★★★✰✰ Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.
Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles
★★★★✰ San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…
Jeremy McQueen’s dance company, Black Iris Project, have their debut season at New York Live Arts this week – 27 & 28 July. Shanti Crawford spoke with the emerging choreographer about his new company, what drives them and the NY Live Arts bill.
★★★✰✰ With this first season, Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers.
More from ABT’s run of Ashton’s “Sylvia” – the time Marina Harss reviews Maria Kochetkova and Herman Cornejo…
★★★✰✰ It wouldn’t be spring without ballet galas. This week it was New York City Ballet’s turn. On the program were two new works, by Christopher Wheeldon and the relatively unknown Nicolas Blanc, the latter a veteran of the New York Choreographic Institute.
★★★★✰ Created in 2010 for the National Ballet of Canada, this production of the late John Cranko’s 1965 ballet was a smash here in 2012; it was reprised in 2013 and it’s wonderful to have it back again so soon.
San Francisco Ballet – Continuum, In the Countenance of Kings (premiere), Theme and Variations – San Francisco
★★★★✰ San Francisco Ballet (SFB) saved the best for its last mixed bill of the 2016 season.
★★★★✰ It’s a treat to be in the theater when a dancer achieves a triumphant performance…
★★★✰✰ Wheeldon’s talents are on display, as well as the Royal Ballet’s dancers. A pity, then, that Strapless has been exposed without previews to sort out its weaknesses.
San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco
★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”
The first time I saw San Francisco Ballet’s current production of The Nutcracker, a little boy sitting in front of us turned to his mother and whispered, “It’s magic!” Eleven years later, to the very day, it’s still a magical experience.
Scottish Ballet are touring Christopher Hampson’s “Cinderella” this Christmas – Graham Watts was at the European premiere in Edinburgh for DanceTabs…
Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold…
If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.
I thought this year’s Royal Ballet School (RBS) performance on the main Royal Opera House stage was pretty damn’ good.