"Royal Opera House" tag
The 2018 ENB Emerging Dancer finalists: Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles.© Karolina Kuras. (Click image for larger version)

English National Ballet’s Emerging Dancer 2018 Competition – 5 Questions to 6 Finalists

English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 11 June and ahead of the that we talk to the finalists – Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles…

Zenaida Yanowsky in Will Tuckett’s Elizabeth.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Will Tuckett’s Elizabeth – London

★★★★✰   Was she passionate as well as imperious? Her own letters and poems suggest so: contemporary accounts by others are not to be trusted. Her position of power in turbulent times generated a lot of fake news…

Vadim Muntagirov, Marianela Nunez, Bennet Gartside and artists of the company in Swan Lake.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Swan Lake (Scarlett premiere) – London

★★★★★   Liam Scarlett has devised a visual and emotional treat for audiences, fully justifying Kevin O’Hare’s faith in him as a director and choreographer.

Vadim Muntagirov in Swan Lake.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Swan Lake

Gallery by Dave Morgan…

Zenaida Yanowsky and Katie Deacon in Will Tuckett’s Elizabeth.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Will Tuckett’s Elizabeth

Gallery by Foteini Christofilopoulou…

Sayaka Ichikawa and artists of Scottish Ballet and Ballet Black in House of Birds.© Dave Morgan. (Click image for larger version)

Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London

★★★★✰   All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.

Calvin Richardson and Matthew Ball in Obsidian Tear. © Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear, Marguerite and Armand, Elite Syncopations – London

★★★★✰   The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet’s resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers’ work…

Sarah Lamb, Ryoichi Hirano in Elite Syncopations.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Obsidian Tear, Marguerite and Armand, Elite Syncopations

A triple bill of works by Wayne McGregor, Frederick Ashton and Kenneth MacMillan. Gallery by Dave Morgan…

Kevin Emerton and Mayara Magri in Piggy in the Middle.© Alice Pennefather, ROH, 2018. (Click image for larger version)

Royal Ballet / Charlotte Edmonds – Piggy in the Middle, Sink or Swim – London

★★★✰✰   Piggy in the Middle is, in part, Edmonds’ tribute to Kenneth MacMillan, the 25th anniversary of whose death has been marked during the Royal Ballet’s 2017/2018 season.

Francesca Hayward, Christopher Saunders and Elizabeth McGorian in Manon.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

★★★★✰   It’s a myth that Kenneth MacMillan’s Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals…

Christopher Saunders, Francesca Hayward and Alexander Campbell in Manon.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Manon

Gallery by Foteini Christofilopoulou…

Calvin Richardson and Joseph Sissons in Wayne McGregor's Yugen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Bernstein Centenary: Yugen, The Age of Anxiety, Corybantic Games – London

★★★✰✰   Leonard Bernstein wrote (in 1949): “I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.’ Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.

David Donnelly, Charlotte Tonkinson, David Yudes, Isabella Gasparini, Kevin Emerton and Camille Bracher in Christopher Wheeldon's Corybantic Games.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Bernstein Centenary triple bill incl new McGregor & Wheeldon

The Bernstein Centenary bill includes new works by Christopher Wheeldon (Corybantic Games) and Wayne McGregor (Yugen). Liam Scarlett’s The Age of Anxiety completes the bill. Gallery by Dave Morgan…

Ryoichi Hirano and Laura Morera in The Winter’s Tale.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Winter’s Tale – London

★★★✰✰   The return of Christopher Wheeldon’s The Winter’s Tale in its third revival since 2014 brings newcomers to its many meaty roles. It also introduces new audience members to one of Shakespeare’s late plays, with its convoluted plot.

Tierney Heap in The Winter’s Tale.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Winter’s Tale

Pictures of 2 casts: Nuñez, Soares, Stix-Brunell, Muntagirov, Mendizabal and Kaneko, Bonelli, Takada, Campbell, Heap. Photographed by Foteini Christofilopoulou.

Francesca Hayward in Giselle.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet/ROH Learning and Participation – Giselle, schools’ matinee – London

★★★★✰   This was indeed a Giselle to treasure as a first encounter with ballet.

Marianela Nunez in Giselle.© Helen Maybanks, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Giselle – London

★★★★★   Peter Wright’s 1985 production for the Royal Ballet has had many interpreters, all subtly or extravagantly different. Nunez is amongst the finest, a perfectionist who seems realistically earthy as a country girl who loves dancing and ethereal as her defiant spirit.

Yasmine Naghdi and Matthew Ball in Giselle.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Galleries – Royal Ballet in Giselle – Naghdi, Ball and Hayward, Campbell casts

Galleries by Dave Morgan of the Yasmine Naghdi, Matthew Ball and Francesca Hayward, Alexander Campbell casts.

Kimin Kim and Sofia Matyushenskaya in Don Quixote.© M Logvinov. (Click image for larger version)

Yacobson Ballet – Don Quixote – St. Petersburg

★★★★✰   Kobborg has deconstructed the work; mixing up the narrative’s building blocks before reassembling them in a masterpiece of balance that remains recognisably traditional but is also refreshingly new.

Benjamin Ella and Isabella Gasparini in Crystal Pite’s Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Memorable Performances of 2017 – London

Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…

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