★★✰✰✰ Episode Two of Dancing Nation contains works by Humanhood (Júlia Robert and Rudi Cole), Botis Seva for Far From the Norm, Will Tuckett for Birmingham Royal Ballet, Oona Doherty, Boy Blue and Akram Khan with Natalia Osipova (for which ★★★★★).
Tag - Olivier Award
Jasper Conran is producing new designs for Christopher Wheeldon’s "Within the Golden Hour", to be premiered by the Royal Ballet on the 8 May 2019. Jann Parry talks to Conran about the designs and his earlier and extensive work for David Bintley at Birmingham Royal Ballet…
★★★★✰ The tableaux recall Francis Bacon paintings – and Goya in his darkest moments.
★★★★✰ Grouping this diverse triple bill under the title She Persisted works in so many ways...
★★★★✰ Mother was an absorbing 70 minutes of performance art. Mothers were never exactly to the fore and yet – in many respects – they were always apparent...
★★★✰✰ While the production is supremely stylish and the characters well-observed with expressive and romantic choreography, the narrative is padded out in order to fill the music, particularly where traditional elements of "Cinderella" have been excised.
Graham Watts' citation, made before the presentation - a major appreciation of a huge star of dance and theatre...
★★★★✰ It is impossible to review Betroffenheit without reference to the tragedy that sits behind it...
★★★✰✰ Drew McOnie’s aim in his dance-theatre version of Jekyll and Hyde is to tell a ripping yarn without the use of words. He’s very much a Matthew Bourne disciple...
An interview with Adam Kirkham, Carys Staton, Nathan Young and Yu-Hsien Wu of Russell Maliphant Company as they take on roles first created by Guillem and the BalletBoyz. Also advice to graduating students and discussion of Maliphant's approach to creating new work...
Jann Parry on the award winning Peter Schaufuss "La Sylphide", not seen in the UK in decades, and Li Cunxin's Queensland Ballet who are bringing it to London this summer. Includes an interview with Cunxin...
...Like Rabbits is a clever work that burrows under your skin...
Music is always my anchor. I can’t work without a very solid musical base. The lion’s share of the work I’ve made over the years has been music-led and the primary instigator in Subterrain is the Turnage music.