"Sadler’s Wells" tag
Alain Platel & Fabrizio Cassol's Requiem pour L.© Chris Van der Burght. (Click image for larger version)

Alain Platel & Fabrizio Cassol – Requiem pour L. – London

✰✰✰✰✰   I have to ask how one associates a star rating with a performance in which the largest, continuing visual image is a close-up, slow motion film of an actual death.

Nicolas Vendange, Megan Armishaw and Mickaella Dantas in Face In.© Hugo Glendinning. (Click image for larger version)

Candoco Dance Company – Face In, Let’s Talk About Dis – London

★★★✰✰   …the latest double bill from this company of disabled and non-disabled dancers was playfully discombobulating and mischievously rambunctious.

Ballet British Columbia in Solo Echo.© Wendy D. (Click image for larger version)

Ballet British Columbia – 16+ a room, Solo Echo, Bill – London

★★★✰✰   Crystal Pite’s Solo Echo, originally made for Nederlands Dans Theater, was the undoubted highlight of the evening. Built around two Brahms sonatas…

Ballet British Columbia in 16+ a room.© Dave Morgan. (Click image for larger version)

Gallery – Ballet British Columbia in 16+ a room

Gallery by Dave Morgan…

Clementine Deluy in Körper.© Foteini Christofilopoulou. (Click image for larger version)

Sasha Waltz & Guests – Körper – London

★★★★✰   Waltz asks many questions which are still relevant eighteen years after the piece was first premiered in Berlin…

Claudia de Serpa Soares and Nicola Mascia in Körper.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Sasha Waltz & Guests in Körper

Gallery by Foteini Christofilopoulou…

Compañía Rafaela Carrasco in Born a Shadow.© Beatriz Monclar. (Click image for larger version)

Compañía Rafaela Carrasco – Born a Shadow – London

★★★★✰   Born a Shadow: Compañía Rafaela Carrasco’s inspired show had a powerful narrative drive.

Ballet Flamenco Jesús Carmona.© Beatrix Mexi Molnar. (Click image for larger version)

Ballet Flamenco Jesús Carmona – Ímpetus – London

★★★✰✰   Ímpetus promised a mix of modern ballet with traditional flamenco, a show shaped by new interpretations of classic Spanish music…

La Chana and Gema Moneo in Goddess of Compás.© Foteini Christofilopoulou. (Click image for larger version)

Gala Flamenca La Chana – Goddess of Compás – London

★★★★✰   Rarely have I witnessed a prolonged standing ovation midway through a show but it happened here to acknowledge the legendary gypsy bailaora from Barcelona, known as La Chana.

Úrsula López in Painter and Flamenco: J.R.T..© Foteini Christofilopoulou. (Click image for larger version)

Úrsula López, Tamara López & Leonor Leal – Painter & Flamenco: J.R.T. – London

★★★★✰   In each section of Painter and Flamenco the dancers personify not only the spirit and energy of de Torres’ portraits but also the poetry of his art.

Claudia de Serpa Soares.© Sebastian Bolesch. (Click image for larger version)

Claudia de Serpa Soares on dancing and all things Körper – Sasha Waltz’s legendary work, about to return to London

Claudia de Serpa Soares is performing with Sasha Waltz & Guests in Körper on the 1 – 3 March 2018 at London’s Sadler’s Wells – full details www.facebook.com/claudia.d.soares.52 www.sashawaltz.de www.sadlerswells.com Sasha Waltz &…

La Chana at Flamenco Festival London 2018.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Gala Flamenca La Chana at Flamenco Festival London 2018

Gallery by Foteini Christofilopoulou…

Úrsula López, Leonor Leal and Tamara López in Painter and Flamenco: J.R.T..© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Úrsula López, Tamara López & Leonor Leal in Painter & Flamenco: J.R.T. – Flamenco Festival London 2018

Gallery by Foteini Christofilopoulou…

María Pagés Compañía in Yo Carmen.© David Ruano. (Click image for larger version)

María Pagés Compañía – Yo Carmen – London

★★★✰✰   Yo Carmen was originally billed as a radical reimagining of Bizet’s opera and that’s not exactly the case. Don’t go along to this thinking that you will see any representation of the story with gypsies and bullfighters, or any male characters dancing.

Sadler's Wells publicity image for Carmen Linares, Arcángel & Marina Heredia's Tempo of Light.© Sadler's Wells. (Click image for larger version)

Carmen Linares, Arcángel & Marina Heredia – Tempo of Light – London

★★★★★   This was flamenco puro in its most fabulous form, dominated – as it should be – by the voice, led by three of the most celebrated of today’s star flamenco singers. It doesn’t get much better.

Breanna O'Mara in Viktor.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Viktor – London

★★★★✰   It’s impossible to make coherent sense of a Bausch piece, whatever the source of her inspiration.

Emily Molnar.© Michael Slobodian. (Click image for larger version)

Interview – Emily Molnar, Ballet British Columbia’s artistic director, on their work and UK tour

Next month (March 2018) Ballet British Columbia, or Ballet BC as they are commonly known, tour the UK. Diane Parkes talks to artistic director Emily Molnar about the company and the works they are touring which includes a piece by the ultra-hot Crystal Pite…

Julie Shanahan in Viktor.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Tanztheater Wuppertal Pina Bausch in Viktor

Gallery by Foteini Christofilopoulou…

Rudi Cole and Julia Robert Pares of Humanhood in ZERO.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Sadler’s Wells Sampled 2018

Featuring: NDT2 (Nederlands Dans Theater 2), Jodelle Douglas, Jesus Carmona, Humanhood, Zenaida Yanowsky, Candoco and Yeah Yellow. Gallery by Foteini Christofilopoulou.

Corey Annand and Valentina Golfieri in The Little Match Girl.© Phil Conrad. (Click image for larger version)

Arthur Pita – The Little Match Girl – London

★★★★★   Of all the shows I’ve seen this year this probably had the least dance content and yet as a package it really delivers on the wonder and thoughtful difference that theatre can make to all our lives. Charmed I was…

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