★★★✰✰ The post-modernist Lucinda Childs is experiencing a bit of a comeback here in the US, after years of working abroad.
★★★★★ Do yourself a favor – go.
★★★★✰ This year’s White Light Festival, at Lincoln Center, has spawned a mini-festival of its own, Sounds of India, curated by the modern-dance choreographer Mark Morris. Why Morris? Because he has been going to India since the eighties…
★★★★★ Jérôme Bel has been called many things, from conceptual artist to choreographer. If art is supposed to put a mirror up to humanity and at the same time challenge convention, Bel is certainly an artist, and one who has also referred to himself as a “philosopher of dance.”
★★★★✰ Jessica Lang’s Her Notes is a lovely and poetic work, though one with a slightly subdued effect. It is almost too tasteful.
American Ballet Theatre – Serenade after Plato’s Symposium, Symphonic Variations, Brahms-Haydn Variations + Fall Gala – New York
★★★★✰ A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.
★★★✰✰ Minuit is more of a meditation on the elegance of physical reality and how it can be manipulated in the name of artifice.
★★✰✰✰ The effect of Shen’s “Neither,” like that of the original opera, is decidedly muted.
★★★★✰ Structure and meaning lie at the heart of O’Connor’s work. With Undersweet he has achieved a perfect balance.
★★★✰✰ Some artists focus on movement, others prioritize emotion. Nichole Canuso is adept at syncing the two, mapping them out with meticulous attention to detail in her latest, multimedia dance theatre work, Pandaemonium
Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York
★★★✰✰ One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.
★★★★✰ Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.
★★★✰✰ The pattern is set: the company commissions works from three or four choreographers, often quite young, and pairs them with prominent designers. The works are short, and are introduced by filmlets…
★★✰✰✰ There are times when you wonder if bones have been broken, or organs perforated. On the whole however, the hour and a half work is largely characterised by the violent, repetitive and neurotic gestures.
★★★★★ It’s difficult to think of a better way to bid farewell to a New York summer than with Lincoln Center’s “Mostly Mozart” festival, and seeing Mark Morris Dance Group performing Mozart Dances was the icing on the cake.
★★✰✰✰ So bravo for Danilian. All the dancing at the gala was very fine – who could expect any less from these dancers? One can (and should) question his taste but it’s clear that he’s willing to go out on a limb…
★★★✰✰ The 10 dancers who graced the Joyce stage represented a powerhouse of talent and technique, on par with some of the best dancers at much larger companies – BalletX is worth checking out.
★★★✰✰ The bending of gender stereotypes seems to be a trend in Indian dance right now, and an interesting one…
★★★✰✰ The Sarasota dancers, who do so much Ashton, truly understand the style. As the evening progresses, one feels it more and more.