"Orpheus and Eurydice" tag
Suzanne Farrell Ballet, with Heather Ogden and Thomas Garrett, center, and the corps de ballet, in Chaconne, choreography by George Balanchine © The George Balanchine Trust. (phew!)Image © Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet – Forever Balanchine: Farewell Performances – Washington

★★★★★   As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington audiences have enjoyed an annual mini-festival of Balanchine’s works…

Natalia Magnicaballi in Tzigane.© Paul Kolnik. (Click image for larger version)

Feature – Suzanne Farrell Ballet’s Final Performances in Washington

This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems…

Paco Peña.© and courtesy Paco Peña, Columbia Artists Management Inc. (Click image for larger version)

Paco Peña – Flamencura – New York

Peña’s show, which came to the The Town Hall for a single performance, uses an extremely spare model – flamenco performance as family gathering.

James Wilton Dance Company in Last Man Standing.© Werner Kmetitsch. (Click image for larger version)

James Wilton Dance – Last Man Standing – London

James Wilton Dance are touring Last Man Standing – a narrative work based on Terry Pratchett’s book The Last Hero and the myth of Orpheus and Eurydice. Lynette Halewood was impressed…

Marie-Agnes Gillot and Stephane Bullion in Orpheus and Eurydice.© Stephanie Berger. (Click image for larger version)

Paris Opera Ballet – Orpheus and Eurydice – New York

Bausch is a mystery. To some, she represents the summit of poetry and expression, worthy of a cult-like following. Clearly, these dancers derive great emotional sustenance from performing her work. And it suits them. But, with the exception of Gillot’s solo and a few moments here and there, it left me cold.

Nicolas Le Riche and Paris Opera Ballet in Maurice Bejart's Bolero.© Stephanie Berger. (Click image for larger version)

Paris Opera Ballet – Suite en Blanc, L’Arlesienne, Bolero – New York

Nicolas Le Riche was fabulously predatory in Bolero, a raging furnace of self-love and sex appeal. One imagines that after the show he must have ravaged a hundred virgins, but maybe he simply went home and soaked his feet in the tub, but in any case, he was magnificent, good taste (and choreography) be damned.

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