory of Maya Plisetskaya – London

★★★✰✰ Every gala needs a revelation, and this one was provided by Sergio Bernal, a Spanish dancer who dominated the stage in an imperious farruca solo from Antonio’s flamenco version of The Three Cornered Hat…

Alexander Ekman.© Peter Greig. (Click image for larger version)

Interview: Alexander Ekman, Director / Choreographer, on Cacti and other things

One of the go-to international choreographers, particularly if you want something arresting and unusual, is Alexander Ekman. His “Cacti”, appropriately featuring a stage full of Cacti, is about to be presented by Royal New Zealand Ballet and Sydney Dance Company – Valerie Lawson catches up with a dance maverick…

Emilia Gisladdottir in Carmen.© Jesus Vallinas. (Click image for larger version)

National Ballet of Spain – Carmen – Cannes

More from the Cannes Dance Festival and director Brigitte Lefèvre definitely kept the best for the last night with Johan Inger’s full-length production of Carmen performed by the National Ballet of Spain…

Olga Semyonova (Teresa) and Maxim Podosyonov (Cornet) in Le Halte de Cavalerie.© Sveta Tarlova. (Click image for larger version)

Mikhailovsky Ballet – Le Halte de Cavalerie, Class Concert, Prelude – New York

The idea behind the triptych is to show three aspects of the company’s style: the classicism and character dance of Petipa; the technical pizzazz of mid-twentieth-century Soviet dance, the eccentricities and atmospherics of contemporary movement…

Natalia Osipova and Ivan Vasiliev in Don Quixote.© Stas Levshin, courtesy the Mikhailovsky Ballet. (Click image for larger version)

The Mikhailovsky Ballet’s American Debut at the Lincoln Center

Having wowed London with three acclaimed seasons over the last six years, at last the Mikhailovsky Ballet make their American debut in NY. Lisa Snyder introduces the company and its repertoire…

Hubbard Street Dance Chicago in Nacho Duato's Gnawa.© Todd Rosenberg. (Click image for larger version)

Fall for Dance at the Delacorte Theatre – New York

For the second year in a row, the Fall for Dance Festival began with a pair of performances at the outdoor Delacorte Theatre in Central Park, one of the most enchanting spots in the city.

Nacho Duato with Universal Ballet Dancers rehearsing Multiplicity, Forms of Silence and Emptiness.© Sunkyung Reina Jang. (Click image for larger version)

Gallery – Universal Ballet in Nacho Duato’s ‘Multiplicity, Forms of Silence and Emptiness’ – Studio Rehearsal

See the full gallery at… Sunkyung Reina Jang: Universal Ballet in Nacho Duato’s ‘Multiplicity, Forms of Silence and Emptiness’ – Studio Rehearsal More details at: www.universalballet.com              …

Ivan Vasiliev in Le Jeune Homme et la Mort.© Dave Morgan. (Click image for larger version)

Kings of the Dance – Le Jeune Homme et la Mort, Remanso and others – London

Wonderful how Petit’s youthful melodrama (Le Jeune et la Mort) still works its power, performed with commitment and coached by an expert – Luigi Bonino, one of Petit’s favourite dancers

Slava Samodurov, surrounded by his company after their Five Tangos premiere.© Sergei Gutnik. (Click image for larger version)

Slava Samodurov: bringing Yekaterinburg Ballet in from the cold

Graham Watts braved 21 hours of flights and missed connections just to spend a night at the Yekaterinburg Opera House followed by a meeting with its new(ish) Director of Ballet, Slava Samodurov, a former Principal at The Royal Ballet…

Mikhailovsky Ballet in Nacho Duato's Prelude.© Dave Morgan. (Click image for larger version)

Mikhailovsky Ballet – Without Words, Nunc Dimittis, Prelude – London

There were wonderful performances by Ekaterina Borchenko and Leonid Sarafanov – dancers you would like to see a lot more of. But three works by the same choreographer was too much of the same dish on the menu.

Sabina Yapparova, Polina Semionova, Marat Shemiunov in Multiplicity. Forms of Silence and Emptiness. © Dave Morgan. (Click image for larger version)

Mikhailovsky Ballet – Multiplicity. Forms of Silence and Emptiness – London, Coliseum

His choreography is busy, occasionally predictable, but more often inventive, strong on musicality and both remarkably fluid and emotionally charged; stretching the dancers both literally and in terms of their artistic diversity.

Mikhailovsky Ballet perform Nacho Duato's Without Words.© Dave Morgan. (Click image for larger version)

Gallery – Mikhailovsky Ballet in Nacho Duato triple bill

36 pictures by Dave Morgan…

Mikhailovsky Ballet in Nacho Duato's Multiplicity: Forms of Silence and Emptiness.© Dave Morgan. (Click image for larger version)

Gallery – Mikhailovsky Ballet in Multiplicity – Forms of Silence and Emptiness

20 pictures by Dave Morgan…

Blakeley White-McGuire in Martha Graham's Imperial Gesture.© Charles Eilber. (Click image for larger version)

Martha Graham Dance Company – “Fall and Recovery” Gala – New York

Even more than with other choreographers, the costumes and sets are essential elements of Graham’s dance imagination. Think of Martha’s stretchy sack-dress in Lamentation, or the prickly metal tree-dress by Noguchi in Cave of the Heart. They are extensions of the dancers’ bodies, and of Graham’s Jungian world-view.

DanceTabs © 2018 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.