"Sadler’s Wells" tag
English National Ballet in Forsythe's Playlist (Track 1, 2).© Dave Morgan. (Click image for larger version)

English National Ballet – Voices of America bill – works by Forsythe, Robbins & Barton – London

★★★★✰   Altogether, a cunningly judged programme that shows off the company at its most engaging…

National Youth Dance Company in Sharon Eyal's Used To Be Blonde.© Foteini Christofilopoulou. (Click image for larger version)

National Youth Dance Company – Used To Be Blonde – London

★★★★✰   The title is oblique, but the choreography is an explicit punch of intensity, fusing vigour and angularity with a velvety slinkiness.

Crystal Costa in Barton's Fantastic Beings.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet in Voices of America bill – works by Forsythe, Robbins & Barton

Works by William Forsythe, Jerome Robbins and Aszure Barton. Gallery by Dave Morgan…

National Youth Dance Company in Sharon Eyal's Used To Be Blonde.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – National Youth Dance Company in Sharon Eyal’s Used To Be Blonde

Gallery by Foteini Christofilopoulou…

Virgina Scudeletti and friends in Rumpelstiltskin.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – balletLORENT in Rumpelstiltskin

Gallery by Foteini Christofilopoulou…

Sutra, by Sidi Larbi Cherkaoui, Antony Gormley with monks from the Shaolin Temple.© Foteini Christofilopoulou. (Click image for larger version)

Sidi Larbi Cherkaoui, Antony Gormley, Szymon Brzoska with monks from the Shaolin Temple – Sutra – London

★★★★★   It still has the power to surprise and delight – and let the imagination fly.

Nicholas Bodych and Elly Braund in Carnaval.© Chris Nash. (Click image for larger version)

Richard Alston Dance Company – Mid Century Modern, Carnaval, Cut and Run – London

★★★★★   It must be tempting to get carried away by sentiment when it comes to celebrating both a 70th birthday and fifty years as a choreographer in a programme that also marks the departure of a special muse.

Sutra, by Sidi Larbi Cherkaoui, Antony Gormley with monks from the Shaolin Temple.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Sutra by Sidi Larbi Cherkaoui, Antony Gormley with monks from the Shaolin Temple

Gallery by Foteini Christofilopoulou…

Empathy by Neon Dance.© Miles Hart. (Click image for larger version)

Neon Dance – Sadler’s Wells Wild Card bill – London

★★★✰✰   All-in-all, it was a strange and eclectic evening, fluctuating from the sublime to the excruciatingly boring. …It has encouraged me to see more of Neon Dance whenever the chance arises.

Alain Platel & Fabrizio Cassol's Requiem pour L.© Chris Van der Burght. (Click image for larger version)

Alain Platel & Fabrizio Cassol – Requiem pour L. – London

✰✰✰✰✰   I have to ask how one associates a star rating with a performance in which the largest, continuing visual image is a close-up, slow motion film of an actual death.

Nicolas Vendange, Megan Armishaw and Mickaella Dantas in Face In.© Hugo Glendinning. (Click image for larger version)

Candoco Dance Company – Face In, Let’s Talk About Dis – London

★★★✰✰   …the latest double bill from this company of disabled and non-disabled dancers was playfully discombobulating and mischievously rambunctious.

Ballet British Columbia in Solo Echo.© Wendy D. (Click image for larger version)

Ballet British Columbia – 16+ a room, Solo Echo, Bill – London

★★★✰✰   Crystal Pite’s Solo Echo, originally made for Nederlands Dans Theater, was the undoubted highlight of the evening. Built around two Brahms sonatas…

Ballet British Columbia in 16+ a room.© Dave Morgan. (Click image for larger version)

Gallery – Ballet British Columbia in 16+ a room

Gallery by Dave Morgan…

Clementine Deluy in Körper.© Foteini Christofilopoulou. (Click image for larger version)

Sasha Waltz & Guests – Körper – London

★★★★✰   Waltz asks many questions which are still relevant eighteen years after the piece was first premiered in Berlin…

Claudia de Serpa Soares and Nicola Mascia in Körper.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Sasha Waltz & Guests in Körper

Gallery by Foteini Christofilopoulou…

Compañía Rafaela Carrasco in Born a Shadow.© Beatriz Monclar. (Click image for larger version)

Compañía Rafaela Carrasco – Born a Shadow – London

★★★★✰   Born a Shadow: Compañía Rafaela Carrasco’s inspired show had a powerful narrative drive.

Ballet Flamenco Jesús Carmona.© Beatrix Mexi Molnar. (Click image for larger version)

Ballet Flamenco Jesús Carmona – Ímpetus – London

★★★✰✰   Ímpetus promised a mix of modern ballet with traditional flamenco, a show shaped by new interpretations of classic Spanish music…

La Chana and Gema Moneo in Goddess of Compás.© Foteini Christofilopoulou. (Click image for larger version)

Gala Flamenca La Chana – Goddess of Compás – London

★★★★✰   Rarely have I witnessed a prolonged standing ovation midway through a show but it happened here to acknowledge the legendary gypsy bailaora from Barcelona, known as La Chana.

Úrsula López in Painter and Flamenco: J.R.T..© Foteini Christofilopoulou. (Click image for larger version)

Úrsula López, Tamara López & Leonor Leal – Painter & Flamenco: J.R.T. – London

★★★★✰   In each section of Painter and Flamenco the dancers personify not only the spirit and energy of de Torres’ portraits but also the poetry of his art.

Claudia de Serpa Soares.© Sebastian Bolesch. (Click image for larger version)

Claudia de Serpa Soares on dancing and all things Körper – Sasha Waltz’s legendary work, about to return to London

Claudia de Serpa Soares is performing with Sasha Waltz & Guests in Körper on the 1 – 3 March 2018 at London’s Sadler’s Wells – full details www.facebook.com/claudia.d.soares.52 www.sashawaltz.de www.sadlerswells.com Sasha Waltz &…

DanceTabs © 2018 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.