"Peter Martins" tag
Tiler Peck and Zachary Catazaro in Peter Walker’s Dance Odyssey.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Dance Odyssey, The Red Violin, Russian Seasons – New York

★★★✰✰   Like Walker’s first work for the company “Dance Odyssey” shows a lot of promise. It has warmth and humor, a good grasp of stage geometry and a sensitive musicality.

Adrian Danchig-Waring, Tiler Peck and Ashly Isaacs in George Balanchine’s Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine No. 1 & 2, 21st Century Choreographers bills – New York

★★★★✰   After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.

Rebecca Krohn and Amar Ramasar in Stravinsky Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – 20th Century Violin Concertos bill – New York

New York City Ballet 20th Century Violin Concertos: The Red Violin, In Memory Of…, Stravinsky Violin Concerto ★★★✰✰ New York, David H. Koch Theater 7 October 2017 www.nycballet.com davidhkochtheater.com It goes without saying…

Unity Phelan and Zachary Catazaro in Christopher Wheeldon’s Polyphonia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Liturgy, Polyphonia, Odessa, The Times are Racing – New York

★★★★✰   The oldest piece on the program is Wheeldon’s Polyphonia. Made in 2001, it has stood the test of time. Just last week it was performed at the Fall for Dance festival…

New York City Ballet – Stars & Stripes, Fearful Symmetries, The Times Are Racing – Saratoga Springs

★★★✰✰   Stars and Stripes premiered in 1958, and the Russian emigree demonstrates his affection for the quintessential writer of om-pah music in his adopted country by subverting the common association that marching is all about knee action.

Gabriella Domini, supported by Maxwell Read and Jackson Fort, in Scotch Symphony. Choreography by George Balanchine © The George Balanchine Trust.© Paul Kolnik. (Click image for larger version)

School of American Ballet – Workshop Performance: Scènes de Ballet, Hallelujah Junction, Scotch Symphony – New York

★★★★✰   New York City Ballet’s seemingly endless stream of new talent has a source, and that source is the School of American Ballet…

Still from NYCB's promotional video for Justin Peck's The Decalogue.© NYCB. (Click image for larger version)

New York City Ballet – HERE/NOW Festival No. 6 & 8 including Peck’s The Decalogue (premiere) – New York

★★★✰✰   With his latest, The Decalogue, which opened on May 12, Justin Peck seems to have turned a new page…

Sterling Hyltin and Joaquin De Luz in Odessa.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with Odessa, Ratmansky premiere – New York

★★★✰✰   With only four works, no intermissions and a run time of less than two hours, New York City Ballet’s Spring Gala was short and to the point.

Tiler Peck in Justin Peck's The Times are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Times are Racing, The Shimmering Asphalt, Fearful Symmetries – New York

★★★✰✰   More than anything, Peck’s “The Times are Racing” reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

Sara Mearns and Jared Angle in Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sonnambula, Prodigal Son, Firebird, Allegro Brillante, Swan Lake, Four Temperaments – New York

★★★★✰   Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.

Ethan Fuller in The Four Temperaments (First Variation: Melancholic), choreography by George Balanchine © The George Balanchine Trust.© Paul Kolnik. (Click image for larger version)

School of American Ballet – Workshop Performance: Danses Concertantes, Les Gentilhommes, The Four Temperaments – New York

★★★★✰   Each spring, the School of American Ballet, New York City Ballet’s breeding-ground, holds a series of “Workshop” performances to show off the crème de la crème of its upper-level students.

New York City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Hallelujah Junction, Duo Concertant, Western Symphony – New York

★★★★✰   Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.

New York City Ballet in Peter Martins’ staging of August Bournonville’s La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sylphide, Bournonville Divertissements – Washington

★★★✰✰ In his staging of La Sylphide, Martins not only removes the intermission, thus shortening the performance time, he also accelerates the pace of the events. It feels as if the story rushes at you with…

Amar Ramasar and NYCB in Justin Peck’s The Most Incredible Thing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Works By Balanchine, Martins, Peck and Wheeldon – Washington

★★★✰✰ The first of two mixed programs that New York City Ballet presented at the Kennedy Center Opera House in March offered a wide variety of works…

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York

★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin…

New York City Ballet in the Scottish Reel section of La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sylphide, Tchaikovsky Piano Concerto No. 2 – New York

★★★✰✰ The Bournonville footwork and even the mime are there, but there’s little sense of joy or pathos of any kind.

Sofiane Sylve in Scarlett's Fearful Symmetries.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco

★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”

Sara Mearns and Tyler Angle in Peter Martins' Barber Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Music Director’s Choice: Barber Violin Concerto, Fancy Free, Who Cares?, Candide (Overture) – New York

★★★✰✰ Lauren Gallagher at New York City Ballet’s Winter Season Opening where they introduced their new music director, Andrew Litton, in some style by naming the bill “Music Director’s Choice”…

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jeux + Polaris, The Blue Distance, Common Ground, New Blood – New York

Jeux, has a distinctly adult atmosphere and a highly cinematic look. Actually, the look might be the most interesting thing about it…

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