"San Francisco Ballet" tag
Sterling Hyltin and Joaquin De Luz in Odessa.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with Odessa, Ratmansky premiere – New York

★★★✰✰   With only four works, no intermissions and a run time of less than two hours, New York City Ballet’s Spring Gala was short and to the point.

San Francisco Ballet in Thatcher's Ghost In The Machine.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Trio, Ghost in the Machine (premiere), Within the Golden Hour – San Francisco

★★★✰✰   Myles Thatcher is an inventive young talent…

The Joffrey Ballet in Bells.© Cheryl Mann. (Click image for larger version)

Joffrey Ballet – Body of Your Dreams, Fool’s Paradise, Bells – New York

★★✰✰✰   Some vein connected Bells and Fool’s Paradise on Thursday night and it wasn’t encouraging. Both pieces overuse the female body as a vulnerable entity…

Ivan Vassiliev and Kristina Kretova in Sceherazade.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala – In the steps of the Ballets Russes – London

★★★★✰   The long gala (three and a half hours with one interval) was well organised, with no speeches and no protracted curtain calls.

Dores André and Aaron Robison in Pita's Salome.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Fusion, Salome (premiere), Fearful Symmetries – San Francisco

★★★★★   Pita’s Salome is pure postmodern dance-theater, and a five-star surprise on the Opera House stage.

Sarah Van Patten and Luke Ingham in Balanchine's Stravinsky Violin Concerto.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Stravinsky Violin Concerto, Prodigal Son, Diamonds – San Francisco

★★★✰✰   The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.

Vitor Luiz in Scarlett's Frankenstein.© Erik Tomasson.

San Francisco Ballet – Frankenstein – San Francisco

★★★✰✰   It was a dark and stormy night – San Francisco Ballet couldn’t have designed a more apt and ominous atmosphere for the opening of Liam Scarlett’s Frankenstein.

Lorena Feijoo in Possokhov's Optimistic Tragedy.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Seven Sonatas, Optimistic Tragedy (premiere), Pas/Parts 2016 – San Francisco

★★✰✰✰   The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work ‘Optimistic Tragedy’.

Koto Ishihara, Francisco Mungamba and Wei Wang in Bubeníček's Fragile Vessels.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco

★★★★✰   The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.

Maria Kochetkova and Joseph Walsh in Cinderella.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Cinderella – Washington

★★★✰✰   Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.

Madeline Skelly and Connor Walsh of Houston Ballet in Forsythe's Artifact Suite.© Amitava Sarkar. (Click image for larger version)

Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles

★★★★✰   San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…

Jeremy McQueen.© and courtesy Jeremy McQueen (Click image for larger version)

Jeremy McQueen on his new company, Black Iris Project, and their debut programme of works in NY

Jeremy McQueen’s dance company, Black Iris Project, have their debut season at New York Live Arts this week – 27 & 28 July.  Shanti Crawford spoke with the emerging choreographer about his new company, what drives them and the NY Live Arts bill.

Arianna Maldini and pianist Jonathan Higgins in Mistake Waltz.© Johan Persson. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2016 – London

★★★★✰   The Royal Ballet School in particular includes something very special in their show – the closing Grand Defile, which always brings a lump to the throat and a feeling of pride.

Garrett Anderson and Anne Zivolich-Adams in Joe & Ida by Penny Saunders.© Andrew Weeks. (Click image for larger version)

SFDanceworks – Concerto Six Twenty-Two, Lickety Split, Joe & Ida, Portrait, Z – San Francisco

★★★✰✰   With this first season, Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers.

Maria Kochetkova in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia (Kochetkova, Cornejo) – New York

More from ABT’s run of Ashton’s “Sylvia” – the time Marina Harss reviews Maria Kochetkova and Herman Cornejo…

NYCB in Christopher Wheeldon's American Rhapsody.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with American Rhapsody (Wheeldon premiere) – New York

★★★✰✰   It wouldn’t be spring without ballet galas. This week it was New York City Ballet’s turn. On the program were two new works, by Christopher Wheeldon and the relatively unknown Nicolas Blanc, the latter a veteran of the New York Choreographic Institute.

Maria Kochetkova and Vitor Luiz in Cranko's Onegin.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Onegin – San Francisco

★★★★✰   Created in 2010 for the National Ballet of Canada, this production of the late John Cranko’s 1965 ballet was a smash here in 2012; it was reprised in 2013 and it’s wonderful to have it back again so soon.

Frances Chung, Jennifer Stahl, Dores André and Joseph Walsh in Justin Peck's In The Countenance Of Kings.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Continuum, In the Countenance of Kings (premiere), Theme and Variations – San Francisco

★★★★✰   San Francisco Ballet (SFB) saved the best for its last mixed bill of the 2016 season.

Frances Chung and Vitor Luiz in Balanchine's Coppélia.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Coppélia – San Francisco

★★★★✰ It’s a treat to be in the theater when a dancer achieves a triumphant performance…

Federico Bonelli and Natalia Osipova in Strapless.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Wheeldon bill: Strapless, After the Rain, Within the Golden Hour – London

★★★✰✰ Wheeldon’s talents are on display, as well as the Royal Ballet’s dancers. A pity, then, that Strapless has been exposed without previews to sort out its weaknesses.

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