"New York City Ballet" tag
New York City Ballet in Justin Peck's The Most Incredible Thing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Most Incredible Thing (premiere), Polaris, The Blue of the Distance, Common Ground, Estancia – New York

★★★✰✰ “Incredible is Peck’s first narrative, and this fact was obvious Tuesday night, particularly in the opening scenes which lacked clarity…”

The 7 Fingers in an extract from Triptyque.© Foteini Christofilopoulou. (Click image for larger version)

Sadler’s Wells Sampled, the dance taster festival – London

★★★★✰ 2016 marks the tenth annual “Sadler’s Wells Sampled,” a January taster of the London dance house’s upcoming season.

Sofiane Sylve in Scarlett's Fearful Symmetries.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco

★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”

Sterling Hyltin in Mozartiana.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Walpurgisnacht Ballet, Sonatine, Mozartiana, Symphony in C – New York

★★★★✰ Some nights at the ballet you just get lucky: all the works are beautiful and the program is well balanced, and each of the casts is led by a ballerina who seems just right for the role.

Sara Mearns and Adrian Danchig-Waring in Glass Pieces.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Masters at Work and All Balanchine I bills – New York

★★★★✰ (20), ★★★✰✰ (21) The temperature in Glass Pieces was uncharacteristically low. Under the baton of Clotilde Otranto, the orchestra sounded muffled…

Sara Mearns and Tyler Angle in Peter Martins' Barber Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Music Director’s Choice: Barber Violin Concerto, Fancy Free, Who Cares?, Candide (Overture) – New York

★★★✰✰ Lauren Gallagher at New York City Ballet’s Winter Season Opening where they introduced their new music director, Andrew Litton, in some style by naming the bill “Music Director’s Choice”…

Alice Renavand in Le Sacre du Printemps.© Julien Benhamou / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Polyphonia, Alea Sands, Le Sacre du printemps – Paris

Benjamin Millepied, the new director of the Paris Opera Ballet, made a daring choice of programme for the Christmas season at the opulent Palais Garnier opera house: a triple bill of contemporary works…

Lauren King and New York City Ballet in The Nutcracker.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Nutcracker – New York

Tchaikovsky’s Nutcracker… has been described as a “symphony of childhood”; it is that, and more.

Julie Loria andTakafumi Watanabe in The Beast and Beauty.© David Herrero. (Click image for larger version)

Cannes Dance Festival – Ballet du Capitole de Toulouse: The Beast and Beauty, Lyon Opera Ballet: Kylian bill – Cannes

For the festival Brigitte Lefèvre chose an eclectic mixture of popular and audacious programmes from twelve different companies – mainly regional French companies… some smaller independent groups and international companies from Korea, Argentina and Spain.

Rika Okamoto and Matthew Dibble in Yowzie publicity image.© Ruven Afanador. (Click image for larger version)

Twyla Tharp – 50th Anniversary Tour: First Fanfare, Preludes and Fugues, Second Fanfare, Yowzie – New York

…one can’t help but admire the torrent of ideas bouncing around Tharp’s brain…

David Prottas and Taylor Stanley in The Last Time This Ended.© Matthew Murphy.

BalletCollective – All That We See, Dear and Blackbirds, The Last Time This Ended, Invisible Divide – New York

Troy Schumacher, a dancer at New York City Ballet as well as a choreographer and founder of the chamber dance company Ballet Collective, is a determined soul…

Simone Damberg Wurtz and Miguel Altunaga in Kim Brandstrup's Transfigured Night.© Johan Persson. (Click image for larger version)

Rambert – Transfigured Night, Frames, Rooster – Birmingham

Transfigured Night is a piece I could watch many times and find new things in…

James Whiteside in Marcelo Gomes’ AfterEffect.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – AfterEffect, (Company B, The Green Table) – New York

…mostly the ballet (AfterEffect) is an enthusiastic love letter from Gomes to his company, and was received as such by the enthusiastic audience at the Koch…

Gillian Murphy and Sterling Baca in After You by Mark Morris.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Monotones I & II, Brahms-Haydn Variations – New York

ABT galas are more laid-back than City Ballet’s; they’re less “produced,” with fewer speeches or slick video presentations. For the most part, the company just gets on with the show, with minimum fuss.

Joaquin De Luz in George Balanchine’s Harlequinade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Harlequinade, N.Y. Export: Opus Jazz – New York

One expects Harlequinade to be a fairly routine and dramatically flat affair. But Tiler Peck and Joaquin De Luz – as Colombine and Harlequin – take it to another level.

Dance Heginbotham publicty image.© Janelle Jones. (Click image for larger version)

Dance Heginbotham – Angel’s Share, Diamond, Easy Win – New York

Heginbotham has a knack for choosing just the right music for his dances, none of it hackneyed or used solely for its atmospheric qualities: no Arvo Pärt, no Philip Glass…

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct – 1 Nov 2015.

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jeux + Polaris, The Blue Distance, Common Ground, New Blood – New York

Jeux, has a distinctly adult atmosphere and a highly cinematic look. Actually, the look might be the most interesting thing about it…

New York City Ballet in George Balanchine’s Liebeslieder Walzer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Liebeslieder Walzer, Tchaikovsky Suite No. 3 – New York

A great Liebeslieder is like a short story, a complete world in fifty minutes of dancing; this Liebeslieder is still a work in progress.

Georgina Pazcoguin and Meagan Mann in Justin Peck's New Blood, in costumes by Humberto Leon of Opening Ceremony and Kenzo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala, with 4 premieres – New York

Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold…

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