"New York City Ballet" tag
Tiler Peck and Robert Fairchild at the Carolina Chocolate Drops/Twyla Tharp show.© Rahav Segev. (Click image for larger version)

Twyla Tharp Countrified – working with Carolina Chocolate Drops, Tiler Peck and Robert Fairchild

Twyla Tharp loves Americana. She’s made dances to Shaker hymns and to the crooning voice of Frank Sinatra, and whipped up steps to the super-sophisticated piano tunes of Willie “The Lion” Smith. So it’s no surprise…

Maria Kowroski in George Balanchine's Diamonds from Jewels.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – Washington

In many ways, Jewels is Balanchine’s choreographic résumé – a retrospective and a vivid showcase of his aesthetics and creative genius…

Tom Pecinka in The Soldier’s Tale.© Dana Astmann. (Click image for larger version)

Yale School of Music & Yale School of Drama – The Soldier’s Tale – New York

Stravinsky’s is a bitter tale with folk roots, about a soldier (played by the convincingly guileless, agile Tom Pecinka) returning home from the front who is sidetracked by the devil….

James Sanson and Laura Halzack in Byzantium.© Paul B. Goode. (Click image for larger version)

Paul Taylor Dance Company – NY Spring Season – New York

Taylor’s dancers continue to move with their particular combination of generosity and tirelessness. They come in different sizes and types, like the rest of us…

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Amar Ramasar and Maria Kowroski in the first aria of Stravinsky Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Four Temperaments, Stravinsky Violin Concerto – New York

Watching these three ballets, made over a span of thirty-two years, one can see how Balanchine’s style evolved toward the hyper-stylization of Violin Concerto…

Ballet Preljocaj in Les Nuits.© Jean-Claude Carbonne. (Click image for larger version)

Ballet Preljocaj – Les Nuits – Cannes

Les Nuits is inspired by the Thousand and One Nights, stories which have come together from Indian, Persian, Arabian and North African sources. Preljocaj is quoted as being influenced by the erotic content of the stories…

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Jenifer Ringer and Gonzalo Garcia in Dances at a Gathering.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jenifer Ringer’s farewell, Dances at a Gathering, Union Jack – New York

Some dancers leave us wanting more. That’s how Jenifer Ringer’s retirement from New York City Ballet feels; we’ve seen so little of her in recent seasons, and she’s dancing so well.

Sara Mearns and Adrian Danchig-Waring in Liam Scarlett's Acheron.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron (Scarlett premiere), Vespro, Spectral Evidence – New York

Acheron, Liam Scarlett’s new piece, revealed a choreographer of prodigious imagination and compositional craft, adept at building an atmosphere and suffusing it with traces of meaning.

Justin Peck and Teresa Reichlen in George Balanchine's Concerto Barocco.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Kammermusik No. 2, Who Cares? – New York

There is perhaps no better way to start off a season at New York City Ballet than with a performance of Balanchine’s Concerto Barocco.

The Snowflakes in George Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

The Nutcracker – from New York City Ballet, American Ballet Theatre and Gelsey Kirkland Ballet – New York

So far this season I’ve seen three “traditional” Nutcrackers: Ratmansky’s version for American Ballet Theatre, Gelsey Kirkland’s, and the familiar and much-loved 1954 staging by George Balanchine for New York City Ballet. All three have their charms…

Ballet San Jose flyer for the 2013 Benefit Gala.© Ballet San Jose. (Click image for larger version)

Ballet San Jose – 2013 Benefit Gala – San Jose

This was an evening not to be missed. Newly appointed Artistic Director, José Manuel Carreño, made sure that the quality of the eighteen guest artists for Ballet San Jose’s Gala Performance would tantalise even the most skeptical dance fan.

Ed Pearce of BalletBoyz The Talent 2013.© Hugo Glendinning. (Click image for larger version)

BalletBoyz: The Talent 2013 – Serpent, Fallen – London

…very definitely worth catching for an energetic and engrossing evening of dance.

Michael Cook and Natalia Magnicaballi in Duo Concertant.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Pas de Dix, Duo Concertant, Tempo di Valse, Agon – Washington

…offered a perfect Balanchine sampler, bringing together an assortment of ballets, full of unexpected juxtapositions, from very different periods of the choreographer’s long career.

Yuan Yuan Tan and Damian Smith in Edwaard Liang's Finding Light.© Dave Morgan. (Click image for larger version)

Liang / Maliphant / Wheeldon – An evening Featuring Fang-Yi Sheu and Yuan Yuan Tan – London

No sets – just glorious lighting designs playing essential roles in the performances.

Heather Ogden and Michael Cook in Mozartiana.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Mozartiana, Episodes – Washington

The much admired Suzanne Farrell Ballet have just been performing at their Kennedy Center home in Washington – Oksana Khadarina reviews the Balanchine works (Mozartiana and Episodes) on Programme A…

Jeffrey Van Sciver, David Harvey, Robb Beresford, Meredith Webster and Michael Montgomery in Writing Ground.© Margo Moritz. (Click image for larger version)

Alonzo King LINES Ballet – Concerto for Two Violins, Writing Ground – San Francisco

Quite by accident I ended up seeing LINES Ballet’s fall season twice. A good thing I did, too.

San Francisco Ballet in Morris' Beaux.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – From Foreign Lands, Beaux, Classical Symphony and Symphonic Dances – New York

In its second mixed bill here in New York, San Francisco Ballet once again impressed with its vitality and the depth of its bench, as well as with its pleasantly unified look.

San Francisco Ballet in Wheeldon's Ghosts.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Trio, Ghosts and Borderlands – New York

San Francisco Ballet is in town for two weeks, and on the evidence of opening night, this should be an invigorating visit. The company looks to be in top form.

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