"Nehemiah Kish" tag
Sergei Polunin and Natalia Osipova in Narcissus and Echo.© Alastair Muir. (Click image for larger version)

Project Polunin – Icarus, The night before the Flight; Tea or Coffee; Narcissus and Echo – London

★★✰✰✰   I begin this notice with a codicil. Let this preamble show my unbounded admiration for the spirit and rationale of Project Polunin.

Marianela Nunez and Carlos Acosta in his Carmen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Carmen, Viscera, Afternoon of a Faun, Tchaikovsky pas de deux – London

Acosta’s Carmen is far from a disaster, propelled by committed performances and Tim Hatley’s dramatic designs…

Marianela Nuñez and Nehemiah Kish in Song of the Earth.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – The Dream, Song of the Earth – New York

After an absence of eleven years, the Royal Ballet has finally returned to New York; they’re currently presenting two programs at the Koch Theatre,..

Federico Bonelli and Sarah Lamb in Jerome Robbins' Afternoon of a Faun.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Afternoon of a Faun, In the Night, Song of the Earth – London

The final triple bill of the Royal Ballet’s season reverts to its founder’s faith in classical ballet as an expressive language.

Edward Watson, Beatriz Stix-Brunell and Alexander Campbell in Kim Brandstrup's Ceremony of Innocence.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Ceremony of Innocence, The Age of Anxiety, Aeternum – London

The programme was so underwhelming that I went twice in succession, to see whether alternative casts could make a difference.

Carlos Acosta in Scheherazade.© Dave Morgan. (Click image for larger version)

Carlos Acosta – Classical Selection – London

his diverse selection of 17 works (including musical interludes) is a gala in all but name and this one could have been sub-titled “Gems of The Royal Ballet” for all nine dancers hail from that company…

Hikaru Kobayashi in La Bayadere.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in La Bayadere

36 pictures by Dave Morgan…

Edward Watson in Alexei Ratmansky's 24 Preludes.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Apollo, 24 Preludes, Aeternum – London

This triple bill, with two world premieres, shows how ably choreographers 85 years apart can refresh the language of classical ballet without distorting it beyond recognition.

Royal Ballet in Raymonda Act III.Dancers, l-r (men first): Brian Maloney, Johannes Stepanek, Valeri Hristov, Alexander Campbell, Dawid Trzensimiech, Kenta Kura, Eric Underwood, Valentino Zuccheti, then ladies - Melissa Hamilton, Helen Crawford, Fumi Kaneko, Yasmine Naghdi, Yuhui Choe, Emma-Jane Maguire, Itziar Mendizabal, Hikaru Kobayashi.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, In the Night, Raymonda Act lll – London

It’s the Royal Ballet’s varied and unique repertoire that has kept me loyal to the company through some very thin times as well as the golden seasons, and this programme is a nice example of what a flick through its back – catalogue can produce.

Pictures, all by Rick Guest, l-r: Edward Watson, Laura Morera.© DRick Guest, by kind permission of the Royal Opera House. (Click image for larger version)

Dancers of The Royal Ballet – A Photographic Exhibition – FREE Opens 25 January

Now Is All There Is – Bodies in Motion, is an exhibition of 34 stylized images of Royal Ballet dancers taken by photographer Rick Guest.

Lauren Cuthbertson & Nehemiah Kish at a La Valse curtain call as part of the Royal Ballet Tribute to Alicia Alonso, 15 October 2010. (more pictures)© Dave Morgan. (Click image for larger version)

London Children’s Ballet Masterclass with Lauren Cuthbertson

In the intimate setting of the Linbury Studio Theatre, Lauren was joined by fellow principal, Nehemiah Kish, for an exclusive Masterclass called “The progression of the pas de deux”. Captivating all with her wit and warmth…

Marianela Nuñez in Liam Scarlett, Will Tuckett and Jonathan Watkins' Diana & Actaeon.© Dave Morgan. (Click image for larger version)

Royal Ballet – Titian 2012: Machina, Trespass, Diana & Actaeon – London

Seeing the programme twice confirmed my initial impression that Trespass is the best-wrought work. The other two ballets are interesting as concepts rather than as polished productions. But the programme’s emphasis on creativity and collaboration means that Monica Mason’s farewell contribution to the art form in which she has invested her considerable energy will carry on germinating ideas long after she leaves.

Marianela Nunez and Nehemiah Kish in The Prince of the Pagodas. © Johan Persson, courtesy of ROH. (Click image for larger version)

Royal Ballet – The Prince of the Pagodas – London

Barry Wordsworth conducted the trimmed and re-ordered score as though it were great ballet music. If only.

Leticia Stock in Ballo della regina. © Dave Morgan. (Click image for larger version)

Royal Ballet – La Sylphide & Ballo della Regina – London

Balanchine famously described a choreographer’s job as being like a chef’s, and his Ballo della Regina perfectly fulfils the role of amuse-bouche in the Royal Ballet’s latest double bill, waking us up and sharpening our appetites for the more serious fare of Bournonville’s lovely La Sylphide. It’s the fourth ballet the company has tried out in this role and I think it’s the most successful.

Johan Kobborg as Walter Sickert, Steven McRae as Jack in Liam Scarlett's Sweet Violets. © Bill Cooper, courtesy of ROH. (Click image for larger version)

Royal Ballet – Polyphonia, Sweet Violets, Carbon Life – London

‘Sweet Violets’, though over-ambitious, is the best stab at a psychologically complex narrative ballet the company has commissioned for years.

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