"Petrouchka" tag
Brett Chynoweth and artists of The Australian Ballet in Firebird.© Daniel Boud. (Click image for larger version)

Australian Ballet – Murphy (Graeme Murphy tribute bill of 6 works) – Sydney

★★★✰✰   Within this potpourri of Graeme Murphy’s works, the highlight was “Grand”, a charming and poignant tribute he created in 2005 for his mother, a pianist, who died the previous year.

Alexandre Riabko in Nijinsky.© Jeff Busby. (Click image for larger version)

Australian Ballet – Nijinsky – Melbourne

★★★✰✰   Even after his death, Vaslav Nijinsky suffered from the power and control of others…

Alvin Ailey American Dance Theater in Abraham's Untitled America: Second Movement.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Open Door, Untitled America: Second Movement, No Longer Silent, Exodus, Deep, Vespers, The Hunt, Revelations – New York

★★★✰✰   It’s a truism that any afternoon that includes Alvin Ailey’s Revelations is apt to leave you happy.

Alvin Ailey American Dance Theater in Robert Battle's No Longer Silent.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Exodus, Strange Humors, No Longer Silent, Revelations – New York

Battle (in No Longer Silent) responds with a brilliant visualization of the music’s intricate parts, a kind of neo-Rite of Spring for our time.

Basil Twist's The Rite of Spring.© Richard Termine. (Click image for larger version)

Basil Twist – Fireworks, Pulcinella Suite, The Rite of Spring – New York

Puppeteer Basil Twist is pushing boundaries again in New York as part of the White Light Festival, with a triple bill based on Stravinsky…

Tom Pecinka in The Soldier’s Tale.© Dana Astmann. (Click image for larger version)

Yale School of Music & Yale School of Drama – The Soldier’s Tale – New York

Stravinsky’s is a bitter tale with folk roots, about a soldier (played by the convincingly guileless, agile Tom Pecinka) returning home from the front who is sidetracked by the devil….

Polina Semionova and James Whiteside in Bach Partita.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Bach Partita, Gong, The Tempest – New York

Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.

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