"Romeo and Juliet" tag
From an English National Ballet Dance for Parkinson's class.© Rachel Cherry. (Click image for larger version)

Dance for Parkinson’s and English National Ballet

Last month English National Ballet and Roehampton University held an event at London’s Sadler’s Wells to talk about their joint work on helping those with Parkinson’s disease: “Dance for Parkinson’s Evidence of Impact – Moving Forward”. Jann Parry reports for DanceTabs…

Beata Giza and Beniamin Citkowski in Phaedra.© K Mystkowski. (Click image for larger version)

Baltic Dance Theatre – Phaedra, The Tempest – Gdansk

It seems now to be a given that any new work by Izadora Weiss will combine dramatic, narrative-based dance theatre with a profound visual impact, danced to challenging, powerful music.

James Hay.© Andrej Uspenski. (Click image for larger version)

James Hay – Royal Ballet First Soloist

The Royal Ballet’s 2015/2016 season is providing big opportunities for James Hay, promoted to First Soloist in June…

Violeta Angelova and Kirk Henning in the Scene d’amour from Romeo and Juliet, choreography by Maurice Bejart.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Walpurgisnacht Ballet, Midsummer Night’s Dream, Romeo and Juliet, Emeralds – Washington

Suzanne Farrell Ballet’s new program, “Balanchine, Béjart, and the Bard,” presented at the Kennedy Center Opera House at the end of October, was dedicated to the 400th anniversary of Shakespeare’s death. It offered an appealing mix of four ballets

Simone Damberg Wurtz and Miguel Altunaga in Kim Brandstrup's Transfigured Night.© Johan Persson. (Click image for larger version)

Rambert – Transfigured Night, Frames, Rooster – Birmingham

Transfigured Night is a piece I could watch many times and find new things in…

English National Ballet in Romeo and Juliet.© Bill Cooper. (Click image for larger version)

English National Ballet – Romeo and Juliet – Bristol

I rather warm to the Nureyev Romeo – its the big gory sweep of it, with more focus on the family feuding and a cinematic approach.

David Drew in his later years - here as the Duke of Courland in Giselle.© John Ross, courtesy the Royal Opera House. (Click image for larger version)

Obituary: David Drew, Royal Ballet Principal, with the company 56 years

David Drew, for 56 years a member of The Royal Ballet, has died after a long battle with illness. He described himself as one of a ‘bridge generation’ of dancers. The longevity of his career meant that he worked with many figures from the Ballets Russees – but also taught many dancers and choreographers working today.

Dance Heginbotham publicty image.© Janelle Jones. (Click image for larger version)

Dance Heginbotham – Angel’s Share, Diamond, Easy Win – New York

Heginbotham has a knack for choosing just the right music for his dances, none of it hackneyed or used solely for its atmospheric qualities: no Arvo Pärt, no Philip Glass…

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct – 1 Nov 2015.

Cai Glover and IsaBelle Paquette in Symphonie Dramatique.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Cas Public – Symphonie Dramatique – London

Blackburn has deconstructed the story of the play and the conventions of narrative dance. The only way to follow ‘the one-hour’s traffic of the stage’ is through video captions and quotations…

Sarah Lamb and Steven McRae in Romeo and Juliet.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Romeo and Juliet – London (Lamb / McRae)

…a production that continues to set the standard against which later versions are measured.

Olivia Cowley, Itziar Mendizabal and Helen Crawford as Harlots in Romeo and Juliet.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Romeo and Juliet

Gallery by Dave Morgan, with Sarah Lamb and Steven McRae in the lead roles…

Julio Bocca.© Leo Barizzoni. (Click image for larger version)

Julio Bocca – Director Ballet Nacional SODRE in Montevideo

Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company – fast…

Kathleen Breen Combes.© Liza Voll. (Click image for larger version)

Kathleen Breen Combes – Principal, Boston Ballet

I was told my body type wasn’t really ideal, and during high school I had ballet teachers who said that maybe I should consider pursuing college because my body wasn’t suitable for classical ballet…

Dores André.© Chris Hardy. (Click image for larger version)

Dores André – Principal, San Francisco Ballet

If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.

Sylvie Guillem in Mats Ek's Bye. © Lesley Leslie-Spinks. (Click image for larger version)

Sylvie Guillem – A Life in Progress – London

Sylvie Guillem’s farewell programme at the Coliseum (following its modest Sadler’s Wells presentation in May) is a glorious spectacle in the largest theatre in London.

Sarah Thompson in Schaufuss' La Sylphide.© David Kelly. (Click image for larger version)

A Heads-Up on Queensland Ballet, La Sylphide and company director Li Cunxin

Jann Parry on the award winning Peter Schaufuss “La Sylphide”, not seen in the UK in decades, and Li Cunxin’s Queensland Ballet who are bringing it to London this summer. Includes an interview with Cunxin…

Zenaida Yanowsky.© Rob Moore, ROH. (Click image for larger version)

Interview – Zenaida Yanowsky – Principal, The Royal Ballet

The Royal Ballet’s Zenaida Yanowsky talks about her long career and also about the joys of working with Carlos Acosta – part of which is appearing with him in ‘Cubania’ this summer…

Misty Copeland in Swan Lake.© Darren Thomas, Queensland Performing Arts Centre. (Click image for larger version)

American Ballet Theatre – Swan Lake (Copeland/Whiteside) – New York

Copeland has earned her place center-stage, and it seems more likely than ever that she will be promoted to principal.

Evgenia Obraztsova and Herman Cornejo in Romeo and Juliet.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet (Obraztsova/Cornejo) – New York

One could imagine a fine partnership developing between Cornejo and Obraztsova. Both are generous and open-hearted performers.

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