"Pam Tanowitz" tag
Tiler Peck in Coppélia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Coppélia – New York

★★★★✰   Tiler Peck, with her quick feet and sassy musicality, is perfectly suited to the role of Swanhilda. Her choreography has copious amounts of pointework, quick steps, requires adroitness in petit allegro and excellent mime technique – all of which Peck has in abundance.

Amanda Treiber and Erez Milatin in Optimists.© Rachel Neville. (Click image for larger version)

New York Theatre Ballet – Beethoven/1999, Optimists, Dark Elegies, Double Andante – New York

★★★✰✰   All was danced with the quiet focus, lucidity, and unfussy delivery that characterize the company. No attention-grabbing fireworks…

Silas Riener, Jimena Paz and Eleanor Hullihan of Tere O'Connor Dance.© Julieta Cervantes. (Click image for larger version)

Tere O’Connor Dance – Undersweet, Transcendental Daughter – New York

★★★★✰   Structure and meaning lie at the heart of O’Connor’s work. With Undersweet he has achieved a perfect balance.

Pam Tanowitz Dance, promotional picture.© Christopher Duggan. (Click image for larger version)

Pam Tanowitz Dance – the story progresses as if in a dream of glittering surfaces, Heaven on One’s Head – New York

★★★✰✰ “There are choreographers who make one go hot and cold, and one of those, for me, is Pam Tanowitz.”

Deborah Lohse and Mark Gindick in Doug Elkins' Hapless Bizarre.© Jamie Kraus for Jacobs Pillow 2014. (Click image for larger version)

Fall For Dance Festival at City Center – Programs 1 and 2 – New York

For twelve years, the Fall for Dance festival has been going strong, and one can see why. No other dance series offer such an expansive, egalitarian and uncomplicated glimpse of what’s going on in dance…

New York Theatre Ballet in Ashton's Capriol Suite.© Yi-Chun Wu. (Click image for larger version)

New York Theatre Ballet – Capriol Suite, Two Timing, Cat’s Cradle, Such Longing, Dark Elegies – New York

The program presented at St. Mark’s this past week reflects all of these positive developments; even more, it seemed infused with a new sense of assurance and identity.

Rie Ogura & Steven Melendez in Richard Alston's Light Flooding Into Darkened Rooms.© Richard Termine. (Click image for larger version)

New York Theatre Ballet – Legends & Visionaries bill – New York

The company embraces the turn-of-the-20th-century Cecchetti Method, more concerned with anatomic integrity than with razzle-dazzle. Cecchetti’s motto is “purity of line, simplicity of style.” You get the idea.

Nancy Reynolds interviewing Edward Villella about Tarantella and Rubies, GBF Video Archives, 2008.© Nancy Reynolds. (Click image for larger version)

Nancy Reynolds – George Balanchine Foundation – Director of Research

An in-depth interview with the lady who helps bring Balanchine back…

Shantala Shivalingappa in Shiva Ganga.© C. P. Satyajit. (Click image for larger version)

Fall For Dance Festival – Program 4: Shivalingappa, PNWB, Melnick, Ka Leo O Laka – New York

Every Fall For Dance program is a bit of a pot luck, which is part of the festival’s charm. This year it has been expanded to twelve of performances (each costing $15, up from $10 last year)…

Allysen Hooks, BJ Randolph, and Evan Teitelbaum in Closing Bell.© Amber Star Merkens. (Click image for larger version)

Dance Heginbotham – Twin, Closing Bell – Jacob’s Pillow

Once in a while we experience one of those serendipitous evenings in which we show up with few expectations, only to encounter an oasis of structure, understated virtuosity and, best of all, musical intelligence.

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