"New York" tag
Marian Butler and Joseph Gorak (Chinesse) in The Nutcracker.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Nutcracker – New York

The ballet radiates warmth, but also an awareness of death….

Juilliard Dance in Larry Keigwin's Exit Like an Animal.© Rosalie O'Connor. (Click image for larger version)

Juilliard Dance – New Dances, Edition 2014: works by Austin McCormick, Loni Landon, Kate Weare, Larry Keigwin – New York

While the program slumped, mood wise, in the middle, it went out with a bang thanks to Larry Keigwin’s Exit Like an Animal.

Sara Mearns in Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

New York City Ballet – George Balanchine’s The Nutcracker – New York

Year after year, I see Balanchine’s Nutcracker, and year after year I marvel at its perfection. This year it turns sixty.

Jermaine Terry and Alicia Graf Mack in Revelations.© Gert Krautbauer. (Click image for larger version)

Alvin Ailey – Polish Pieces, Awassa Astrige/Ostrich, The Pleasure of the Lesson, Revelations – New York

Although juxtaposed with several new and recently revived productions, Alvin Ailey’s Revelations looks just as good now as it did 10, 15, or even 20 years ago, and probably looks just as good as it did at its premiere, way back in 1960.

Kana Kimura, Kirk Henning and Laura Mead in Jessica Lang's The Wanderer.© Julieta Cervantes. (Click image for larger version)

Jessica Lang Dance – The Wanderer – New York

When music, words and movement are combined, our minds are pulled in different directions.

Olga Semyonova (Teresa) and Maxim Podosyonov (Cornet) in Le Halte de Cavalerie.© Sveta Tarlova. (Click image for larger version)

Mikhailovsky Ballet – Le Halte de Cavalerie, Class Concert, Prelude – New York

The idea behind the triptych is to show three aspects of the company’s style: the classicism and character dance of Petipa; the technical pizzazz of mid-twentieth-century Soviet dance, the eccentricities and atmospherics of contemporary movement…

Ivan Vasiliev in Flames of Paris.© Costas. (Click image for larger version)

Mikhailovsky Ballet – Flames of Paris – New York

But, for the ballet to work it has to be danced with conviction and joy, and this is what the Mikhailovsky pulls off marvelously well.

Natalia Osipova and Leonid Sarafanov in Giselle.© Paul Kolnik. (Click image for larger version)

Mikhailovsky Ballet – Giselle – New York

Osipova’s vitality is astonishing: the minute she stepped onstage, it’s as if the whole world became a few shades brighter…

Nazareth Panadero in Pina Bausch's Kontakthof.© Julieta Cevantes. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Kontakthof – New York

Herein lies one of the more unfortunate traits of Kontakthof: there is more madness than dancing…

David Prottas (bottom) and Taylor Stanley in All That We See.© Matthew Murphy. (Click image for larger version)

BalletCollective – The Impulse Wants Company, Dear and Blackbirds, All That We See – New York

Troy Schumacher’s BalletCollective company is a work in progress and unusually has a resident writer, Cynthia Zarin. Marina Harss, at New York’s Skirball Center, sees where they are all at…

Natalia Osipova and Ivan Vasiliev in Don Quixote.© Stas Levshin, courtesy the Mikhailovsky Ballet. (Click image for larger version)

The Mikhailovsky Ballet’s American Debut at the Lincoln Center

Having wowed London with three acclaimed seasons over the last six years, at last the Mikhailovsky Ballet make their American debut in NY. Lisa Snyder introduces the company and its repertoire…

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American Ballet Theatre – Raymonda Divertissements and Sinfonietta triple bills – New York

Critics have compared the new Liam Scarlett to Jerome Robbins’ Dances at a Gathering; if so, it’s as if Dances had been set in an unhappy corner of the planet, for a group of lost souls…

Marcelo Gomes, Cory Stearns and Herman Cornejo in Jerome Robbins’ Fancy Free.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Raymonda Divertissements, Jardin aux Lilas, Fancy Free – New York

“It was a hell of a performance.” Marina Harss on Jerome Robbins’ Fancy Free.

Hee Seo and Marcelo Gomes in Liam Scarlett's With a Chance of Rain.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala: Rondo Capriccioso, With a Chance of Rain, Thirteen Diversions – New York

Liam Scarlett’s “With a Chance of Rain” premiere – It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux…

Aakash Odedra in Nritta.© Kajal Nisha Patel. (Click image for larger version)

Fall For Dance Festival – Program 5: Wayne McGregor | Random Dance, Pontus Lidberg Dance, Aakash Odedra Company, Sarasota Ballet – New York

The word transcendent gets tossed around a lot, overused, especially in the performing arts. But if one performer deserves it at this year’s Fall For Dance Festival, it is Aakash Odedra.

Lesile Rivera and James Cricket Colter, of Rennie Harris Puremovement, in Students Of The Asphalt Jungle.© Bob Emott. (Click image for larger version)

Fall For Dance Festival – Program 4: Brian Brooks Moving Dance Company, Australian Ballet, Les Ballets Jazz de Montreal, Rennie Harris Puremovement – New York

Refreshingly unpretentious, Students is nothing but the purest proof that hip-hop choreography is just as polished an art form as any other,..

Basil Twist's The Rite of Spring.© Richard Termine. (Click image for larger version)

Basil Twist – Fireworks, Pulcinella Suite, The Rite of Spring – New York

Puppeteer Basil Twist is pushing boundaries again in New York as part of the White Light Festival, with a triple bill based on Stravinsky…

Sebastien Ramirez and Honji Wang in AP15.© Nika Kramer. (Click image for larger version)

Fall For Dance Festival – Program 2: Lucinda Childs, Semperoper Ballett, Wang Ramirez, Alvin Ailey – New York

“AP15, an award-winning work choreographed and danced by urban dance collaborators Sebastien Ramirez and Honji Wang, brought the other “wow” factor to Program 2.”

Alessandra Ferri in Martha Clarke’s Cheri.© Joan Marcus. (Click image for larger version)

Martha Clarke – Chéri – Washington

But the true revelation – and the main reason to see this production – is Alessandra Ferri.

New York City Ballet in George Balanchine's Chaconne.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Chaconne, Interplay, After the Rain, Everywhere We Go – New York

“…it’s hard not to get the impression that New York City Ballet is on a roll.”

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