"New York" tag
Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jeux + Polaris, The Blue Distance, Common Ground, New Blood – New York

Jeux, has a distinctly adult atmosphere and a highly cinematic look. Actually, the look might be the most interesting thing about it…

Aparna Ramaswamy.© and courtesy of NCPA. (Click image for larger version)

Aparna Ramaswamy – They Rose at Dawn – New York

Ramaswamy is a natural allegro dancer; she’s high-spirited, warm, vivacious. But, at least tonight, she didn’t seem inclined to delve into the contrasting qualities of languor or sensual ardor

New York City Ballet in George Balanchine’s Liebeslieder Walzer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Liebeslieder Walzer, Tchaikovsky Suite No. 3 – New York

A great Liebeslieder is like a short story, a complete world in fifty minutes of dancing; this Liebeslieder is still a work in progress.

Deborah Lohse and Mark Gindick in Doug Elkins' Hapless Bizarre.© Jamie Kraus for Jacobs Pillow 2014. (Click image for larger version)

Fall For Dance Festival at City Center – Programs 1 and 2 – New York

For twelve years, the Fall for Dance festival has been going strong, and one can see why. No other dance series offer such an expansive, egalitarian and uncomplicated glimpse of what’s going on in dance…

Georgina Pazcoguin and Meagan Mann in Justin Peck's New Blood, in costumes by Humberto Leon of Opening Ceremony and Kenzo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala, with 4 premieres – New York

Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold…

Batsheva - The Young Ensemble.© Gadi Dagon. (Click image for larger version)

Batsheva, The Young Ensemble – Decadance – New York

To think of Batsheva – The Young Ensemble as a second company is to represent inaccurately the power of this group as interpreters of Ohad Naharin’s movement.

Martha Clarke.© Martha Clarke, courtesy the Royal Opera House.

Martha Clarke – Director and Choreographer, on Chéri

Martha Clarke talks to Jann Parry about Chéri – at the ROH Linbury Studio Theatre, 29 Sept – 4 Oct 2015…

Camille A. Brown and Catherine Foster in Black Girl: Linguistic Play.© Christopher Duggan. (Click image for larger version)

Camille A. Brown & Dancers – Black Girl: Linguistic Play – New York

If Black Girl’s power comes from its specificity, its nostalgia comes from its universality…

Sara Mearns in Peter Martins' Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Swan Lake – New York

Martins’ Swan Lake tries to be too many things to too many people.

Guggenheim's Works and Process showing of Harlequinade.© Works & Process at the Guggenheim/Jacklyn Meduga. (Click image for larger version)

Works and Process at the Guggenheim – Petipa, Balanchine and Harlequinade

The most recent Works & Process at the Guggenheim looked at Commedia dell’arte ballets from Petipa (“Les millions d’Arlequin”) and Balanchine: “Harlequinade”…

Izumi Higa; courtesy of Yokohama Noh Theater.© Yoshiaki Kanda. (Click image for larger version)

Japan Society – Traditional Dance from Okinawa – New York

The Japan Society consistently offers up some of the most eye-opening, refined evenings of music and dance in New York. One senses a real care in the curation…

Travis Clausen-Knight, Marie-Agnès Gillot, Louis McMiller in Tree of Codes.© Stephanie Berger. (Click image for larger version)

Wayne McGregor | Random Dance & Paris Opera Ballet – Tree of Codes – New York

With her startling presence, Gillot manages to supply Tree of Codes with the sense of purpose it otherwise lacks.

Esme Boyce in her A Pair of Ideal Landscapes.© Lora Robertson. (Click image for larger version)

Satellite Collective – BAM Fisher bill – New York

Collaboration can be a wondrous thing, but it’s no guarantee.

Aparupa Chatterjee in Brajaku Chora.© Darial Sneed. (Click image for larger version)

Erasing Borders Festival of Indian Dance, Part 2 indoors – New York

As on the previous evening, various schools of Indian dance were on view, revealing fascinating echoes and differences between them.

Paloma Herrera in a studio photograph for Sleeping Beauty.© Juan Mathé. (Click image for larger version)

Paloma Herrera – former American Ballet Theatre Principal, dancer and teacher

Next year I want to dedicate more time to teaching, and finally bring out my clothing line, under the brand Paloma Herrera…

Rakesh Sai Babu in Dandi.© Darial Sneed. (Click image for larger version)

Erasing Borders Festival of Indian Dance – New York

But the highlight of the evening—in part because of its novelty— were the two dances performed by Rakesh Sai Babu, the young male dancer specializing in the much less familiar Chhau dance style…


Amy Seiwert’s Imagery – Traveling Alone, Starting Over at the End, Back To – New York

Amy Seiwert, a San Francisco-based choreographer, is gifted. For the last several years, she has held the position of Choreographer in Residence at Smuin Ballet, where she has arguably surpassed her mentor, the troupe’s founding father, Michael Smuin, in choreographic talent…

Emery LeCrone in the studio.© Rosalie O’Connor. (Click image for larger version)

Emery LeCrone – Joyce Theater Ballet Festival bill – New York

I want to see what LeCrone can do with more bodies and longer pieces.

Ballet X in Sunset, o639 Hours.© Alexander Iziliaev. (Click image for larger version)

BalletX – Sunset, o639 Hours – New York

A diverse company tells this story, thankfully. The women in particular are diverse in their movement quality, and Felesina is a standout among them.

LeeSaar The Company in Grass and Jackals.© David Andrako. (Click image for larger version)

Batsheva and LeeSaar The Company – B/olero, Grass and Jackals – New York

Grass and Jackals possesses what B/olero leaves wanting. Oversized eyebrows painted on each dancer…

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