Maillot’s Roméo et Juliette reduces Shakespeare’s poetic play to a graphic novel, illustrating every emotion in bold outlines.
If Harlequinade is somewhat less than the sum of its parts, Square Dance (1957), which preceded it on the program, never fails to lift the heart.
If there’s one thing you can say for Yuri Grigorovich’s 1968 ballet Spartacus, it’s that it gets its point across loud and clear.
George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…
After twenty-six years in Miami, Edward Villella is back in New York, just across the East River from his old stomping grounds in Bayside Queens. He was an unlikely danseur, a scrappy kid…
It’s a good thing indeed when a visit to the ballet turns out to be a night full of surprises, all of them good.
What one does not see much of, at least at first glance, is nostalgia for the motherland. “I never had nostalgia about anything,” Baryshnikov says.
The company premiere of The Prodigal Son was the centerpiece and highlight of the Suzanne Farrell Ballet’s second all-Balanchine program at the Kennedy Center Eisenhower Theater – a program that also included Divertimento No. 15 and Slaughter on Tenth Avenue.
‘Oh, Inverted World’ is fun and fresh, and it proves McIntyre – who also leads his own company, the Trey McIntyre Project – to be a choreographer of many talents.