"Rudolf Nureyev" tag
Mariinsky Ballet in Concerto DSCH.© Foteini Christofilopoulou. (Click image for larger version)

Mariinsky Ballet – The Firebird, Marguerite and Armand, Concerto DSCH – London

“This is how ecstasy is danced.” Kimin Kim in Concerto DSCH.

Mikhail Fokine.© & courtesy of Isabelle Fokine and Fokine Estate Archive. (Click image for larger version)

The Work of Mikhail Fokine – Q&A with Isabelle Fokine

Born in Paris in 1958, Isabelle Fokine is the daughter of Vitale Fokine and granddaughter of choreographer Mikhail Fokine. She is artistic director of the Fokine Estate Archive, which holds the worldwide copyright to his work.

Chisato Katsura and Reece Clarke in Raymonda Act III.© Johan Persson. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance – London

Question… What’s the biggest audience noise you will ever hear in ballet? Answer… The roar of the audience at the end of the Royal Ballet School show at the Opera House.

Nicolas Le Riche farewell - final curtain calls.© Sébastien Mathé / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Nicolas Le Riche Farwell Gala – Paris

Only the official retirement age of 42 requires him to leave the company, alas, though he may be invited back as a guest.

Boston Ballet in Alexander Ekman's Cacti.© Rosalie O'Connor. (Click image for larger version)

Boston Ballet – Program A: The Second Detail, Resonance, Cacti – New York

Like the best comedians, Ekman is as facetious as he is profound, leaving the viewer with plenty to ponder post-performance.

James Welsby in Hex.© Gregory Lorenzutti. (click image for larger version) gl-hex-james-welsby-look-red-ribbon_1000.jpg

James Welsby – Hex (part of Next Wave Festival) – Melbourne

James Welsby’s ‘Hex’, which premiered as part of the 2014 Next Wave Festival, can be read as a kind of bookend to Bill T. Jones ‘Still/Here’. It has been informed by more than twenty years of queer activism…

Misa Kuranaga and Jeffrey Cirio in Cinderella.© Gene Schiavone. (Click image for larger version)

Boston Ballet – Cinderella – Boston

Frederick Ashton’s Cinderella is one of the great ballets of the 20th century and a triumph of his career.

John Craxton, 1997.Photograph by Matthew Thomas, © estate of John Craxton.

John Craxton Exhibition – Cambridge

John Craxton, the celebrated designer of Frederick Ashton’s Daphnis and Chloe, is the subject of an exhibition at the Fitzwilliam Museum in Cambridge…

Junor Souza as Ali in Le Corsaire.© Dave Morgan. (Click image for larger version)

English National Ballet – Le Corsaire – London

Anna-Marie Holmes’s latest staging of Le Corsaire has proved to be a triumph for English National Ballet…

Never Far from Dancing book cover.© Routledge. (Click image for larger version)

Book – Never Far from Dancing, Ballet artists in new roles by Barbara Newman

While some of the views expressed may not chime with your own, the fascination of this book is to understand how contentious maintaining and developing ballet as vibrant theatre often is.

Robert Helpmann offstage. Courtesy and © The Royal Ballet School Collections, White Lodge Museum. (Click image for larger version)

The Many Faces of Robert Helpmann Symposium – London

Eighty years after Robert Helpmann left Australia and joined the Sadler’s Wells Ballet company, a Royal Ballet School symposium celebrated his achievements as a man of the theatre.

Rudolf Nureyev, La Bayadère, Kingdom of the Shades Act, Palais Garnier, 1974.© André Chino. (Click image for larger version)

The Nureyev Collection – Centre national du costume de scène et de la scénographie – Moulins

The triumph of the Nureyev collection at CNCS Moulins is to make the many facets of his profligately talented, maddening personality so vividly alive still.

Marianela Nunez and Carlos Acosta in Don Quixote.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Don Quixote (Acosta production) – London

It’s especially challenging for the Royal Ballet, whose repertoire and style are built on the subtle understatement of Frederick Ashton and the deep psychological explorations of Kenneth MacMillan: hot-blooded Latin exuberance is not really their thing…

Luke Ahmet in Glen Tetley’s Pierrot Lunaire for Scottish Ballet’s Dance Odysseys.© Andrew Ross. (Click image for larger version)

Scottish Ballet – Pierrot Lunaire (part of Dance Odysseys) – Edinburgh

In my book nobody has ever truly rivalled Christopher Bruce in the role, either for pathos or style, but Luke Ahmet came close.

Oksana Bondareva, Ivan Vasiliev together with Angelina Vorontsova and the company in The Flames of Paris.© Stas Levshin, courtesy the Mikhailovsky Ballet. (Click image for larger version)

Mikhailovsky Ballet – The Flames of Paris – St. Petersburg

There is a lack of egotism to Messerer’s work that is immensely appealing, too: unlike Nureyev or Grigorovitch, he never appears to be coercing the music or the steps into fitting his idiosyncratic vision.

Shevelle Dynott and Nancy Osbaldeston in Petrushka.© Dave Morgan (Click image for larger version)

English National Ballet – Tribute to Rudolf Nureyev – London

The Tribute bill is a well-chosen one… The season has been so short that the dancers haven’t had time to grow into their roles. They look as though they’re remembering instructions rather than relishing the ballets.

Tamara Rojo in Raymonda act3.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – English National Ballet – Tribute to Rudolf Nureyev (Rojo lead)

20 pictures by Foteini Christofilopoulou…

Esteban Berlanga and Vadim Muntagirov in Maurice Bejart's Songs of a Wayfarer.© Dave Morgan (Click image for larger version)

Gallery – English National Ballet – Tribute to Rudolf Nureyev (Klimentova/Muntagirov)

20 pictures by Dave Morgan…

Noureev & Friends Gala poster.© Noureev & Friends. (Click image for larger version)

Noureev & Friends Gala – Paris

Graham Watts was at the Palais Des Congres for us to celebrate the 75th anniversary of Rudolf Nureyev’s birth…

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PRESS RELEASE: New Artistic Director of The Royal Ballet School announced

We are pleased to announce the appointment of Christopher Powney to the new post of Artistic Director Designate. Christopher will take up his position in April 2014.

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