"Robert Moses" tag
Vincent Chavez and Crystaldawn Bell rehearsing Bootstrap Tales.© Steve Disenhof. (Click image for larger version)

Robert Moses’ Kin – Bootstrap Tales (premiere), Speaking Ill of the Dead, Trapdoors/Trickbags/Painted Corners, Lucifer’s Prance – San Francisco

★★★★✰   The choreography for Bootstrap Tales abides in a place where possibility, gumption and empowerment meet. The atmosphere of moving forward is palpable.

Carly Johnson in Robert Moses' SILT.© RJ Muna. (Click image for larger version)

Robert Moses’ KIN – SILT – San Francisco

The issue Moses explored most successfully in SILT was how to engage audiences more deeply, a topical subject at a time when many people have lost interest in the traditional theatre environment.

Jermaine Terry and Alicia Graf Mack in Revelations.© Gert Krautbauer. (Click image for larger version)

Alvin Ailey – Polish Pieces, Awassa Astrige/Ostrich, The Pleasure of the Lesson, Revelations – New York

Although juxtaposed with several new and recently revived productions, Alvin Ailey’s Revelations looks just as good now as it did 10, 15, or even 20 years ago, and probably looks just as good as it did at its premiere, way back in 1960.

Rachael McLaren and Kirven Douthit-Boyd in Wayne McGregor's Chroma.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Lincoln Center Programs A & B – New York

Since becoming artistic director at Alvin Ailey American Dance Theater in 2011, Robert Battle has been steadily mixing up the company’s repertory, adding works by choreographers beyond its usual range: Paul Taylor, Ohad Naharin, and Wayne McGregor, to name just three.

Norma Fong and Brendan Barthel of Robert Moses' Kin (work unamed). © RJ Muna. (Click image for larger version)

Robert Moses’ KIN Dance Company – ODC and Novellus Theater bills – San Francisco

In a world where choreographers with their own eponymous companies prevail, I am happy to see that Moses sees the value of feeding his dancers a diverse diet of artistic experiences, definitely a situation where everyone wins, audience included.

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