"Paris Opera Ballet" tag
Oxana Skorik and Timur Askerov in Michel Fokine's Chopiniana.© Julieta Cervantes. (Click image for larger version)

Mariinsky Ballet – Chopiniana, Without, In the Night – New York

Too much Chopin? Perhaps.

Ashley Bouder in Donizetti Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon, Symphony in C, Donizetti Variations, La Valse, Chaconne – New York

In recent seasons New York City Ballet has gotten into the habit of starting things off with a week or two of Balanchine. It’s an excellent idea.

Thiago Soares.© Royal Opera House. (Click image for larger version)

Thiago Soares – Royal Ballet Principal, on Onegin

On the eve of opening the latest Royal Ballet season of ‘Onegin’ Thiago Soares talks about one of his most inspirational roles, and a few other things too…

Susanne Grinder and Ulrik Birkkjaer in Napoli.© Costin Radu. (Click image for larger version)

Royal Danish Ballet’s Soloists and Principals – Bournonville Celebration – New York

To watch Bournonville is to see visages of Marie Taglioni or Carlotta Grisi lifted straight from a lithograph, complete with the sloping shoulders, the torso tipping from the waist and the demure demeanor. As to the men, Bournonville gave them stuff to do,..

Ballet Nice Mediterranee in Pas de Dieux.© Dominique Jaussein. (Click image for larger version)

Ballet Nice Mediterranee – Soir de Fête, Pas de Dieux – Nice

Vu-An writes in the programme that he has chosen the two ballets Soir de Fete and Pas de Dieux to make up an entertaining and enjoyable programme for the festive season. However, he has chosen two very contrasting and rather curious works…

Ethan Stiefel.© Rosalie O'Connor. (Click image for larger version)

Ethan Stiefel – Freelance director, choreographer…

Following 3 years directing Royal New Zealand Ballet, Ethan Stiefel is now back in New York – which is where Marina Harss caught up with him…

Tiler Peck in Little Dancer.© Paul Kolnik. (Click image for larger version)

Susan Stroman/Kennedy Center – Little Dancer – Washington

This is a musical that will certainly delight all dance lovers: the theme of ballet permeates the show from start to finish.

Hee Seo and Marcelo Gomes in Liam Scarlett's With a Chance of Rain.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala: Rondo Capriccioso, With a Chance of Rain, Thirteen Diversions – New York

Liam Scarlett’s “With a Chance of Rain” premiere – It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux…

Nicolas Le Riche farewell - final curtain calls.© Sébastien Mathé / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Nicolas Le Riche Farwell Gala – Paris

Only the official retirement age of 42 requires him to leave the company, alas, though he may be invited back as a guest.

Boston Ballet in Balanchine's Symphony in Three Movements.© Gene Schiavone. (Click image for larger version)

Boston Ballet – Program B: Symphony in Three Movements, L’Apres-Midi d’un Faune, Plan to B, Bella Figura – New York

…the dancers seem able to handle whatever comes their way. It’s a quality that will serve them well in their travels.

Boston Ballet in Alexander Ekman's Cacti.© Rosalie O'Connor. (Click image for larger version)

Boston Ballet – Program A: The Second Detail, Resonance, Cacti – New York

Like the best comedians, Ekman is as facetious as he is profound, leaving the viewer with plenty to ponder post-performance.

Svetlana Zakharova and David Hallberg in Giselle.© Elena Fetisova. (Click image for larger version)

Bolshoi Ballet – Giselle (Zakharova, Hallberg) – Washington

David Hallberg is a rarity in today’s classical ballet. Tall, lean and strikingly handsome, with pure classical line and impeccable dancing prowess, he is a genuine danseur noble.

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Ballet Preljocaj in Les Nuits.© Jean-Claude Carbonne. (Click image for larger version)

Ballet Preljocaj – Les Nuits – Cannes

Les Nuits is inspired by the Thousand and One Nights, stories which have come together from Indian, Persian, Arabian and North African sources. Preljocaj is quoted as being influenced by the erotic content of the stories…

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Dusty Button in William Forsythe’s The Second Detail.© Dave Morgan. (Click image for larger version)

2013 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

David Hallberg at Sydney Opera House.© Wendell Levi Teodoro. (Click image for larger version)

David Hallberg with Australian Ballet – Cinderella – Sydney

…Hallberg’s entrance drew gasps and shouts of ‘bravo’ from the audience. His magnificently stretched jetés soared through the air…

Rudolf Nureyev, La Bayadère, Kingdom of the Shades Act, Palais Garnier, 1974.© André Chino. (Click image for larger version)

The Nureyev Collection – Centre national du costume de scène et de la scénographie – Moulins

The triumph of the Nureyev collection at CNCS Moulins is to make the many facets of his profligately talented, maddening personality so vividly alive still.

Rocking Tyler Angle to sleep in Namouna.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spectral Evidence, Soirée Musicale, Namouna – New York

One feels as Débussy did when he wrote, at the end of the nineteenth century, that “amid too many silly ballets, Lalo’s Namouna is something of a masterpiece.”

Michaela DePrince.© Jade Young.

Michaela DePrince – Junior Company, Dutch National Ballet

An interview with Michaela DePrince ex Dance Theatre of Harlem and now with the Junior Company of Dutch National Ballet. Marina Harss talks to her about life and motivations and, inevitably, about DePrince often being a different colour to most other dancers on ballet stages and the issues around that…

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