"New York" tag
New York City Ballet in The Concert.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 4 bill – New York

★★★★✰   It was a good night for Afternoon of a Faun, in particular. Chase Finlay, débuting in the role of the young dancer sensually lolling about a ballet studio, brought back the eroticism this ballet often lacks.

New York City Ballet in Warren Carlyle’s Something to Dance About.© Erin Baiano. (Click image for larger version)

New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York

★★★★✰   The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.

New York City Ballet in Dybbuk.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 1 – Bernstein Collaborations bill – New York

★★★✰✰   One of Robbins’ great talents was sniffing out the style of his time, but this inevitably places a date stamp on his work.

Passion Fruit Dance Company.© Still1 / Passion Fruit Dance Company. (Click image for larger version)

Lacina Coulibaly, Nora Chipaumire, Passion Fruit Dance Company, Les Ballet Afrik at E-Moves – New York

★★★✰✰   For 20 years Harlem Stage has presented emerging and established choreographers in its E-Moves series, and 2018’s installment featured a diverse cross-section of styles and influences.

Ask la Cour in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York

★★✰✰✰   Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…

Mark Morris Dance Group in Pacific.© Hilary Schwab. (Click image for larger version)

Mark Morris Dance Group – Lou 100: Pacific, Numerator, Serenade, Grand Duo – New York

★★★★✰   It’s one of the most striking characteristics of the Mark Morris Dance Group. A common sense of focus, an alertness to the music and to each other.

Carousel with choreography by Justin Peck.© Julieta Cervantes. (Click image for larger version)

Rodgers & Hammerstein’s Carousel (choreography by Justin Peck) – New York

★★★★✰   One of the most attractive things about the production is the way it brings together various worlds: ballet, Broadway, and opera.

Dada Masilo's Giselle - The Dance Factory, Johannesburg (2017).© John Hogg. (Click image for larger version)

Dada Masilo / The Dance Factory – Giselle – New York

★★★✰✰   Masilo’s is an uncompromising, ritualistic version of the story, with little room for redemption, and in its final scene, in which the spirits amass and advance upon Giselle’s seducer again and again, it tips over into a kind of animistic brutality…

Ahmaud Culver, Jasmine Hearn and Anna Witenberg in live performance as part of the Nick Mauss: Transmissions exhibition.© Paula Court. (Click image for larger version)

Interconnections: Thoughts on “Nick Mauss: Transmissions” at the Whitney in New York

Whiteny PR about the exhibition: “Artist Nick Mauss (b. 1980) presents Transmissions, a multidisciplinary work exploring the relationship between modernist ballet and the avant-garde visual arts in New York from the 1930s through ’50s.”

Laura Halzack and Michael Trusnovec in Mercuric Tidings.© Paul B. Goode. (Click image for larger version)

Paul Taylor American Modern Dance – David H. Koch season – New York

★★★★✰   Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.

New York Theatre Ballet in Septet.© Julie Lemberger. (Click image for larger version)

New York Theatre Ballet – Septet, Rondo, Concertino, Wings/A Petroushka Collage – New York

★★★✰✰   New York Theatre Ballet’s director, Diana Byer, is known for dusting off the dance history books, and giving a dose of challenging revivals. This time NYTB joins may companies around the country and indeed, the world, in celebrating Jerome Robbins’ centennial…

John Eirich and Lindsey Jones in Rockefellers.© Julie Lemberger. (Click image for larger version)

Dance Heginbotham – Harkness Dance Festival program – New York

★★★✰✰   As part of the 92nd Street Y’s annual Harkness Dance Festival, John Heginbotham’s company performed a brief, manageable program of solos and duets on Friday, including several New York premieres.

Panta Rei Dance Theatre in Lullaby.© Kevin Yatarola. (Click image for larger version)

Panta Rei Dance Theatre – Lullaby – New York

★★✰✰✰   With its theme of masculinity, Panta Rei Dance Theatre’s Lullaby seems a timely choice for the Norwegian company’s Stateside debut…

Amanda Treiber and Erez Milatin in Optimists.© Rachel Neville. (Click image for larger version)

New York Theatre Ballet – Beethoven/1999, Optimists, Dark Elegies, Double Andante – New York

★★★✰✰   All was danced with the quiet focus, lucidity, and unfussy delivery that characterize the company. No attention-grabbing fireworks…

Tiler Peck and Zachary Catazaro in Peter Walker’s Dance Odyssey.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Dance Odyssey, The Red Violin, Russian Seasons – New York

★★★✰✰   Like Walker’s first work for the company “Dance Odyssey” shows a lot of promise. It has warmth and humor, a good grasp of stage geometry and a sensitive musicality.

Arcell Cabuag in Upside Down.© Ayodele Casel. (Click image for larger version)

Evidence, A Dance Company – Come Ye, March, Den of Dreams, Upside Down, Dancing Spirit – New York

★★★★✰   Ronald K. Brown is one of those choreographers who returns to a similar mode in piece after piece, so it’s easy to take him for granted. But what a powerful mode it is.

Adrian Danchig-Waring, Tiler Peck and Ashly Isaacs in George Balanchine’s Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine No. 1 & 2, 21st Century Choreographers bills – New York

★★★★✰   After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.

Mikko Lampinen, Eero Vesterinen, Oskari Nyyssola and David Scarantinos in Morphed.© Darya Popova, courtesy Tero Saarinen Company. (Click image for larger version)

Catching up with Morphed – Tero Saarinen Soul Shifting in New York

Some dance can be really thought provoking and that seems to have been the case with Tero Saarinen’s “Morphed” – at least for Millicent Hodson and Kenneth Archer who recently caught up with the work at the Joyce in New York.

Christopher Williams Il Giardino d’Amore.© Ian Douglas. (Click image for larger version)

Memorable Performances of 2017 – New York

Six Performances That Stayed with Me in 2017 – Marina Harss with her personal selection of New York dance memories this last year.

Chalvar Monteiro in Jamar Roberts' Members Don't Get Weary.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – 2 premieres: Victoria & Members Don’t Get Weary + many more – New York

★★★★✰   Roberts’ “Members Don’t Get Weary” is very much a mature work with a strong emotional charge and esthetic signature.

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