"Rennie Harris" tag
Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Memorable Performances of 2016 – London

Lynette Halewood with her personal selection of London dance memories from the past year…

Alvin Ailey American Dance Theater in Hope Boykin's r-Evolution, Dream.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Four Corners, Untitled America, r-Evolution, Dream, Revelations – New York

★★★★✰   There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.

Jamar Roberts in Rennie Harris' Exodus.© Foteini Christofilopoulou. (Click image for larger version)

Alvin Ailey American Dance Theater – Programmes A and B – London

★★★★✰   Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.

Jamar Roberts in Robert Battle's Awakening.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Alvin Ailey American Dance Theater in Exodus & Awakening

Gallery by Foteini Christofilopoulou…

Alvin Ailey American Dance Theater in Abraham's Untitled America: Second Movement.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Open Door, Untitled America: Second Movement, No Longer Silent, Exodus, Deep, Vespers, The Hunt, Revelations – New York

★★★✰✰   It’s a truism that any afternoon that includes Alvin Ailey’s Revelations is apt to leave you happy.

Linda Celeste Sims and Glenn Allen Sims in Alvin Ailey's Revelations.© Andrew Eccles. (Click image for larger version)

Alvin Ailey American Dance Theater – Toccata, After the Rain pdd, Awakening, Revelations – New York

Every fall, just after Thanksgiving, Alvin Ailey American Dance Theater sets up shop at City Center, as sure a sign of the season as Christmas carols at the grocery store.

Alvin Ailey American Dance Theater in Robert Battle's No Longer Silent.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Exodus, Strange Humors, No Longer Silent, Revelations – New York

Battle (in No Longer Silent) responds with a brilliant visualization of the music’s intricate parts, a kind of neo-Rite of Spring for our time.

Jamar Roberts in Exodus.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Exodus bill – New York

Harris’s Exodus, on the other hand, felt just right. Like so many pieces in the Ailey repertory, it suggests a spiritual quest, a journey toward the light…

Lesile Rivera and James Cricket Colter, of Rennie Harris Puremovement, in Students Of The Asphalt Jungle.© Bob Emott. (Click image for larger version)

Fall For Dance Festival – Program 4: Brian Brooks Moving Dance Company, Australian Ballet, Les Ballets Jazz de Montreal, Rennie Harris Puremovement – New York

Refreshingly unpretentious, Students is nothing but the purest proof that hip-hop choreography is just as polished an art form as any other,..

Ana “Rokafella” Garcia.© Yu Wadee.

SF International Hip Hop Dancefest and Clas/sick Hip Hop – San Francisco

Sitting through both a matinée and an evening performance of the 14th Annual San Francisco International Hip Hop DanceFest on November 18th is the perfect antidote to the memorial service I attended the day before. Both celebrate life…

Alvin Ailey American Dance Theater – Programs A, B & C – Berkeley, CA

Another surprising choice was Taylor’s Arden Court (1981), which opened Wednesday evening’s program. The dancers were simply stunning. I hate to say, but the parallel is that Miami City Ballet does Balanchine better than New York City Ballet. Not to denigrate Taylor’s dancers at all…

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