"New York" tag
Aakash Odedra in Nritta.© Kajal Nisha Patel. (Click image for larger version)

Fall For Dance Festival – Program 5: Wayne McGregor | Random Dance, Pontus Lidberg Dance, Aakash Odedra Company, Sarasota Ballet – New York

The word transcendent gets tossed around a lot, overused, especially in the performing arts. But if one performer deserves it at this year’s Fall For Dance Festival, it is Aakash Odedra.

Lesile Rivera and James Cricket Colter, of Rennie Harris Puremovement, in Students Of The Asphalt Jungle.© Bob Emott. (Click image for larger version)

Fall For Dance Festival – Program 4: Brian Brooks Moving Dance Company, Australian Ballet, Les Ballets Jazz de Montreal, Rennie Harris Puremovement – New York

Refreshingly unpretentious, Students is nothing but the purest proof that hip-hop choreography is just as polished an art form as any other,..

Basil Twist's The Rite of Spring.© Richard Termine. (Click image for larger version)

Basil Twist – Fireworks, Pulcinella Suite, The Rite of Spring – New York

Puppeteer Basil Twist is pushing boundaries again in New York as part of the White Light Festival, with a triple bill based on Stravinsky…

Sebastien Ramirez and Honji Wang in AP15.© Nika Kramer. (Click image for larger version)

Fall For Dance Festival – Program 2: Lucinda Childs, Semperoper Ballett, Wang Ramirez, Alvin Ailey – New York

“AP15, an award-winning work choreographed and danced by urban dance collaborators Sebastien Ramirez and Honji Wang, brought the other “wow” factor to Program 2.”

Alessandra Ferri in Martha Clarke’s Cheri.© Joan Marcus. (Click image for larger version)

Martha Clarke – Chéri – Washington

But the true revelation – and the main reason to see this production – is Alessandra Ferri.

New York City Ballet in George Balanchine's Chaconne.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Chaconne, Interplay, After the Rain, Everywhere We Go – New York

“…it’s hard not to get the impression that New York City Ballet is on a roll.”

Yuan Yuan Tan in Russell Maliphant's Two x Two.© Xiaojing Wang. (Click image for larger version)

Fall For Dance Festival – Program 1: Black Grace, SF Ballet, Russell Maliphant, Mark Morris – New York

New York City Center’s Fall For Dance Festival opened its 11th season with a very fresh program…

Gonzalo Garcia and NYCB, opening section of Ratmansky's Pictures at an Exhibition.© Paul Kolnik. (Click image for larger version

New York City Ballet – Ratmansky’s Pictures at an Exhibition premiere – New York

At the risk of sounding like a broken record, is there a ballet choreographer working today who is more imaginative, more wholly himself, than Alexei Ratmansky?

Tiler Peck in Theme and Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Tchaikovsky & Balanchine, Stravinsky & Balanchine bills – New York

One cannot help but be amazed by the number of exceptional women in the company, and by how differently they approach the steps, the music and the temperament of each ballet.

Kyle Abraham in The Watershed.© Ian Douglas. (Click image for larger version)

Kyle Abraham / Abraham.In.Motion – The Watershed – New York

The evening is divided into two parts, with images of love and coupling more dominant in the first and greater abstraction seeping into the second.

Tiler Peck and Robert Fairchild in Liam Scarlett's Funérailles.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala – New York

It’s as pointless to complain about ballet galas as it is to grumble about the weather. They serve a purpose…

Hubbard Street Dance Chicago in Nacho Duato's Gnawa.© Todd Rosenberg. (Click image for larger version)

Fall for Dance at the Delacorte Theatre – New York

For the second year in a row, the Fall for Dance Festival began with a pair of performances at the outdoor Delacorte Theatre in Central Park, one of the most enchanting spots in the city.

Sonia Rodriguez as Alice in Alice's Adventures in Wonderland.© Aleksandar Antonijevic. (Click image for larger version)

National Ballet of Canada – Alice’s Adventures in Wonderland – New York

Christopher Wheeldon’s Alice’s Adventures in Wonderland is a showy affair…

Isaac Mizrahi designs for Acis and Galatea.© Isaac Mizrahi. (Click image for larger version)

Mark Morris Dance Group – Acis and Galatea – New York

As he has shown again and again, the choreographer Mark Morris has a way with Baroque music. He clearly adores it…

Mikhail Lobukhin in Spartacus.© Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – Spartacus – New York

If there’s one thing you can say for Yuri Grigorovich’s 1968 ballet Spartacus, it’s that it gets its point across loud and clear.

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Bolshoi Ballet – Don Quixote – New York

…the real star of Don Quixote is the Bolshoi itself.

Svetlana Zakharova in Swan Lake.© Stephanie Berger. (Click image for larger version)

Bolshoi Ballet – Swan Lake – New York

It is even more disappointing that the troupe should open its run with a Swan Lake so lackluster… It’s not the dancers’ fault. At every level, the Bolshoi dancers move with thrilling force and fullness.

Rosas in Elena's Aria.© Herman Sorgeloos. (Click image for larger version)

Rosas / Anne Teresa De Keersmaeker – Elena’s Aria and Bartok/Mikrokosmos – New York

…I think it’s safe to say that she is an artist who follows her obsessions with a tenacity that is both admirable and frequently defeating.

Rosas in Rosas danst Rosas.© Herman Sorgeloos. (Click image for larger version)

Rosas / Anne Teresa De Keersmaeker – Rosas danst Rosas – New York

Watching Rosas danst Rosas this weekend it was easy to understand why it still stands as a prime example of De Keersmaeker’s choreographic approach.

Anne Teresa De Keersmaeker and Tale Dolven in Fase, Four Movements to the Music of Steve Reich.© Stephanie Berger. (Click image for larger version)

Rosas / Anne Teresa De Keersmaeker – Fase – New York

Reich’s score is, of course, a constant pulse. De Keersmaeker provides no rest for the senses. She matches Reich in density and motion. It is mimicry of the highest order.

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