"Roberto Bolle" tag
Hee Seo in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle – New York

★★★★✰   Roberto Bolle, who played his usual striking Albrecht, responded to Seo with nuance and subtlety. The same goes for how Seo revealed Giselle’s madness…

Melissa Hamilton.© Andrej Uspenski. (Click image for larger version)

Interview: Melissa Hamilton, First Soloist, The Royal Ballet

“I knew that I had to seize my only chance to have a ballet career. Masha Mukhamedov agreed to teach me privately six days a week for ten months…”

Alessandra Ferri and Federico Bonelli in Marguerite and Armand.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – 3 casts in The Dream, Symphonic Variations, Marguerite and Armand – London

★★★★✰   In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.

Alessandra Ferri in Romeo and Juliet.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet with Alessandra Ferri – New York

★★★★✰   One can only imagine the satisfaction of dancing such a role at the age of 53, to a full house, among friends. The ovations were rapturous and went on for a long time.

American Ballet Theatre in Chamber Symphony part of Shostakovich Trilogy. © Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Shostakovich Trilogy – New York

★★★✰✰   Shostakovich Trilogy is a rich work, containing too much to take in at a single sitting. It reveals some of its secrets, but not all.

Yakatarina Verbosovich and Chase Johnsey.© Zoran Jelenic. (Click image for larger version)

Chase Johnsey, Dancer, Les Ballets Trockadero de Monte Carlo

Yet again the Trocks had a fabulous critical reception during their Autumn UK tour and mentioned in nearly every review was Chase Johnsey, or in Trocks speak their petite ballerina Yakatarina Verbosovich. So what makes Chase/Yakatarina tick? Time for an interview…

Paloma Herrera in a studio photograph for Sleeping Beauty.© Juan Mathé. (Click image for larger version)

Paloma Herrera – former American Ballet Theatre Principal, dancer and teacher

Next year I want to dedicate more time to teaching, and finally bring out my clothing line, under the brand Paloma Herrera…

Zenaida Yanowsky.© Rob Moore, ROH. (Click image for larger version)

Interview – Zenaida Yanowsky – Principal, The Royal Ballet

The Royal Ballet’s Zenaida Yanowsky talks about her long career and also about the joys of working with Carlos Acosta – part of which is appearing with him in ‘Cubania’ this summer…

Hee Seo and Roman Zhurbin in Swan Lake.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

American Ballet Theatre’s Swan Lake is looking tired …bogged down by reams of flavorless dancing.

Tamara Rojo and Carlos Acosta in Romeo and Juliet.© Dave Morgan. (Click image for larger version)

English National Ballet – Romeo and Juliet – London

…in the autumn of their dancing careers Acosta and Rojo put on a stunning display that brought many in the audience to their feet come the end.

Anastasia Soboleva and Victor Lebedev in La Fille mal gardée.© Stas Levshin. (Click image for larger version)

Mikhailovsky Ballet – La Fille mal gardee – St. Petersburg

…the audience was in thrall to the bucolic genius of Ashton’s production with as many curtain calls at the premiere as I can recall witnessing for a very long time.

Ivan Vasiliev in Le Jeune Homme et la Mort.© Dave Morgan. (Click image for larger version)

Kings of the Dance – Le Jeune Homme et la Mort, Remanso and others – London

Wonderful how Petit’s youthful melodrama (Le Jeune et la Mort) still works its power, performed with commitment and coached by an expert – Luigi Bonino, one of Petit’s favourite dancers

Denis Matvienko and Marcelo Gomes in Morel et Saint-Loup (from Proust).© Dave Morgan. (Click image for larger version)

Gallery – Kings of the Dance in London

Gallery by Dave Morgan…

Veronika Part and Cory Stearns in The Moor's Pavane.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Theme and Variations, The Moor’s Pavane, A Month in the Country, Piano Concerto #1 – New York

On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success…

Polina Semionova in Sylvia.© MIRA. (Click image for larger version)

American Ballet Theatre – Sylvia – New York

Like a Fabergé egg with a tiny golden bird inside, Sylvia is decadent, a bit indulgent, but delightful.

English National Ballet in Swan Lake.© Dave Morgan. (Click image for larger version)

English National Ballet – Swan Lake – London

Derek Deane created a winner that always seems to sell well and which people, including me, don’t grow tired of. But fill your boots this year – next year “Romeo and Juliet” returns as the ENB/RAH blockbuster

Hee Seo in Romeo and Juliet.© John Grigaitis. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet – New York

American Ballet Theatre are dancing Kenneth MacMillan’s Romeo and Juliet. Marina Harss reviews 2 casts: Polina Semionova / David Hallberg and Roberto Bolle / Hee Seo…

Natalia Osipova in Piano Concerto #1.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Ratmansky Shostakovich Trilogy – New York

I have to say that after seeing the Shostakovich Trilogy twice, and picking up many more details …I found it very compelling indeed, especially the opening and closing ballets.

Julie Kent in A Month in the Country.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – A Month in the Country premiere and bill – New York

Has there ever been a more sensitive, sympathetic chronicler of that inner flutter brought on by the onset of love than Frederick Ashton? It seems unlikely, on the evidence of ABT’s premiere of A Month in the Country…

Julie Kent and Roberto Bolle in Marcelo Gomes' Apothéose.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

Symphony in C, a luminous outpouring of legs and arms, crisp geometries, bobbing rhythms, and articulate patter-like conversations for the feet, is a vivid reminder of why one goes to the ballet at all. Luminosity and classical logic, laced with wit and intelligence.

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