This is a musical that will certainly delight all dance lovers: the theme of ballet permeates the show from start to finish.
The Washington Ballet hit all the right marks with its 70th anniversary season opening program at the Sidney Harman Hall in October.
Thomas Adès, See the Music, Hear the Dance – Work by Karole Armitage, Wayne McGregor, Crystal Pite, Alexander Whitley – London
It’s not often we get such high quality performances of live music for contemporary dance. Here their playing was wonderfully focused and alive…
Troy Schumacher’s BalletCollective company is a work in progress and unusually has a resident writer, Cynthia Zarin. Marina Harss, at New York’s Skirball Center, sees where they are all at…
American Ballet Theatre – Gala: Rondo Capriccioso, With a Chance of Rain, Thirteen Diversions – New York
Liam Scarlett’s “With a Chance of Rain” premiere – It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux…
“…it’s hard not to get the impression that New York City Ballet is on a roll.”
At the risk of sounding like a broken record, is there a ballet choreographer working today who is more imaginative, more wholly himself, than Alexei Ratmansky?
One cannot help but be amazed by the number of exceptional women in the company, and by how differently they approach the steps, the music and the temperament of each ballet.
It’s as pointless to complain about ballet galas as it is to grumble about the weather. They serve a purpose…
For the second year in a row, the Fall for Dance Festival began with a pair of performances at the outdoor Delacorte Theatre in Central Park, one of the most enchanting spots in the city.
Lloyd has written widely on English composers and is meticulous in combing together many fragmentary impressions of Lambert. The book weighs over 1.5 kilos, 419 pages of small print, most heavily annotated in smaller print still, with a further 150 pages of appendices.
“This is how ecstasy is danced.” Kimin Kim in Concerto DSCH.
Viktoria Tereshkina has a warm personality and this enhances her dancing. She has long thin limbs and offers expansive port de bras, while her legs whip up effortlessly but with control.
It would be invidious to compare Wendy Whelan’s brave attempt to reinvent herself as a contemporary dancer with Sylvie Guillem’s far more mature achievement.
Great to see so many of San Francisco Ballet’s dancers enjoying themselves and enthusing their audience in a steamy summer evening in Paris.
It is even more disappointing that the troupe should open its run with a Swan Lake so lackluster… It’s not the dancers’ fault. At every level, the Bolshoi dancers move with thrilling force and fullness.
Boston Ballet – Program B: Symphony in Three Movements, L’Apres-Midi d’un Faune, Plan to B, Bella Figura – New York
…the dancers seem able to handle whatever comes their way. It’s a quality that will serve them well in their travels.
At the outset I have to say I thought this year was one of the better years and we should all feel encouraged at the creativity on show.
Jessica Lang Dance – Program 3, National Symphony Orchestra: NEW MOVES: symphony + dance season – Washington
JLD is a relatively young troupe, but it consists of nine experienced and established dancers, some of them well-known and admired in Washington. Take for example, Clifton Brown…