"New York City Ballet" tag
Diana Vishneva in Carolyn Carlson's Woman in a Room.© Dave Morgan. (Click image for larger version)

Diana Vishneva – On the Edge: Switch, Woman in a Room – London

According to Carlson’s programme note, the lemons represent segments of challenge and confrontation…

Ashley Bouder and NYCB in George Balanchine's Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon and Symphony in C – Washington

Oksana Khadarina reviews the Serenade, Agon and Symphony in C bill – prepare for many happy adjectives and lots of history…

Leanne Cope and Robert Fairchild in An American in Paris.© Angela Sterling. (Click image for larger version)

An American in Paris – Broadway Ballet

After its premiere in Paris last autumn, Christopher Wheeldon’s An American in Paris is about to open in New York. Marina Harss talks to Wheeldon and the 2 stars of the show – Leanne Cope and Robert Fairchild…

Mathilde Froustey In Robbins' Dances at a Gathering.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Dances at a Gathering, Hummingbird – San Francisco

San Francisco Ballet’s Program 4 is a double bill coupling a welcome return of Robbins’ Dances at a Gathering with a Liam Scarlett’s Hummingbird.

Xander Parish in Apollo.© Valentin Baranovsky. (Click image for larger version)

Russian Ballet Icons Gala 2015 – 10th anniversary, Sunday 8 March 2015 at London Coliseum

30 dancers already confirmed include Natalia Osipova, Olga Smirnova, Semyon Chudin, Kim Kimin, Sarah Lamb, Xander Parish, Aline Cojocaru, Tamara Rojo, Marianela Nuňez and Thiago Soares.

New York City Ballet in Jerome Robbins' Interplay.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Hear The Dance: America bill – New York

The most obvious, and pleasurable aspect of New York City Ballet’s mixed bill Hear the Dance: America is its juxtaposition of two very different works by Jerome Robbins.

New York City Ballet in Harlequinade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Square Dance, Harlequinade – New York

If Harlequinade is somewhat less than the sum of its parts, Square Dance (1957), which preceded it on the program, never fails to lift the heart.

Sterling Hyltin and Robert Fairchild in Peter Martins' Romeo + Juliet.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Romeo + Juliet – New York

The balcony pas de deux, what all the paramours have come to see, is decent. There are the sweeping, leg splitting lifts, drippy back drapes (so much so that Hyltin at times looks dead), and romantic clutches in abundance.

NYCB in Justin Peck’s ‘Rode,o: Four Dance Episodes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Pictures at an Exhibition, ‘Rōdē,ō: Four Dance Episodes, Mercurial Maoeucres – New York

‘Rōdē,ō: Four Dance Episodes premiere: It turns out that this combination of male vigor, Copland, and Peck is a felicitous one.

Justin Peck and Sterling Hyltin in The Cage.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Bach and Hear the Dance: Russia bills – New York

More from the NYCB Winter Season with Marina Harss reviewing 2 bills made up of 6 works: Concerto Barocco, The Goldberg Variations, Symphonic Dances, The Cage, Andantino and Cortege Hongrois…

Yuan Yuan Tan and Pascal Molat in Possokhov's RAkU.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Prog 1: Serenade, RAkU, Lambarena – San Francisco

America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson…

Ashley Bouder in Donizetti Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon, Symphony in C, Donizetti Variations, La Valse, Chaconne – New York

In recent seasons New York City Ballet has gotten into the habit of starting things off with a week or two of Balanchine. It’s an excellent idea.

Wendy Whelan and Brian Brooks in First Fall by Brian Brooks.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Wendy Whelan – Restless Creature bill – San Francisco

Ultimately, it mattered less what Whelan and her collaborators were doing, and more that they were doing.

Leanne Cope and Robert Fairchild in rehersals for An American in Paris.© Matt Trent Photography. (Click image for larger version)

Christopher Wheeldon – An American in Paris – Paris

As in his narrative ballets, Wheeldon crams in too many ideas. What he does supremely well is to convey emotions beyond words in his pas de deux and solos.

Marian Butler and Joseph Gorak (Chinesse) in The Nutcracker.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Nutcracker – New York

The ballet radiates warmth, but also an awareness of death….

Patricia McBride on the red carpet.© Margot Schulman. (Click image for larger version)

Patricia McBride Honoured at The 37th Annual Kennedy Center Honours

McBride joined the New York City Ballet in 1959, and two years later, at the age of 18, she was promoted to the rank of principal, becoming the youngest principal dancer in the troupe’s history.

Sara Mearns in Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

New York City Ballet – George Balanchine’s The Nutcracker – New York

Year after year, I see Balanchine’s Nutcracker, and year after year I marvel at its perfection. This year it turns sixty.

Natalia Magnicballi and Michael Cook in Balanchine's Swan Lake.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Swan Lake, Monumentum Pro Gesualdo, Movements for Piano and Orchestra, Allegro Brillante, The Concert – Washington

It’s hard to imagine a better program to showcase the power of ballet as an expressive art than Suzanne Farrell Ballet’s impressive offering for its annual season at the Kennedy Center.

Ethan Stiefel.© Rosalie O'Connor. (Click image for larger version)

Ethan Stiefel – Freelance director, choreographer…

Following 3 years directing Royal New Zealand Ballet, Ethan Stiefel is now back in New York – which is where Marina Harss caught up with him…

Alicia Alonso at the Gala.© Margaret Willis. (Click image for larger version)

24th International Ballet Festival of Havana, 2014

This time, I made 15 trips to the theatres – there were performances at 5pm and 9pm each day – and saw 82 different full-length ballets or extracts in the eight days I was in Havana.

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