"Ohad Naharin" tag
Sonia Bel Hadj Brahim in The Toad Knew.© Foteini Christofilopoulou. (Click image for larger version)

James Thierrée / Compagnie du Hanneton – The Toad Knew – New York

★★✰✰✰   The best moments in The Toad Knew are comic, but there aren’t enough of them. Old-fashioned clowning is sprinkled throughout the production…

Emily Hoff in The Conservatory.© Johan Persson / RBS. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2017 – London

★★★★✰   It was a well-balanced programme, featuring different kinds of discipline for future corps de ballet dancers, and honouring veteran choreographers as well as contemporary ones.

Batsheva Dance Company in Last Work.© Gadi Dagon. (Click image for larger version)

Batsheva Dance Company – Last Work – San Francisco

★★✰✰✰   There is a saying in the film industry that you’re only as good as your last movie. Luckily, choreographer Ohad Naharin is better than his Last Work.

Batsheva Dance Company in Last Work.© Julieta Cervantes. (Click image for larger version)

Batsheva Dance Company – Last Work – New York

★★✰✰✰   Last Work is not unlike other Batsheva pieces which use an assemblage of vignettes, however it doesn’t hang together as cohesively as say, Sadeh21.

Alvin Ailey American Dance Theater in Hope Boykin's r-Evolution, Dream.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Four Corners, Untitled America, r-Evolution, Dream, Revelations – New York

★★★★✰   There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.

Didy Veldman.© Mia-Bo Powney. (Click image for larger version)

5 Questions to Didy Veldman – on forming and touring her new company, Umanoove

Choreographer Didy Veldman has just formed her own company – Umanoove – and is off touring her latest work, called “The Happiness Project”. Time for a brief 5 questions interview we thought…

Gilbert Small and Nicole Ward in 16+ a room by Emily Molnar.© Chris Randle. (Click image for larger version)

Ballet BC – 16+ a room, Solo Echo, Bill – New York

★★★✰✰   Have you ever left a performance of contemporary ballet desperate for some color, some light, some human warmth?

Ballet Hispanico in Flabbergast.© Paula Lobo. (Click image for larger version)

Ballet Hispanico – Flabbergast, Bury Me Standing, Club Havana – New York

★★★★✰   Anyone in need of resurrecting their libido need look no further than Ballet Hispanico’s 45th anniversary season at the Joyce Theater…

Linda Celeste Sims and Glenn Allen Sims in Alvin Ailey's Revelations.© Andrew Eccles. (Click image for larger version)

Alvin Ailey American Dance Theater – Toccata, After the Rain pdd, Awakening, Revelations – New York

Every fall, just after Thanksgiving, Alvin Ailey American Dance Theater sets up shop at City Center, as sure a sign of the season as Christmas carols at the grocery store.

Sylvie Guillem in Akram Khan’s technê.© Bill Cooper. (Click image for larger version)

Sylvie Guillem – Life in Progress – New York

More than one dancer has been dubbed a “punk ballerina” but no one deserves it more than Sylvie Guillem, who has ruffled feathers at the world’s best companies, and at 50 years old is still on top.

Batsheva - The Young Ensemble.© Gadi Dagon. (Click image for larger version)

Batsheva, The Young Ensemble – Decadance – New York

To think of Batsheva – The Young Ensemble as a second company is to represent inaccurately the power of this group as interpreters of Ohad Naharin’s movement.

LeeSaar The Company in Grass and Jackals.© David Andrako. (Click image for larger version)

Batsheva and LeeSaar The Company – B/olero, Grass and Jackals – New York

Grass and Jackals possesses what B/olero leaves wanting. Oversized eyebrows painted on each dancer…

Alvin Ailey American Dance Theater in Matthew Rushing's Odetta.© Steve Wilson. (Click image for larger version)

Alvin Ailey – Uprising, Suspended Women, Odetta – New York

Alvin Ailey American Dance Theater is making a big deal out of its premieres this year, but at the company’s “All New” program during its City Center residency, Matthew Rushing’s Odetta was the standout work.

Juilliard Dance in Larry Keigwin's Exit Like an Animal.© Rosalie O'Connor. (Click image for larger version)

Juilliard Dance – New Dances, Edition 2014: works by Austin McCormick, Loni Landon, Kate Weare, Larry Keigwin – New York

While the program slumped, mood wise, in the middle, it went out with a bang thanks to Larry Keigwin’s Exit Like an Animal.

Sebastien Ramirez and Honji Wang in AP15.© Nika Kramer. (Click image for larger version)

Fall For Dance Festival – Program 2: Lucinda Childs, Semperoper Ballett, Wang Ramirez, Alvin Ailey – New York

“AP15, an award-winning work choreographed and danced by urban dance collaborators Sebastien Ramirez and Honji Wang, brought the other “wow” factor to Program 2.”

Natalia Osipova and Ivan Vasiliev in Arthur Pita's Facada.© Dave Morgan. (Click image for larger version)

Natalia Osipova and Ivan Vasiliev – Solo for Two: Mercy, Passo, Facada – London

Overall, while an interesting night for them and those who know them, it wasn’t a night that would garner them lots of new fans all hailing them as magnificent. For that you still need to catch them, if you can, doing their fireworks in the likes of Don Quixote…

Rachael McLaren and Kirven Douthit-Boyd in Wayne McGregor's Chroma.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Lincoln Center Programs A & B – New York

Since becoming artistic director at Alvin Ailey American Dance Theater in 2011, Robert Battle has been steadily mixing up the company’s repertory, adding works by choreographers beyond its usual range: Paul Taylor, Ohad Naharin, and Wayne McGregor, to name just three.

NDT2 in Sol León and Paul Lightfoot's Shutters Shut.© Rahi Rezvani. (Click image for larger version)

Nederlands Dans Theater 2 – Postscript, Shutters Shut, Sara, I New Then – Edinburgh

Eclectic, fascinating choreography is danced with precision and passion by this fine-tuned company…

Amelia Forrest (Servant) and Filip Michalak (Master) in Light by Izadora Weiss.© Sebastian Cwikla. (Click image for larger version)

Baltic Dance Theatre – Netherlands 1 bill: Clash, Fun, Light – Gdansk

The big event was Light, set to the music of Phillip Glass and based upon Symborska’s poem about “that woman from the Rijksmuseum” (a reference to the servant girl that Vermeer painted pouring milk).

Linda Celeste Sims and Jamar Roberts in Aszure Barton's LIFT.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theatre – Chroma, D-Man in the Waters (Part I), LIFT – New York

I have yet to see a less than full-throttle performance, even when a choreographer’s style does not quite fit the company’s technique…

DanceTabs © 2017 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.