"National Ballet of Canada" tag
World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Students of the Upper School in Aurora’s Wedding.© Tristram Kenton / Royal Ballet School. (Click image for larger version)

Royal Ballet School – Summer Performance, ROH Main Stage – London

★★★✰✰   A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.

The 2018 ENB Emerging Dancer finalists: Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles.© Karolina Kuras. (Click image for larger version)

English National Ballet’s Emerging Dancer 2018 Competition – 5 Questions to 6 Finalists

English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 11 June and ahead of the that we talk to the finalists – Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles…

National Ballet of Canada in Rudolf Nureyev's The Sleeping Beauty.© Aleksandar Antonijevic. (Click image for larger version)

Preview – The National Ballet of Canada & Rudolf Nureyev’s Sleeping Beauty – a special combination then and now.

This is a Beauty like no other – the most spectacular classical production in the National Ballet’s repertory and a true jewel of a ballet.

Ryoichi Hirano and Laura Morera in The Winter’s Tale.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Winter’s Tale – London

★★★✰✰   The return of Christopher Wheeldon’s The Winter’s Tale in its third revival since 2014 brings newcomers to its many meaty roles. It also introduces new audience members to one of Shakespeare’s late plays, with its convoluted plot.

Emily Molnar.© Michael Slobodian. (Click image for larger version)

Interview – Emily Molnar, Ballet British Columbia’s artistic director, on their work and UK tour

Next month (March 2018) Ballet British Columbia, or Ballet BC as they are commonly known, tour the UK. Diane Parkes talks to artistic director Emily Molnar about the company and the works they are touring which includes a piece by the ultra-hot Crystal Pite…

Natalia Magnicaballi in Tzigane.© Paul Kolnik. (Click image for larger version)

Feature – Suzanne Farrell Ballet’s Final Performances in Washington

This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems…

Yasmine Naghdi and Ryoichi Hirano in The Dreamers Ever Leave You.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

National Ballet of Canada and The Royal Ballet – The Dreamers Ever Leave You – London

★★★✰✰   Binet’s aspiration is that audiences should see beautifully trained dancers in a spiritual light, embodying Lawren Harris’s quest for the divine in nature.

Heather Ogden in The Dreamers Ever Leave You.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet and National Ballet of Canada in The Dreamers Ever Leave You

Photographed at Printworks. Gallery by Foteini Christofilopoulou…

Karen Kain + Elena Lobsanva in The Dreamers Ever Leave You.© Karolina Kuras. (Click image for larger version)

‘The Dreamers Ever Leave You’ – Karen Kain on a unique Royal Ballet & National Ballet of Canada collaboration…

Karen Kain, Artistic Director of the National Ballet of Canada, on celebrating Canada’s 150th with a joint work that includes NBoCanada and Royal Ballet dancers in a unique London Docklands event on the 12/13 October… that and lots more

Emily Hoff in The Conservatory.© Johan Persson / RBS. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2017 – London

★★★★✰   It was a well-balanced programme, featuring different kinds of discipline for future corps de ballet dancers, and honouring veteran choreographers as well as contemporary ones.

Scottish Ballet in Crystal Pite's Emergence.© Foteini Christofilopoulou. (Click image for larger version)

Scottish Ballet – Emergence, MC 14/22 (Ceci est mon corps) – London

★★★★✰   Both are pre-existing ensemble works, the performers virtually anonymous on stage, though named on cast sheets: the company is the star, not the soloists.

Maria Kochetkova and Joseph Walsh in Cinderella.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Cinderella – Washington

★★★✰✰   Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.

Alexandre Riabko in Nijinsky.© Jeff Busby. (Click image for larger version)

Australian Ballet – Nijinsky – Melbourne

★★★✰✰   Even after his death, Vaslav Nijinsky suffered from the power and control of others…

Scottish Ballet in Crystal Pite's Emergence.© Andy Ross. (Click image for larger version)

Scottish Ballet – Emergence, MC 14/22 (Ceci est mon corps) – Edinburgh

★★★★✰   Outside London Scottish Ballet’s sense of adventure makes them the UK company to watch…

Sonia Rodriguez in The Winter's Tale.© Aleksandar Antonijevic. (Click image for larger version)

National Ballet of Canada – The Winter’s Tale – New York

★★★✰✰   Every choreographer has their voice, and if Wheeldon’s current oeuvre satisfies you then this will too, but don’t expect a significant departure.

Svetlana Lunkina in Giselle.© Aleksandar Antonijevic. (Click image for larger version)

National Ballet of Canada – Giselle – Toronto

★★★★✰   On opening night, Svetlana Lunkina in the title role gave one of those unique performances in which the ballerina completely disappears into her heroine, putting her entire living self into the role.

Elisha Willis and Iain Mackay in John Cranko's The Taming of the Shrew.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet: Taming of the Shrew (Birmingham) and Northern Ballet: Jane Eyre (Leicester)

★★★✰✰ for BRB’s troublesome fun packed Taming of the Shrew and ★★★★✰ Northern Ballet’s Jane Eyre with Hannah Bateman in the lead…

Tanya Howard and Dylan Tedaldi in Le Petit Prince.© Aleksandar Antonijevic. (Click image for larger version)

National Ballet of Canada – Le Petit Prince – Toronto

★★★✰✰   Since its publication nearly 75 years ago, de Saint-Exupéry’s “Le Petit Prince,” a short illustrated novella about an improbable encounter between an aviator and a young space traveler, has captivated the hearts of millions of children and adults alike…

Gilbert Small and Nicole Ward in 16+ a room by Emily Molnar.© Chris Randle. (Click image for larger version)

Ballet BC – 16+ a room, Solo Echo, Bill – New York

★★★✰✰   Have you ever left a performance of contemporary ballet desperate for some color, some light, some human warmth?

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