"New York City Ballet" tag
ABT in Jessica Lang's Garden Blue.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York

★★★✰✰   The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.

Taylor Stanley in Kyle Abraham’s The Runaway, in costumes by Giles Deacon.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala: The Exchange, Judah, The Runaway – New York

★★★✰✰   No evening of new works is perfect; the excitement lies in the hope that at some point some magic will happen. And in that solo for Taylor Stanley by Kyle Abraham, we got a glimpse of that magic.

New York City Ballet in Symphony in C.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels & All Balanchine 4bill – New York

★★★★✰ The company seemed to be dancing with a special ferocity, as if to prove its worth and convince the world that this enterprise is, indeed, worth preserving and saving.

Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

Pacific Northwest Ballet in Opus19/The Dreamer.© Angela Sterling. (Click image for larger version)

Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet

★★★★✰   It’s been a very enjoyable homage to Robbins’s versatility…

Choreographer Lauren Lovette working with Ashley Bouder on Red Spotted Purple.© Gibney/Ashley Bouder - from Instagram original.

Ashley Bouder Project – Red Spotted Purple, Duet, Alas, Symbiotic Twin, In Pursuit Of – New York

★★★✰✰   Bouder’s pick-up ensemble of eight, which she refers to as an arts collaborative, reflects her ideals. It is racially diverse; the choreographers include both men and women. Not all the choreographers are white. This should be par for the course, but it’s not.

Victoria Jaiani and Temur Suluashvili in Glass Pieces.© Cheryl Mann. (Click image for larger version)

Les Etés de la Danse, Paris – Homage to Jerome Robbins, Programme 1 – New York City Ballet, Joffrey Ballet

★★★★✰   The programme, performed by two very different American ballet companies, displayed Robbins’s versatility while revealing the similarities in his approach to music.

Isabella Boylston and James Whiteside in Harlequinade.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Harlequinade (premiere) – New York

★★★★✰   Harlequinade is pure entertainment, a work of art whose entire raison d’être rests on its charm and stylishness. If you require that your art contain deeper meanings, read no further…

Tiler Peck in Coppélia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Coppélia – New York

★★★★✰   Tiler Peck, with her quick feet and sassy musicality, is perfectly suited to the role of Swanhilda. Her choreography has copious amounts of pointework, quick steps, requires adroitness in petit allegro and excellent mime technique – all of which Peck has in abundance.

Hee Seo in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle – New York

★★★★✰   Roberto Bolle, who played his usual striking Albrecht, responded to Seo with nuance and subtlety. The same goes for how Seo revealed Giselle’s madness…

New York City Ballet in The Concert.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 4 bill – New York

★★★★✰   It was a good night for Afternoon of a Faun, in particular. Chase Finlay, débuting in the role of the young dancer sensually lolling about a ballet studio, brought back the eroticism this ballet often lacks.

New York City Ballet in Warren Carlyle’s Something to Dance About.© Erin Baiano. (Click image for larger version)

New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York

★★★★✰   The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.

New York City Ballet in Dybbuk.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 1 – Bernstein Collaborations bill – New York

★★★✰✰   One of Robbins’ great talents was sniffing out the style of his time, but this inevitably places a date stamp on his work.

Ask la Cour in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York

★★✰✰✰   Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…

English National Ballet in Forsythe's Playlist (Track 1, 2).© Dave Morgan. (Click image for larger version)

English National Ballet – Voices of America bill – works by Forsythe, Robbins & Barton – London

★★★★✰   Altogether, a cunningly judged programme that shows off the company at its most engaging…

Carousel with choreography by Justin Peck.© Julieta Cervantes. (Click image for larger version)

Rodgers & Hammerstein’s Carousel (choreography by Justin Peck) – New York

★★★★✰   One of the most attractive things about the production is the way it brings together various worlds: ballet, Broadway, and opera.

Ahmaud Culver, Jasmine Hearn and Anna Witenberg in live performance as part of the Nick Mauss: Transmissions exhibition.© Paula Court. (Click image for larger version)

Interconnections: Thoughts on “Nick Mauss: Transmissions” at the Whitney in New York

Whiteny PR about the exhibition: “Artist Nick Mauss (b. 1980) presents Transmissions, a multidisciplinary work exploring the relationship between modernist ballet and the avant-garde visual arts in New York from the 1930s through ’50s.”

Laura Halzack and Michael Trusnovec in Mercuric Tidings.© Paul B. Goode. (Click image for larger version)

Paul Taylor American Modern Dance – David H. Koch season – New York

★★★★✰   Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.

San Francisco Ballet in Robbins' The Cage.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Robbins: Ballet & Broadway quad bill – San Francisco

★★★★✰   There’s nothing like watching a woman crush a man’s neck with her thighs to make you go hmm, maybe that whole #MeToo thing has legs.

New York Theatre Ballet in Septet.© Julie Lemberger. (Click image for larger version)

New York Theatre Ballet – Septet, Rondo, Concertino, Wings/A Petroushka Collage – New York

★★★✰✰   New York Theatre Ballet’s director, Diana Byer, is known for dusting off the dance history books, and giving a dose of challenging revivals. This time NYTB joins may companies around the country and indeed, the world, in celebrating Jerome Robbins’ centennial…

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