"Prodigal Son" tag
Mikhail Lobukhin in Spartacus.© Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – Spartacus – New York

If there’s one thing you can say for Yuri Grigorovich’s 1968 ballet Spartacus, it’s that it gets its point across loud and clear.

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Edward Villella.© Gio Alma, courtesy Edward Villella. (Click image for larger version)

Edward Villella – Founding Artistic Director of Miami City Ballet

After twenty-six years in Miami, Edward Villella is back in New York, just across the East River from his old stomping grounds in Bayside Queens. He was an unlikely danseur, a scrappy kid…

Nancy Reynolds interviewing Edward Villella about Tarantella and Rubies, GBF Video Archives, 2008.© Nancy Reynolds. (Click image for larger version)

Nancy Reynolds – George Balanchine Foundation – Director of Research

An in-depth interview with the lady who helps bring Balanchine back…

Sterling Hyltin and Amar Ramasar in Justin Peck’s Paz de la Jolla.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Paz de la Jolla premiere and bill – New York

It’s a good thing indeed when a visit to the ballet turns out to be a night full of surprises, all of them good.

Mikhail Baryshnikov.© Annie Leibowitz. (Click image for larger version)

Mikhail Baryshnikov – the Art Collector

What one does not see much of, at least at first glance, is nostalgia for the motherland. “I never had nostalgia about anything,” Baryshnikov says.

Elisabeth Holowchuk, Michael Cook and company in Slaughter On Tenth Avenue.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program B – Washington

The company premiere of The Prodigal Son was the centerpiece and highlight of the Suzanne Farrell Ballet’s second all-Balanchine program at the Kennedy Center Eisenhower Theater – a program that also included Divertimento No. 15 and Slaughter on Tenth Avenue.

Suzanne Farrell Ballet in Danses Concertantes.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program A – Washington

When watching them perform one understands what dance critic Joan Acocella meant when she said: “Every single time Suzanne Farrell sets a Balanchine ballet – it rises from the dead.”

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

“It’s very special to dance. And it’s even more special to dance a Balanchine ballet” – Suzanne Farrell

Benjamin Behrends, Jane Rehm and company in Oh, Inverted World.© David Allen. (Click image for larger version)

Smuin Ballet – Oh Inverted World, Soon These Two Worlds, Medea – New York

‘Oh, Inverted World’ is fun and fresh, and it proves McIntyre – who also leads his own company, the Trey McIntyre Project – to be a choreographer of many talents.

Desmond Kelly at the launch of Ballet Hoo!.Courtesy of Birmingham Royal Ballet ©. (Click image for larger version)

Desmond Kelly – Artistic Director Elmhurst and Governor of the Royal Ballet Companies

My nickname in BRB used to be Bastard – and something happened with Ballet Hoo! – I don’t know whether it’s my age, or the kids we worked with, but it made me realise that you can get the best out of dancers and students by coming in on a certain level and talking to them on a certain level – not always shouting. I do shout still, I do get very angry…

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