"Palais Garnier" tag
Paris Opera Ballet in The Seasons’ Canon.© Agathe Poupeney / OnP. (Click image for larger version)

Paris Opera Ballet – Thierrée /​ Shechter /​ Pérez /​ Pite – Paris

★★★★✰   Crystal Pite’s work stands out as the crowd-pleaser. With huge cheers and applause, we rise to our feet for the dancers.

Jillian Vanstone in The Sleeping Beauty.© Karolina Kuras. (Click image for larger version)

The National Ballet of Canada – The Sleeping Beauty – Toronto

★★★★✰   Steeped in the company’s history, this Sleeping Beauty is a real treasure – a lavishly-outfitted and deeply absorbing spectacle which bears the indelible imprint of its creator, the legendary Russian dancer Rudolf Nureyev.

Wang Ramirez - Honji Wang and Sebastien Ramirez.© Filine Fink. (Click image for larger version)

Interview – Sebastien Ramirez and Honji Wang, choreographers, performers and collaborators – now with Nitin Sawhney

Interview – Sébastien Ramirez and Honji Wang are about to collaborate with composer, and Sadler’s Wells Associate Artist, Nitin Sawhney at the Royal Albert Hall. We wanted to know more about the dynamic and well connected pair…

Tamara Rojo, Osiel Gouneo and Cesar Corrales in Le Corsaire.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Le Corsaire – London

Audiences everywhere should be impressed by the consistently high standard of the company’s dancing. ENB is proof that artists from many different countries, backgrounds and training can be formed into a cohesive ensemble.

Alice Renavand in Le Sacre du Printemps.© Julien Benhamou / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Polyphonia, Alea Sands, Le Sacre du printemps – Paris

Benjamin Millepied, the new director of the Paris Opera Ballet, made a daring choice of programme for the Christmas season at the opulent Palais Garnier opera house: a triple bill of contemporary works…

Nicolas Le Riche farewell - final curtain calls.© Sébastien Mathé / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Nicolas Le Riche Farwell Gala – Paris

Only the official retirement age of 42 requires him to leave the company, alas, though he may be invited back as a guest.

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Nicolas Le Riche and Tamara Rojo in Le jeune homme et la mort.© Dave Morgan. (Click image for larger version)

English National Ballet – Ecstasy and Death bill – London

Rojo has declared that her ambition as artistic director of ENB is to make audiences hold their breath. I certainly did during Le Jeune Homme et la Mort…

Marie-Agnes Gillot and Jeremie Belingard in The Prodigal Son.© Sebastien Mathe / OnP. (Click image for larger version)

Paris Opera Ballet – Serenade, The Prodigal Son, Agon – Paris

The company danced Serenade well but the very simplicity in its choreography, created as it was initially for students, ironically makes it hard to produce a perfect performance…

Karl Paquette (Djémil) in La Source.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – La Source – HD cinema broadcast

…Bart’s a gifted and discerning artist, with a deep understanding of the Opera’s heritage and style. Rather than trying to “recreate” the long-forgotten original choreography by Arthur St. Leon, Bart’s made a new work that feels old, as if it had long been a warhorse of the Opera’s repertory, subject to over a century of vagaries in taste and technique, yet emerging today all the richer for the experience, and eloquent of its history.

Myriam Ould-Braham and Josua Hoffalt in La Fille mal Gardée.© Julien Benhamou. (Click image for larger version)

Paris Opera Ballet – La Fille mal Gardee – Paris

Ould-Braham had just been made étoile and her performance seemed, to me, buoyed by an extra layer of joy and happiness. Hoffalt was completely at ease in both technique and characterization. When they celebrated their wedding onstage, the audience went crazy.

Aurelie Dupont and Josua Hoffalt in Manon. © Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Manon – Paris

As Manon, Dupont started out as sweet and innocent. Overall, her Manon seemed almost empty, like a vessel for people to put eroticism into or to act upon.

Ecole de Danse de l'Opéra national de Paris in David Lichine's Le Bal des cadets - Graduation Ball. © Francette Levieux. (Click image for larger version)

Paris Opera Ballet School – Spectacle Ecole de Danse bill – Paris

While all the young people were lovely to watch, Roxane Stojanov, the girl in yellow, stood out. She had the fullest extension of arms and upper body, the lushest movement quality. It would seem great things are expected of her, as she was cast in every part of the program.

DanceTabs © 2018 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.