★★★★✰ Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.
★★★✰✰ The pattern is set: the company commissions works from three or four choreographers, often quite young, and pairs them with prominent designers. The works are short, and are introduced by filmlets…
★★★★✰ Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.
★★✰✰✰ So bravo for Danilian. All the dancing at the gala was very fine – who could expect any less from these dancers? One can (and should) question his taste but it’s clear that he’s willing to go out on a limb…
★★★✰✰ Twyla Tharp is a kind of dance wizard – steps pour out of her like torrents in a waterfall.
New York City Ballet – Apollo, The Four Temperaments, Duo Concertant, Symphony in Three Movements – Paris
★★★★✰ The pleasure, above all, in watching this company is their fearless super-charge of energy and their commitment as the inheritors of Balanchine’s ballets.
School of American Ballet – Workshop Performance: Danses Concertantes, Les Gentilhommes, The Four Temperaments – New York
★★★★✰ Each spring, the School of American Ballet, New York City Ballet’s breeding-ground, holds a series of “Workshop” performances to show off the crème de la crème of its upper-level students.
★★★★✰ But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.
International Dance Festival Birmingham 2016 – Ballet BC, Shun Ito/Kei Miyata/EEIH, Motionhouse & free events
★★★✰✰ IDFB is great for Birmingham and I hope those in and around the city filled their boots.
★★★★✰ Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.
Philharmonia Orchestra & Armitage Gone! Dance – Agon, Rite of Spring, Symphonies of Wind Instruments – London
★★★✰✰ Esa-Pekka Salonen is conducting London’s Philharmonia Orchestra in a Stravinsky festival, the first concert of which included a collaboration with Karole Armitage’s company on “Agon” – famously originally choreographed by Balanchine…
★★★★✰ Vienna Waltzes is a sure-fire hit. It seduces on many fronts: the ridiculously flattering gowns by Karinska (her last for the company), the sumptuous music, the multitudes of dancers…
★★★✰✰ It wouldn’t be spring without ballet galas. This week it was New York City Ballet’s turn. On the program were two new works, by Christopher Wheeldon and the relatively unknown Nicolas Blanc, the latter a veteran of the New York Choreographic Institute.
★★✰✰✰ Like all galas, this was quite a mixed bag. Over 200 students trooped on and offstage in a veritable tornado of activity before the veteran YAGP dancers stepped out for the showstopping stuff…
★★★✰✰ What do you do with a problem like Jewels? This 1967 blockbuster by George Balanchine is a hard one to pull off…
★★★★✰ New York is a good place to be in springtime.
Miami City Ballet – Program’s A (Balanchine, Tharp, Ratmansky), B (Peck, Scarlett, Balanchine) – New York
★★★★✰ New York audiences and the Miami City Ballet have taken to each other like sun and salt air, and it’s easy to see why.
★★★★✰ This is dancing that makes one hungry for more.
★★★✰✰ The past few years have seen the beginning of a transformation of the Paul Taylor Dance Company – or, rather, as it’s now known, of Paul Taylor’s American Modern Dance. The company is looking to the future…