★★★★✰ Some will argue that the original cast embodied an authentic postmodernism that has been lost. But Dance, as it currently exists, offers an unusual means of observing past and present simultaneously, which, in itself, is rewarding.
Tag - Philip Glass
★★★★✰ Program 2 features dancers and works from Alvin Ailey American Dance Theater, New York City Ballet, Dance Theatre of Harlem and American Ballet Theatre
★★★★★ Dawson states that the premise for his creation is about, “hope and humanity, about finding light in the darkness”. And he succeeds mostly because of the sheer beauty of the dancing, the shapes and patterns the dancers make...
The choreographer & Ballet Zurich director talks about creating a new dramatic work for the Bolshoi based on Virginia Woolf's 'Orlando', on working with the Moscow dancers and the general travails of dance creation during a world-changing pandemic.
★★★✰✰ 'Another Look at Memory' is a cool, precise, rigorous piece, set to Philip Glass’s choral work 'Another Look at Harmony'', finding a language in dance and gesture which responds to, and reflects on, the music’s minimalism.
★★★★✰ SF choreographers Maurya Kerr, Dazaun Soleyn and Slender-White, and the visiting duo of Joy Davis (Boston) and Eric Mullis (Charlotte, North Carolina), presented new works of 10–20 minutes in length.
★★★★✰ the overall impression was of the wholly American spirit of the company – peppy, vivacious, determined and running at full-tilt.
★★★★✰ Thirty years after its creation, In the Upper Room is still the ultimate Twyla Tharp piece, an expression of American dynamism and New York style.
★★★★✰ Grouping this diverse triple bill under the title She Persisted works in so many ways...
★★★✰✰ So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration...
★★★★✰ A harmonious blending of music and dance, it proved seventy-five minutes of non-stop bliss!
★★★✰✰ The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.
★★★★✰ The programme, performed by two very different American ballet companies, displayed Robbins’s versatility while revealing the similarities in his approach to music.
★★★★✰ World-class dancers... it's the dancers' polish and power that raises all they do up another level.
★★★✰✰ Williamson’s commission – the first of an ambitious Ballet Now programme for new works – was themed on issues of gender and alienation, with Brandon Lawrence being a man struggling for identity...
★★★★★ A hundred monkeys might eventually type out Hamlet, but only a herd of unicorns on Ecstasy could come anywhere near Arthur Pita’s Björk Ballet.
★★★✰✰ I very much like Brooks’ work, particularly his approach to rebound, points of contact in partnering and his nuanced use of accumulation...
★★★✰✰ The choreographer and L.A. Dance Project director Benjamin Millepied is a mover and a shaker, a clever curator, a man of taste, a force in the dance world. But is he good choreographer?
★★★✰✰ At the end of the evening was what you might call the blockbuster piece of the tour - 30 minutes of Matthew Bourne in the form of Act II of his "Highland Fling". Bourne's take on "La Sylphide" is a wonderful piece of work, full of wit, style and pathos...
★★★✰✰ Forsythe’s emblematic In the Middle, Somewhat Elevated was created 30 years ago. Still, the ballet retains its explosive spirit and irresistible urgency, as well as its ability to thrill.