"Paris Opera Ballet" tag
Nicolas Le Riche farewell - final curtain calls.© Sébastien Mathé / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Nicolas Le Riche Farwell Gala – Paris

Only the official retirement age of 42 requires him to leave the company, alas, though he may be invited back as a guest.

Boston Ballet in Balanchine's Symphony in Three Movements.© Gene Schiavone. (Click image for larger version)

Boston Ballet – Program B: Symphony in Three Movements, L’Apres-Midi d’un Faune, Plan to B, Bella Figura – New York

…the dancers seem able to handle whatever comes their way. It’s a quality that will serve them well in their travels.

Boston Ballet in Alexander Ekman's Cacti.© Rosalie O'Connor. (Click image for larger version)

Boston Ballet – Program A: The Second Detail, Resonance, Cacti – New York

Like the best comedians, Ekman is as facetious as he is profound, leaving the viewer with plenty to ponder post-performance.

Svetlana Zakharova and David Hallberg in Giselle.© Elena Fetisova. (Click image for larger version)

Bolshoi Ballet – Giselle (Zakharova, Hallberg) – Washington

David Hallberg is a rarity in today’s classical ballet. Tall, lean and strikingly handsome, with pure classical line and impeccable dancing prowess, he is a genuine danseur noble.

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Ballet Preljocaj in Les Nuits.© Jean-Claude Carbonne. (Click image for larger version)

Ballet Preljocaj – Les Nuits – Cannes

Les Nuits is inspired by the Thousand and One Nights, stories which have come together from Indian, Persian, Arabian and North African sources. Preljocaj is quoted as being influenced by the erotic content of the stories…

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Dusty Button in William Forsythe’s The Second Detail.© Dave Morgan. (Click image for larger version)

2013 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

David Hallberg at Sydney Opera House.© Wendell Levi Teodoro. (Click image for larger version)

David Hallberg with Australian Ballet – Cinderella – Sydney

…Hallberg’s entrance drew gasps and shouts of ‘bravo’ from the audience. His magnificently stretched jetés soared through the air…

Rudolf Nureyev, La Bayadère, Kingdom of the Shades Act, Palais Garnier, 1974.© André Chino. (Click image for larger version)

The Nureyev Collection – Centre national du costume de scène et de la scénographie – Moulins

The triumph of the Nureyev collection at CNCS Moulins is to make the many facets of his profligately talented, maddening personality so vividly alive still.

Rocking Tyler Angle to sleep in Namouna.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spectral Evidence, Soirée Musicale, Namouna – New York

One feels as Débussy did when he wrote, at the end of the nineteenth century, that “amid too many silly ballets, Lalo’s Namouna is something of a masterpiece.”

Michaela DePrince.© Jade Young.

Michaela DePrince – Junior Company, Dutch National Ballet

An interview with Michaela DePrince ex Dance Theatre of Harlem and now with the Junior Company of Dutch National Ballet. Marina Harss talks to her about life and motivations and, inevitably, about DePrince often being a different colour to most other dancers on ballet stages and the issues around that…

Denis Medvedev and Elena Bukanova (King and Marie Antoinette) in The Flames of Paris.© Dave Morgan. (Click image for larger version)

Bolshoi Ballet – The Flames of Paris – London

“Alexei Ratmansky’s Flames of Paris is a lot like Matthew Bourne’s Swan Lake…” starts Jann Parry’s review…

Olga Smirnova in Diamonds, from Jewels.© Marc Haegeman.

Bolshoi Ballet – Jewels: Emeralds, Rubies, Diamonds – London

The Bolshoi’s glorious rising star, Olga Smirnova, was imperious…

Shevelle Dynott and Nancy Osbaldeston in Petrushka.© Dave Morgan (Click image for larger version)

English National Ballet – Tribute to Rudolf Nureyev – London

The Tribute bill is a well-chosen one… The season has been so short that the dancers haven’t had time to grow into their roles. They look as though they’re remembering instructions rather than relishing the ballets.

Noureev & Friends Gala poster.© Noureev & Friends. (Click image for larger version)

Noureev & Friends Gala – Paris

Graham Watts was at the Palais Des Congres for us to celebrate the 75th anniversary of Rudolf Nureyev’s birth…

Alina Cojocaru and Johan Kobborg in Romeo and Juliet (from a 2010 gallery by John Ross on Balletco).© John Ross, courtesy the Royal Opera House.

Alina Cojocaru and Johan Kobborg to leave The Royal Ballet at the end of 2012/13 season

Alina Cojocaru and Johan Kobborg have announced they will leave The Royal Ballet at the end of the 2012/13 season to pursue other artistic challenges.

Misa Kuranaga and Boyko Dossev in George Balanchine's Coppélia © The George Balanchine Trust.© Rosalie O'Connor. (Click image for larger version)

Boston Ballet – Coppélia – Boston

Boston audiences were very lucky in their first two Swanildas. Opening night, Misa Kuranaga was a vision of loveliness…

© Dance Open

International Ballet Festival 2013 – Dance Open – St Petersburg

The 12th International Ballet Festival – Dance Open – was held over 4 days in St Petersburg. Margaret Willis (our Ms Expressivity) was there to report on much ballet and not a little award giving…

Veronika Part and Roberto Bolle in Symphony #9.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Symphony in C, Moor’s Pavane, Symphony #9 – Washington

…with choreographic masterpieces by George Balanchine and José Limón and a Washington D.C. premiere of Alexei Ratmansky’s new work, this ABT program was in every way a balletomane’s dream come true.

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