"Sadler’s Wells" tag
Nederlands Dans Theater in The Statement.© Foteini Christofilopoulou. (Click image for larger version)

Nederlands Dans Theater – Shoot the Moon, Woke up Blind, The Statement, Stop-Motion – London

★★★★✰   World-class dancers… it’s the dancers’ polish and power that raises all they do up another level.

Nederlands Dans Theater in Stop-Motion.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Nederlands Dans Theater in Stop-Motion and The Statement

Works by Crystal Pite, Sol Leon and Paul Lightfoot. Gallery by Foteini Christofilopoulou…

Aidan Gibson and Casey Ouzounis in Neue Suite (Berio 1-2-3).© Foteini Christofilopoulou. (Click image for larger version)

Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London

★★★✰✰   Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.

Paul Lightfoot.© Rahi Rezvani. (Click image for larger version)

5 questions for Paul Lightfoot, Choreographer and Artistic Director of Nederlands Dans Theater

Nederlands Dans Theater is paying London’s Sadler’s Wells a short visit (26-29 June) with an interesting bill of works by Crystal Pite, Marco Goecke & the duo Paul Lightfoot & Sol Leon.

Semperoper Ballett in Enemy in the Figure.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Semperoper Ballett in All Forsythe triple bill

Featuring “Enemy in the Figure”, “Neue Suite” & “In the Middle, Somewhat Elevated”. Gallery by Foteini Christofilopoulou…

Alexandra Waierstall's And here we meet.© Katja Illner. (Click image for larger version)

Alexandra Waierstall – And here we meet – London

★★✰✰✰   Waierstall explores themes of extinction through the impact of humans on the earth’s geology and ecosystems. While thematically and visually intriguing, And here we meet lacks coherence…

Brandon Lawrence and Delia Matthews in Embrace.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Polarity & Proximity: Kin., Embrace, In The Upper Room – London

★★★✰✰   Williamson’s commission – the first of an ambitious Ballet Now programme for new works – was themed on issues of gender and alienation, with Brandon Lawrence being a man struggling for identity…

Brandon Lawrence, with Lachlan Monaghan, Haoliang Feng and Aitor Galende in Embrace.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in Embrace and Kin

BRB in George Williamson’s new “Embrace” and Alexander Whitley’s 2014 hit “Kin”. Gallery by Dave Morgan…

Yasuo Atsuji and Nao Sakuma in Romeo and Juliet.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in Romeo and Juliet

With Nao Sakuma and Yasuo Atsuji in the lead roles. Gallery by Dave Morgan…

Momoko Hirata in Romeo and Juliet.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – Romeo and Juliet – London

★★★★✰   It was a fine team performance from the company but particular honours go to Momoko Hirata’s Juliet who let us know what she was thinking and feeling at every moment.

Joy Alpuerto Ritter in BABAE.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Akram Khan Company in Portraits in Otherness

Works by Ching-Ying Chien, Maya Jilan Dong, Dickson Mbi, Joy Alpuerto Ritter. Gallery by Foteini Christofilopoulou…

Boy Blue in A Night with Boy Blue.© Foteini Christofilopoulou. (Click image for larger version)

Boy Blue – A Night with Boy Blue – London

★★★✰✰   The annual celebration of all things Boy Blue fielded 138 dancers this year – Kenrick Sandy and Michael Asante’s company is one that can wow you through sheer force of numbers alone.

Akram Khan in Xenos.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Akram Khan Company in Xenos

Gallery by Foteini Christofilopoulou…

Akram Khan in Xenos.© Jean-Louis Fernandez. (Click image for larger version)

Akram Khan Company – Xenos – London

★★★✰✰   Xenos, which apparently means “stranger” or, more aptly for this piece, “foreigner”, is a tangled mass of many things but, above all, it seems to be an essay on loneliness.

Liam Francis in Life is a Dream.© Foteini Christofilopoulou. (Click image for larger version)

Rambert – Life is a Dream – London

★★★✰✰   Brandstrup keeps so many options open that the narrative thread of Life is a Dream is hard to pin down, even if you have read the programme notes and mugged up the 1635 play of the same name.

Edit Domoszlai and Miguel Altunaga in Life is a Dream.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Rambert in Life is a Dream

Life is a Dream is Kim Brandstrup’s new work for Rambert. Gallery by Foteini Christofilopoulou…

Dreda Blow and Javier Torres in Jane Eyre.© Caroline Holden. (Click image for larger version)

Northern Ballet – Jane Eyre – London

★★★✰✰   This excellent ballet is clearly a “keeper” and a work I would like to see again and again.

Melissa Hamilton.© Andrej Uspenski. (Click image for larger version)

Interview: Melissa Hamilton, First Soloist, The Royal Ballet

“I knew that I had to seize my only chance to have a ballet career. Masha Mukhamedov agreed to teach me privately six days a week for ten months…”

Julie Cunningham & Company in Sarah Kane’s Crave.© Chris Nash. (Click image for larger version)

Julie Cunningham & Company – Sarah Kane’s Crave – London

★★✰✰✰   The dancing feels surprisingly lifeless given the fiery potential of the subject matter. Instead of engaging with the text’s furious, pitiful laments, it gives the impression of simply occurring alongside them…

Cloud Gate Dance Theatre of Taiwan in Formosa.© Dave Morgan. (Click image for larger version)

Cloud Gate Dance Theatre of Taiwan – Formosa – London

★★★★✰   Formosa means beautiful, and is how Portuguese sailors described the island of Taiwan when they reached it in the sixteenth century. It is the title of the latest work by Lin Hwai-Min, his final creation before retiring as Artistic Director of the Cloud Gate Dance Theatre…

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